Art and Design Commons^™

A Linear Perspective To Art, Sarah Littler

Humanistic Mathematics Network Journal

No abstract provided.

Temporality, Impermanence And The Museum The Ethics Of Conservation And The Works Of Anselm Kiefer, Virginia A. Dressler

Virginia A Dressler

The Language Of Art: A Conversation Between Henri Matisse And Pablo Picasso, Marisa Jones Hooser

Theses, Dissertations and Capstones

This study focuses on the dialog between Henri Matisse and Pablo Picasso and lays a unique groundwork for instructors in Discipline-Based art education (DBAE). Using two artists, rather than one, it reveals the importance of the basic art elements in a comparative analysis and stylistic variation of both. The art of Matisse and Picasso was intertwined even before their first meeting as it continued to be even after Matisse’s death. It is popular belief that Matisse and his work influenced Picasso’s career, but surprisingly little attention has focused on the influence of Picasso on Matisse’s work or, more specifically, on …

Richard Lippold: Space As A Metaphor For The Spiritual In Art, Curtis L. Carter

Philosophy Faculty Research and Publications

No abstract provided.

Towards The Poetic, Noel Brady

Other resources

The thesis purports to build a theory for the analysis and synthesis of architecture. It identifies a poetic strutcure which contextualises the production of arhcitecture while aspiring towards universal themes of dwelling and belonging. Using a number of case studies it uses deep reading of the artefacts to confirm the theoretical concepts.

High Art, Folk Art, And Other Social Distinctions, Gary Shapiro

Philosophy Faculty Publications

Most discussions of the arts by critics and philosophers could be characterized in terms of a rather studied neglect of folk and popular art. This neglect is hardly absolute, however, for it is important in order to articulate a specific conception of aesthetic taste, beauty, or style to contrast the standard being used or praised with some other, less desirable, even degraded way of producing or appreciating something similar. It is perhaps more than a historical coincidence that the formation of the modern concept of taste and aesthetic judgment, in the eighteenth century, coincides roughly with the discovery and valorization …

The Photograph And Superrealism, Christopher Stokes

Masters Theses

In 1968 an exhibition entitled "Realism Now" was held at Vassar College under the direction of Linda Nochlin, a noted art historian and professor at the school. The exhibition sought to present a cross-view of recent American painting in the realistic mode. Included in the catalog were twenty-five artists including Jack Beal, Robert Bechtle, Richard Estes, Alex Katz, Alfred Leslie, Malcom Morely and Philip Pearlstein, as well as many other artists who, at the time, were relatively unknown. The exhibition generated a great deal of attention, not only because of its recognition of contemporary representational painting as an influential movement, …

"The Tide Of The Unconscious" Jung, Bosch And The Archetypes Of The Garden Of Earthly Delights, Andrea R. Peck

Institute for the Humanities Theses

Many scholars have discussed the meaning of Hieronymous Bosch's The Garden of Earthly Delights concluding that Bosch's works were of a conscious nature relating to the real world. By contrast, this study, using the theories of Carl Jung, fragments Bosch's work and sees the milieu of his art through the eyes of the collective unconscious. Accordingly, a number of explanations of Jungian ideas are presented with the view to better understanding Bosch: Jung's theory of the archetypes, his view of Christianity, his analysis of medieval alchemy, as well as matrix archetypes and symbolic forms relating to The Garden. Through this …

Faust In His Study: The Paradox Of Visual Representations And Poetic Possibilities, Donna Ramsey

Institute for the Humanities Theses

The Faust theme has inspired individuals to creative endeavors over the years. While many of the resulting literary works are widely recognized and highly valued, few of the pictorial efforts have been similarly acknowledged. This investigation treats this apparent paradox as it applies to the soliloquy in the first scene of Part I of Goethe's poetic drama. The first part of the study compares the written word with its graphic interpretation, utilizing twenty-seven portrayals of Faust in his Study. The second section traces the iconography of the scene in a broader context, using twenty-eight prototypes which correspond to the depictions. …

A Philosophy Of Art, Robert Erickson

Masters Theses

There is no universally accepted concept of the nature of art. Many are contented in believing that it is just some mystical quality. However, I believe that art is a basic human trait which has evolved over millions of years. This paper shall explain my own belief as to the evolution of art and how it is used by myself and other artists.

That which we believe to be true is a product of our individual experiences. In technology, religion, and in art there are no universal truths. All human beings percieve the world in different ways.

Two billion years …

The Three-Dimensional Image Of Chance, Calvin Alexander Mcfarlane

Masters Theses

In order to create a work of art that has, for an unknown observer, as great a variety of meanings and interpretations as possible; the work must be of the sort that will allow any random observer to project their own experience into the work as its meaning and/or interpretation. The work of art created must present to the viewer a rich experience of mutually exclusive associations. For the work to be unlimited in associations, it must be free from any intentionally representative imagery on the part of the artist. In other words, the work should be abstract to the …

Multi-Directional Ideas In The Duality Of A Living Work, Orlando Jimenez

All Master's Theses

This paper presents a series of ideas underlying the philosophy behind the creation of the author's works. The paper deals with the creator-viewer relationship, and the distinction that is commonly accepted as existing between the perception of the two, ascribing more value on the perception of one over that of the other. The conclusions were reached after acute observation of occurrences of everyday as a source of esthetic experience and after lengthy discussions with people involved in the creative process.

Bruegel: His Influences And Consequences, Regina Cheng Jafree

All Master's Theses

Pieter Bruegel the elder, whose work is as modern today as centuries ago, and whose reputation as a major genius in the realm of visual, spiritual and sociological reality is lately emerging in a fashion which seems to do greater justice at a scale eminently deserved. I feel that in times to come, men like Bruegel and Caravaggio will possibly emerge as the most significant philosophers of visual arts. The fact that Bruegel is now being increasingly appreciated on a wider scale testifies to his greatness as a prophet and as a man who looked into the future, deeply and …

Building Inscriptions From The Aspect Of Art, Dana Dodge Corrough

University of the Pacific Theses and Dissertations

This study will comprise a very limited portion of the general field of building inscriptions, the artistic aspect. This will be done by a presentation of the means and make up of inscription, the critical study of many examples, and the formulation of rules for study and design of inscriptions.

The Relation Of French Poetry And Painting To The Development Of French Impressionistic Music, Phyllis Elaine Threlfall

University of the Pacific Theses and Dissertations

As far as the writer could find in her reading no one has ever written a finished study of this phase of Music, Art, and Literature. Of course, there are hints of it here and there in many books, but in no one in particular was a detailed study given. Paul Landormy’s book, A History of Music, seemed to carry the heart of the subject, however, in an extremely miniature style.

When we think of French music, our minds are generally centered in Paris, for it is here that the greatest organizations have been sponsored, and the important musical ideas …