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Sculpture

Theses/Dissertations

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Full-Text Articles in Art and Design

Two Sculptural Fabrications That Utilize Tension, David Robert Olson Jan 1980

Two Sculptural Fabrications That Utilize Tension, David Robert Olson

Masters Theses

The problem chosen is one which utilizes the fabrication of parts to be constructed into a unified sculptural whole. The documentation of the fabrication of two sculptural statements is presented in this paper. A personal process of finalizing a finished piece will be presented. The works in the following pages are from similar ideas, yet different in their approach because of the two separate materials utilized--mild steel and quarter-sawed white oak. The first documented piece discussed is in steel; the second, in wood. What guides the approach to the works as sculptural ideas will first be encountered.

I am involved …


Clay, Roots, And Coexistence, Jeffery C. Johnston May 1979

Clay, Roots, And Coexistence, Jeffery C. Johnston

Dissertations and Theses

A terminal project featuring the work of Jeffery C. Johnston submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts.


Construction-Sculpture, Kanetaka Ikeda May 1979

Construction-Sculpture, Kanetaka Ikeda

Dissertations and Theses

A terminal project report submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Sculpture.


Introducing The Secondary Student To Sculptural Design And Form In Metal : Welding Sheet Steel Using The Oxyacetylene Torch, Philip John Smith Jan 1979

Introducing The Secondary Student To Sculptural Design And Form In Metal : Welding Sheet Steel Using The Oxyacetylene Torch, Philip John Smith

Dissertations and Theses

This thesis deals with the application of simple oxyacetylene welding techniques to the secondary art curriculum. Welded sculptural forms in sheet steel have been the focus of my own work during the past three years and these experiences formed the basis or background of the presentation of these skills to secondary students. An instructional unit was designed to fulfill three primary objectives. First, to familiarize the student with the basic tools and materials used in the construction of welded steel sculpture; second, to introduce the student to the creative concepts involved in the creation of sculptural form; third, to give …


Empathetic Reactions Derived Through Abstract Sculptured Forms, Bruce Frederick Literal Jun 1978

Empathetic Reactions Derived Through Abstract Sculptured Forms, Bruce Frederick Literal

Dissertations and Theses

This thesis project consists of sixteen abstract sculptures. The material most often used is polyester resin. The work explores the emotive potential of the relationship between the organic forms and geometric spaces. The forms are derived from observing the environment, other current artists' works, and the works of art history.

The sculptures generally divide into three groups. The first is composed of geometric and organic forms that are altered slightly so that aspects of each form reside in its opposite. The second group maintains a purity of organic and geometric elements. Here a balance is kept by weighing the visual …


Bronze Sculptures: A Thesis Report, Michael T. Story Apr 1978

Bronze Sculptures: A Thesis Report, Michael T. Story

Dissertations and Theses

The Thesis discusses sculptures completed during the period of study from October 1976 to April 1978 and presented at the Department of Art and Architecture Gallery April 10, 1978 to April 28, 1978.


One Artist’S Experimental Approach To Sculpture, John J. Smith Iv Jan 1978

One Artist’S Experimental Approach To Sculpture, John J. Smith Iv

Masters Theses

This paper is intended to reflect the creative sensibilities of one artist-scientist as he experiments with media and his perceptions of nature as an approach to growth. His philosophy revolves around the relationship of his experience, his natural instinctive sensibilities, their affection upon his intuition, and the resulting creative process. The stimuli for the process are found in the natural realm around him whether perceived scientifically or artistically. Due to the intrinsic nature of the creative phenomenon, it is very difficult for the artist to separate the scientific and artistic modes from the naturalistic or experiential stimuli. So he goes …


Cold Connections As Used By The Metalsmith And Sculptor, Deborah A. Rohr Jan 1977

Cold Connections As Used By The Metalsmith And Sculptor, Deborah A. Rohr

Masters Theses

Metal may be joined to metal and non-metal materials by many techniques. It is my intent to discuss one group of such techniques--that of cold connections, and illustrate them with art works. Although there are many types of cold connections, this study will concentrate on the use of rivets, screws, bolts, adhesives, nails and wire as cold connectors.

