Open Access. Powered by Scholars. Published by Universities.®
- Discipline
-
- Industrial and Product Design (109)
- Graphic Design (107)
- Painting (65)
- Interdisciplinary Arts and Media (46)
- Fiber, Textile, and Weaving Arts (43)
-
- Furniture Design (41)
- Printmaking (40)
- Sculpture (40)
- Metal and Jewelry Arts (32)
- Art Practice (31)
- Ceramic Arts (28)
- Fine Arts (24)
- Architecture (20)
- Interactive Arts (19)
- Glass Arts (18)
- Social and Behavioral Sciences (17)
- History (13)
- History of Art, Architecture, and Archaeology (13)
- Book and Paper (12)
- Feminist, Gender, and Sexuality Studies (11)
- Contemporary Art (9)
- Philosophy (9)
- Art and Materials Conservation (8)
- Creative Writing (8)
- Photography (8)
- Education (7)
- Other Architecture (7)
- Race, Ethnicity and Post-Colonial Studies (7)
- Keyword
-
- Graphic design (75)
- Product design (64)
- Painting (49)
- Furniture design (35)
- Sculpture (33)
-
- Memory (30)
- Materials (27)
- Printmaking (27)
- Typography (23)
- Visual communication (23)
- Textile design (21)
- Jewelry design (19)
- Video art (19)
- Ceramics (18)
- Art - philosophy (17)
- Book design (17)
- Ceramic sculpture (17)
- Glass (16)
- Installation art (16)
- Identity (15)
- Digital media (13)
- Nature (11)
- Weaving (11)
- Graphic arts (10)
- Layout design (10)
- Performance (10)
- Body (8)
- Process (8)
- Textiles (8)
- App design (7)
Articles 541 - 545 of 545
Full-Text Articles in Art and Design
Material Potential | Recontextualizing Material Libraries, Diana Wagner
Material Potential | Recontextualizing Material Libraries, Diana Wagner
Masters Theses
Material libraries are growing resources that offer an opportunity for artists and designers to discover a variety of materials. These collections are composed in a traditional taxonomy, pairing materials based on composition. Samples are typically commercially made and are displayed independent of context, means of production, cultural significance, and application.
Through making we learn a material’s potential: the transformation it can make, the form it can take, and the new composites we can create. This generative experience lives in the studio and workshop. But how can we introduce this language of process, critical thinking, and making to activate and challenge …
Not Not Real : Exercises In Styling, Sophie Mascatello
Not Not Real : Exercises In Styling, Sophie Mascatello
Masters Theses
As a generative process of visual form, styling and artifice are co-dependent. Styling mediates visual and sensorial elements for aesthetic benefit, and artifice produces a fantasy otherwise unattainable. Together they are a rebus — an orchestration of symbols and shifted realities — that impacts modes of representation and subsequent shifts in taste.
In Not Not Real, the logic of “real” life is moot. Relevance and subjectivity are the only fixed parameters that govern stylistic intuition. The image produced — however candid or authentic it may appear — is artificial. But this imagery supersedes reality in provoking aspiration, rendering the …
Learning To Live In Thick Interface, Jonathan Hanahan
Learning To Live In Thick Interface, Jonathan Hanahan
Masters Theses
As media platforms shift towards more dynamic interfaces, the separation between user and content grows infinitely. While advertised as thin, light, and seamless, these platforms mask a thick and complicated space in which society must navigate. This is what I call the “Thick Interface.” The Thick Interface is the portal we use to toggle back and forth and through which we communicate. It is solid and porous, physical and digital, enhancing and diminishing. It may also be a combination of these things simultaneously, or none at all. My work highlights—rather than masks—the complexity of this space through interaction, participation, and …
Speculative Archives : An Index, Sameer Farooq
Speculative Archives : An Index, Sameer Farooq
Masters Theses
Building an official archive, a comprehensive depository of cultural memory, is an impossible pursuit.My work centers around the question: what gets lost in the capture ? Responding to this problematic, I create “speculative archives”— setting the practice of archiving against the archive. In doing so, my display systems (including photography, film and writing) reveal countless ruptures, even blind spots, in the smooth surfaces of the archive: the invisibility of the archivist, the challenge of capturing ephemera, the inherent value bias in collecting, and the inexhaustibility of documenting a subject.
Speculating on the archive has consequence for design practice. From the …
Forming Process : Design Through Layered Visual Systems And Multiple Collection Methods : A Thesis, Jen Magathan
Forming Process : Design Through Layered Visual Systems And Multiple Collection Methods : A Thesis, Jen Magathan
Masters Theses
"Do not hide the structure, celebrate it in the form" ; "Approach design from multiple points of view."
These adages, so important in my architectural training, reverberate with intricate practicality in my work as a graphic designer, both as a way of building my design and as a means of developing a design process which explores multiple ways of organizing content through visual systems. Forming Process is defined by three conditions: celebrating the visual systems which organize the design, archiving content from multiple ways of collecting, and creating work by which the process of design is implicit in the design …