Art and Design Commons^™

Welcome To The Streets: Tracing The Development Of Street Art In Nepal Since 2010, Malik Earle

Independent Study Project (ISP) Collection

Graffiti is a process. There really is no beginning or ending to a piece. Graffiti art is practicing a design, bringing it to a wall, letting it take shape, and allowing it to interact with the environment. What makes graffiti unique, among other things, is its interaction with the environment. When international graffiti influences and local conditions drove inspired artists to bring their art to the streets, a new art form emerged in Nepal. “Local conditions” labels the forces ranging from personal drive to the history of public art in Nepal, which fuel the movement. The present study aims at …

Place Reimagined, Michelle Unger

Independent Study Project (ISP) Collection

This book shows the creative process and final product of my Independent Study Project, conducted in Prague as part of a semester study abroad program. The project started with interviewing four Czech graphic designers who described places in Prague that are especially meaningful to them. After collecting and transcribing their stories related to their places of inspiration, I visited the locations myself and photographed the locations with sensitivity to the details the artists had emphasized as unique to their experience of the place. While at each site, I also photographed elements of the locations that I personally found interesting and …

The Abstract Text: Adinkra Symbolism As A Narrative In Drawing, Sherae Rimpsey

Independent Study Project (ISP) Collection

Objectives:

i. Discuss the history of Adinkra textiles and its processes.

ii. Establish the origin and significance of Adinkra symbols.

iii. Situate the Adinkra symbols within Abstraction and examine its narrative potential as a non-discursive mode of communication in drawing.

iv. Create iconography to be in dialog with Adinkra symbols as part of a constructed narrative.

Methodology: I utilized the three key principles of methodological research – participation, observation, and interview in order to have direct experience with Adinkra cloth processes. I felt that this was necessary in order to effectively make sense of and analyze Adinkra symbols. I interviewed …

Beads, Sculptures, And Baskets: South African Traditional Craft As A Means Of Economic Empowerment, Sasha Kaori Hippard

Independent Study Project (ISP) Collection

The significance of the South African traditional craft industry is often associated with the preservation of historical culture. However, besides being a crucial element in the protection and promotion of cultural heritage, craftwork also can be a significant source of income generation for disadvantaged communities across South Africa. The African Art Centre, a non-profit organization located in Durban, reaches out to various communities of disadvantage in and around the KwaZulu Natal province, holding training and design workshops, providing access to craft skills and materials, and providing a market for the sale of craft as a source of sustainable economic empowerment. …

Progression Of Aesthetic: A Study Of Beads And Adornment In Contemporary Krobo Society, Jordan Ashe

Independent Study Project (ISP) Collection

1. Methodology: To gain insight into the role of bead heritage and adornment in Krobo, I spent 18 days in Krobo-Nyaso, learning how to make recycled glass beads called giga, and observing the use of beads in daily life and ceremonious occasions. I observed one wedding ceremony and parts of a Dipo ceremony, though I was unable to attend a naming ceremony or funeral. To gain insight into contemporary bead culture, I interviewed Krobos of all ages, occupations, and social ranks, including one bead vendor, two bead makers, two chiefs, one priest, and four Krobo women. I also sought …