A proper definition for cold connection is attachment of one piece of material to another piece of material without use of heat.

Historical reference of the uses of cold connections by prehistoric man, early civilizations of man, through modern times is included …


A Series Of Sculptures, John Redman May 1976

A Series Of Sculptures, John Redman

Dissertations and Theses

A Description and Analysis of Sculptures completed during the last year of the MFA Program, and presented in public showing April 1-23, 1976.


Fibers And Fabrics In Stuffed Sculpture, Carol Ann Haskell Kessler Jan 1976

Fibers And Fabrics In Stuffed Sculpture, Carol Ann Haskell Kessler

Masters Theses

This thesis is a report of my experiences with fibers and fabrics in producing sculptural forms. They begin with my use of fibers in unstuffed sculpture and proceed to the use of stuffing materials in many varieties. To give an historical perspective, included are a number of related works, both primitive and recent. For the purpose of critical analysis, each sculptural form is pictorially presented and discussed.


Metal As A Decorative And Structural Element In Wood Sculpture, Gordon F. Disharoon Jan 1975

Metal As A Decorative And Structural Element In Wood Sculpture, Gordon F. Disharoon

Masters Theses

No abstract provided.


The Use Of Fiber To Create Sculptural Forms, Christine Danner Jan 1975

The Use Of Fiber To Create Sculptural Forms, Christine Danner

Masters Theses

No abstract provided.


The Steel Sketch In Monumental Scale, Ronald James Gregoire Jan 1975

The Steel Sketch In Monumental Scale, Ronald James Gregoire

Masters Theses

No abstract provided.


Sculpture Through Interchangeable Boxes, Dale Wisniewski Jan 1974

Sculpture Through Interchangeable Boxes, Dale Wisniewski

Masters Theses

The objective of this paper is to focus attention on the versatility of the solid geometric box and its variations as utilized by the author in creating a multitude ot interchangeable sculpture from a single set of boxes. The intent of the artist, in using the box, was to create a set of boxes which could be arranged in a variety of positions to become at each time a unique and valid sculpture. For purposes of this paper the term box will be used to denote structures comprising three dimensions with opposite sides being parallel and adjacent sides at right …


The Micro-Environment Museum, John Clark Gleason Jan 1972

The Micro-Environment Museum, John Clark Gleason

All Master's Theses

The purpose of this paper is to give an explanation of the show, "The Micro-Environment Museum"; to give an explanation of the miniaturization process and it's opposite, enlargement; and to give a larger insight into the micro-environment.


Polystyrene And Urethane Foams In Sculpture, Victor C. Connor Jan 1972

Polystyrene And Urethane Foams In Sculpture, Victor C. Connor

Masters Theses

No abstract provided.


Mark's Art And Bridge Construction, J. Mark Erlander Jan 1972

Mark's Art And Bridge Construction, J. Mark Erlander

All Master's Theses

Plactic is the material I chose to communicate my ideas. Named for its ability to be shaped, melted, bent, moulded, and extruded into an infinite number of forms, is one of two reasons I used it. The other is its concept is familiar to modern man and even a definition of him.

To make the communication bridge complete the stulptures are constructed to allow the viewer to take part in the final form. By moving the work, he is as involved in the concept, form, and material as I have been in making the piece.


The Exploration And Utilization Of Unpredicted Movement In Kinetic Sculpture, Relying On Wind As A Natural Force, Using Metal Rod And Cloth Sails As The Medium, Gary A. Grohmann Jan 1972

The Exploration And Utilization Of Unpredicted Movement In Kinetic Sculpture, Relying On Wind As A Natural Force, Using Metal Rod And Cloth Sails As The Medium, Gary A. Grohmann

Masters Theses

No abstract provided.


Design Of Spatial Interstices, Byron Hiroyuki Kato Jun 1971

Design Of Spatial Interstices, Byron Hiroyuki Kato

All Master's Theses

It was the purpose of this study: (1) to develop an idea visually as well as to articulate it in writing; (2) to evolve and develop illusions and realities of spatial interstices (spatial framents) as positive elements of two and three dimensional form; (3) to articulate, as objectively as possible, an analysis of the body of creative work.


