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The Bone Folder By Ernst Collin, Peter D. Verheyen

Peter D Verheyen

DER PRESSBENGEL/THE BONE FOLDER: A DIALOGUE BETWEEN AN AESTHETICALLY- INCLINED BIBLIOPHILE AND A WELL-VERSED-IN-ALL-ASPECTS-OF-THE- CRAFT BOOKBINDER

By Ernst Collin, translated and introduced by Peter D. Verheyen

Der Pressbengel, by Ernst Collin, was originally published in German in 1922. This is its first translation into English. Conceived as a dialogue between a bibliophile and a master bookbinder on all aspects of the bookbinding craft as well as specific techniques, the text also addresses the conflicts between quality and cost and matters of good taste. An introduction by the translator discusses the historical context of the decline of formal training, a trend …

Eschatalogicallandscape, Kirby Farrell Prof

kirby farrell

Nazi obsession with art can be understood as a strategy for managing death-anxiety. The venerable trope of "immortal art" took on fetishistic qualities in the fantasies of the Nazi leadership. For many of them, art compensated for the trauma of World War I by framing idealized vitality invested with visionary self-expansiveness, as in the hyperbolic nudes of Thorak and Brekker, combined with a nostalgic recuperation of lost Victorian-era authority. In Ernest Becker’s terms, as creaturely motives, the manic looting of art works described in Lynn Nicholas’ The Rape of Europa acts out greed for life, appropriating hypostatized vitality as the …