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- Joel Slayton (2)
- CA. (1)
- CADRE (1)
- Christine Tamblyn (1)
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- Computer art (1)
- Conduits (1)
- Dirk Paesmans (1)
- DoWhatDo (1)
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- Georgia Institute of Technology (1)
- Geri Wittig (1)
- Guy Marsden (1)
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- Joe Delappe (1)
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- P.D. Quick (1)
- Physiology (1)
- Psychology (1)
- Siggraph '95 (1)
- Silicon Valley (1)
- Slayton's piece 'Conduits' presented in celebration of the centennial of Palo Alto (1)
- Surveillance (1)
- The Vivid Group and Multigen Inc. (1)
- University of North Carolina Chapel Hill (1)
- Virtual I/O (1)
- Virtual Reality (1)
Articles 1 - 3 of 3
Full-Text Articles in Art and Design
Currents: Art Review, Jason Challas
Currents: Art Review, Jason Challas
SWITCH
A review of the exhibition "Currents", on view at Holmes Fine Arts Gallery Feb. 11th- April 28th 1995. Works reviewed include two by Bruce Cannon, “Comfort Zone” and “Donation Box,” as well as Tim Ryan's relief paintings and sculptures. It is noted that the exhibition also incorporates work by Joan Heemskerk, Dirk Paesmans, Joel Slayton, Jack Fulton, Gary Quinonez, Guy Marsden, Christine Tamblyn, Geri Wittig, and Joe Delappe.
Vrware Beware: Vr At Siggraph, P.D. Quick
Vrware Beware: Vr At Siggraph, P.D. Quick
SWITCH
The article uses the author’s experiences from the event of Siggraph ‘95 to comment on upcoming products using virtual or augmented reality. The article includes further discussion on the products’ effects on the psychology and physiology of consumers. Some examples include the “i-Glasses” from Virtual I/O, the “Smart Model” from Multigen, as well as the nanomanipulator created by University of North Carolina Chapel Hill Department of Computer Science, and the Phobia Project developed by the Georgia Tech Graphics Visualization and Usability Center. The article also covers not only the products of this event, but also the courses, panels, papers, and …
Interview: Joel Slayton, Christine Laffer
Interview: Joel Slayton, Christine Laffer
SWITCH
Interview with Joel Slayton, Professor of Computers in Fine Art at San José State University, and Director of the CADRE Institute. Slayton discusses the history of the Cadre Institute and details his views on the relationship between art and new technology. Slayton describes the role of artists in exploring the possibilities and ethical implications of emerging technologies such as genetic engineering, nano-techology, robotics, and artificial life. He describes installations and in-progress work focused on ubiquitous video surveillance. The interview concludes with a discussion of Slayton’s use of the DoWhatDo model for artistic collaboration and of his piece "Conduits," presented in …