A Study Of Three-Dimensional Form Using Steel And Non-Ferrous Metals, Derell Roger Midles Jan 1971

A Study Of Three-Dimensional Form Using Steel And Non-Ferrous Metals, Derell Roger Midles

All Master's Theses

A discussion and documentation of Midles' student art and sculpture studio exhibition.


Dominant Aesthetic Influences Affecting My Work As An Artist, Noel Kenneth Heffley Jan 1971

Dominant Aesthetic Influences Affecting My Work As An Artist, Noel Kenneth Heffley

Masters Theses

No abstract provided.


Sculptural Furniture, Gary Galbraith Jul 1970

Sculptural Furniture, Gary Galbraith

All Master's Theses

The artist should employ his sense of playful experimentation that requires the re-investigation of old manners and styles. I have attempted to apply the imagination of my senses to the furniture object in order to satisfy other human needs aside from comfort. These artistic requirements remove the piece of furniture from the realm of neutrality and tastefulness and expect the viewer - user to experience visual communication.


The Record Of A Masters Thesis Exhibit, Gary Michael Green Jul 1970

The Record Of A Masters Thesis Exhibit, Gary Michael Green

All Master's Theses

This thesis documents the preparation, exhibition, and audience reaction to an art exhibit created by the author.


Four Objects: A Visual Hearing, Katharine Nuckols Gilbert Jan 1970

Four Objects: A Visual Hearing, Katharine Nuckols Gilbert

Theses and Dissertations

This thesis statement is of a two part nature. The first part shows photographs of my creative products in the process of making them and in their completed state. The second part deals with the process involved in my mental activity as these objects were created.

I have presented the photographs of my work first because I feel that viewing the work before reading the text is of primary importance. Visual comprehension of my work is my major purpose.

The photographs in the visual appendix are objects that exist within my world. They are abstractions. They are but a few …


The Development Of A Series Of Cast Metal Sculpture Using The Lost Wax Process, Ernest C. Reynolds Jun 1967

The Development Of A Series Of Cast Metal Sculpture Using The Lost Wax Process, Ernest C. Reynolds

All Master's Theses

The purpose of this problem is twofold. First, I feel impelled to make a personal statement regarding my philosophies about form, and secondly to explore the possibility of relating negative and positive form as a sculptural unity in bronze casting.


Creative Glazing Through The Trial And Error Method, Ted Wiprud Aug 1962

Creative Glazing Through The Trial And Error Method, Ted Wiprud

Graduate Student Research Papers

This research paper will deal with trial and error glazing. The main purpose will be to show that trial and error glazing goes beyond practical consideration and lends itself to the philosophical aspects of creativity.


The Cello Player : A Sculpture In Magnesite, Robert Earl Morris Jan 1955

The Cello Player : A Sculpture In Magnesite, Robert Earl Morris

University of the Pacific Theses and Dissertations

This paper is not to be considered as the main project for the master's thesis, but rather as an accompaniment to the mail project, which is a piece of sculpture entitled, The Cello Player. The paper will briefly discuss what sculpture is, together with a general overview of the materials and methods employed in the creation of a sculptural piece. In the paper an attempt will be made to explain why and how The Cello Player was created. It will also consider the technical and working aspects of a new material, Magnesite. Lastly, it will evaluate the use of Magnesite …


A Brief Survey Of The Art And Execution Of Bronze Sculpture, Paul Lawrence May 1949

A Brief Survey Of The Art And Execution Of Bronze Sculpture, Paul Lawrence

Art & Art History ETDs

The general problem included the art and execution of bronze sculpture. It was felt that the theory of art of bronze sculpture, or any art, could be best comprehended when substantiated by practical illustration. In order to fully realize the problem, a brief history of bronze metal and bronze sculpture was presented in addition to the research in the field of various techniques of bronze casting. The practical illustration of this study was made in the form of a composition for bronze sculpture.