Art and Design Commons^™

My Mother On Dream Interpretation And The Lack Of Finality In Death, Liz Johnston

Comparative Woman

This is an interview with my mother, a dream interpreter. Here, we explore her practice of reading dreams and discuss her experiences in communicating with spirits.

Cover Art: Christian Lenape (Delaware) Interpreter, Ada Liu

Of Life and History

No abstract provided.

The Confessions Of A Goat: An Oral History On The Resistances Of An Indigenous Community, Prabhakar Jayaprakash

The Qualitative Report

Betta Kurumba is an indigenous (also known as Adivasi / tribal) community living in the Gudalur block of Nilgiris district, Tamil Nadu, India. This district is part of the Western Ghats mountain range that runs parallel to the Western Coast of India. It is an anthropological research on a hamlet, Koodamoola, located inside a tea and coffee plantation, the Golden Cloud Estate (pseudonym). Few years ago, the owner (under legal contestation) of this plantation attempted to enforce a ban on rearing of livestock arbitrarily. Betta Kurumbas did not agree to this enforcement since they are the ancient inhabitants of this …

Loiza Pa', Milan Bird-Riacoko

The Hilltop Review

No abstract provided.

The Consequences Of Narrative, Kylie Mosbacher

IdeaFest: Interdisciplinary Journal of Creative Works and Research from Cal Poly Humboldt

No abstract provided.

Silhouettes Of A Silent Female’S Authority: A Psychoanalytic And Feminist Perspective On The Art Of Kara Walker, Angelica E. Perez

The Kennesaw Journal of Undergraduate Research

The focus of my research centers on the contemporary work of Georgia-based artist, Kara Elizabeth Walker. In conducting extensive research on the life of the artist as well as three select artworks which recall the antebellum slave era within the south, I argue the explicit presence of the power of the enslaved prepubescent girl and young woman. The three select works that I intend to analyze are Burn, a cut-paper silhouette on canvas created in 1998, The Invisible Beauty, a mixed media piece made in 2001, and Cut, a paper cut-out silhouette made in 1998.

In a …

Black Lives Matter: Why Black Feminism?, Analexicis T. Bridewell

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

In this essay, the author explores the inclusive nature and focal range of the Black Lives Matter movement in an effort to demonstrate how the goals of the movement are grounded in Black feminism. Ultimately, Bridewell concludes that creating inclusive spaces for the exploration of intersectional identities can help bring justice and equality not only to the Black community, but to all lives that have be oppressed or marginalized.

The Beauty Within Us, Areli C. Hernandez

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

This piece of prose, inspired by Chapter 23 of John Steinbeck's The Grapes of Wrath, tells the story of a simple, yet vivacious get-together of migrant Latino workers, exploring the beauty within us--members of the migrant farm worker community.

La Bande Dessinée À L’Épreuve Du Génocide Au Rwanda : État Des Lieux Critique D’Un Mode D’Expression Original, Markus Arnold, Karel Plaiche

Présence Francophone: Revue internationale de langue et de littérature

20 years after the genocide of the Tutsis, one observes within the artistic production dealing with these traumatic events the presence of several comics (or bande dessinée). Yet is this specific mode of expression which often remains associated with lightness, humour and caricature capable to address in a credible fashion such delicate topics as pain, cruelty and death ? How do comics “translate” this 1994 tragedy for the purpose of critically raising awareness and providing memorial accounts while respecting the reader’s sensitivity ? Is there an “appropriate” depiction and where is the frontier between sensational, reliable and emotionally convincing portrayal …

Disorienting The Vietnam War: Gb Tran’S Vietnamerica As Transnational And Transhistorical Graphic Memoir, Caroline Kyungah Hong

Asian American Literature: Discourses & Pedagogies

No abstract provided.

“Capturing The Spirit”: Teaching Karen Tei Yamashita’S I Hotel, Lai Ying Yu

Asian American Literature: Discourses & Pedagogies

No abstract provided.

Mana & Ea, Dan Taulapapa Mcmullin

The STEAM Journal

This work, Mana and Ea, expresses Polynesian indigenous sovereignty struggles with colonialism and globalism in the Pacific Islands.

Documented Struggles And Triumph: African American Art, Holbrook Lauren

The Journal of Undergraduate Research

The emergence of African Americans as artists began in the Colonial Era with simple portraits. The first African American artist to gain recognition as a portraitist was Joshua Johnston who worked in the late eighteenth and early nineteenth century. The majority of his portraits were of wealthy European American families, who were slave owners (Fig. 1). Johnston was formerly a slave, and as rumors suggests, his former owner was also a portraitist from which Johnston acquired his skills. Interestingly, Johnston did not sign or date any of his works (Lewis 15). It seems as though a suggestion to his name …

« La Femme Qui Pleure » : La Nouvelle D’Assia Djebar Et Le Tableau De Picasso, Farah Aïcha Gharbi

Présence Francophone: Revue internationale de langue et de littérature

This article is a study of the dialogue that is maintained between the novel « La femme qui pleure » by Assia Djebar and the Picasso painting that bears the same title. This article also aims to show author’s achievement of the liberation of the feminine subject through an aesthetic means, in other words, through an angle that allows for an encounter between that which has been written and the painting, which combined give the women the right to the word and the image portrayed. The form and the structure that are shared between the novel and the painting appear …