Art and Design Commons^™

Phefumula Nami, Ndivhuho Rasengani

Masters Theses

Cosmos: Building a cosmology (mid 17th century: from French cosmologie or modern Latin cosmologia, from Greek kosmos ‘order or world’ + -logia ‘discourse’,) which mirrors and exhumes hidden narratives from our current reality. It is in this tracing that I teeter between visual codes in the form of memories impressed upon my mind from generations of old and Aesthetic symphonies from the present.

Is It Real?, Hana Al-Saadi

Masters Theses

The architecture of Doha, Qatar is defined by skins of glass. When the sun shines upon the layers of glass, it creates a shimmery reflective grid across the surface of the city. These reflections, while visually intriguing, conceal many private realities behind the surface.

As a multidisciplinary artist, I attempt to maneuver in the space between the opacity of the facade and stories that lie behind. Specifically, I use this space to directly expose the contradictions that I encounter here.

The Body Extended, Yi Yang

Masters Theses

The book isn’t meant to have a center. The book is not meant to be read in order.

A book is made up of different dates and different speeds.

The chapters of the book delve nonlinearly into a range of philosophic, scientific, and political subjects connected by threads of ideas that go off in different directions at different speeds and different intensities.

Accompanying my research, memories, and project documentation, I record personal anecdotes that reflect my passion and my obsessions, as well as lay the foundation for the included work.

The book is a map book, a roots book, an …

Recycle Bin (Trashure), Eunhyung Chung

Masters Theses

I am inspired by painful and exhausting situations, fragile or impermanent things that break easily and do not last long, so most of my works are installation or performance which changes as time goes by. I think a lot about the sense of loss and there are two kinds of loss in my work. One is the loss of precious moments and emotions of the past. Since I have so many blissful memories of my childhood related to art, they are the driving force of my artwork and they form the core of my identity. The loss of direction and …

Watermarks : The Catalogue For Home Enthusiasts, Susana Oliveros Amaya

Masters Theses

Not just when tricks are revealed as tricks, but also when they become something else and materials still push one direction but then take a different turn. The wardrobe does not quite fit in your Ford Ka, the shelves are not exactly straight, the bed does not fit the mattress and the cabinets do not line up. The tension between ideals and use opens a space for re-appropriation, one that can reveal and turn its socioeconomic codes against themselves. Perhaps these are precisely the moments of friction when these ideological watermarks can be disrupted.

Madrepora, Elizabeth Burmann Littin

Masters Theses

Exploring materiality and how we’re inextricably entangled with it, this thesis dive into bodily, aqueous, and political engagements for dissolving the human project of separating nature from culture and bodies from environments. This dematerialization practice driven by discursive means has served as an excuse for the industrial exploitation and abuse of the less seen.

Infused by the material turn in feminist theory, I propose to think with materiality in all its wet, slimy, and dusty ongoingness as a way to craft from the living and dying processes that we embody as current wanderers among contamination, scarcity, and ruins.

Proposing a …

I - 0, Sanghyun Koh

Masters Theses

This pack of cards is a provisional collection of encyclopedic thoughts and knowledge selectively hoarded for the artist’s comprehension of the world. These cumulative writings, packaged in a distributive form for intellectual play, cover the artist’s past workings, current studies and dormant plans, amassed in the responsible attitude of selection as well as in the irresponsible method of organization. The content of this 144-card deck is basically oriented to the oscillating status of a self seeking the ‘Grasping Totality’ as a human desire and of the ‘Improbability of Reach’ as a human limitation, whether true or false, proven or unproven, …

Wrung From Grave Architectures, Megan Solis

Masters Theses

Found or imagined findings... notes, diary entries, texts, prayers and poems

Disasters are avenues to gain intimacy glory is the constant

What is the skeleton made of, if not to be filled with meat to be piled and molded to bring back life.

pain and memory to be grave architectures, the stuctures that fall,

a plea for humanity: “Am I just a phantom waiting to be ripped from shady ground?”

desperate melancholy we realize that she is

I am

you are

tragic.

guilt to perform, to retraumatize is a punishment and is masochistic. to violently reenact, like haunted ghosts, to …

Circle, Loops, Straps, Tracks, Towels, Laura Thatcher

Masters Theses

When running, thoughts come and go and disappear otten before I can solidify them. I can only really hang onto a few but it's liberating because it allows my mind to leap from one thing to the next by way of lucidity. This brings an experience of felt time or the sensation of time passing. I can slide rhythmically from the haptic to the elusive while passing quickly through places and ambiences.

I Am Come Back To You, Eleanor Tomlinson

Masters Theses

Through various forays into psychological science and affect theory, this work attempts to understand how quick and simple commodities might coalesce into a complex portrait of individual and collective memory.

Sight Lines, Makia Sharp

Masters Theses

Through investigations of liminal phenomena, this written thesis explores the direct and indirect effects of time, light, architecture , and metaphysical space. Along with the work, it is an attempt to create a framing around these phenomena which are both banal and transcendent, and which exist of the edge of perception.

Tendrescopic Endeavors And Other Dynamics, Jared Akerstrom

Masters Theses

Tendrescopic Endeavors and other Dynamics is an attempt to coalesce the ideas and skills that have been flying around my studio over the course of the last year into a single project. A trip to Storm King Art Center and ideas of modular making began a cycle of exploration into the way custom fittings could create light-weight and transportable sculptures. Developing a greater ability to digital model and create my own unique parts has been the charge that I have built this work upon. Science and the devices that facilitate scientific discovery act as the embodiment of the desire to …

Dermis, Julia Betts

Masters Theses

I create situations that hold onto spaces or things. That psychic energy can be transferred to a viewer. I’m curious about this transference and The Aesthetics of Disengagement and the empathetic nature of making work.

I often engage the viewer through overwhelm (such as: texturally, amount of objects, length of performance, mark making…) to create anxiety/tension around a body or around how a body relates to space. To create this overwhelm, I use ritual, repetitive labor that is between obsessive and meditative. In this boundary, I wonder about whether art is healing or can be. I’m interested in creating spaces …

Thesis, Robert Joseph Anspach

Masters Theses

This is a seemingly didactic account of the nature of the mind, art, and the end of the world. It is probably not very good and the author does not stand by what is stated within it, but has to turn something in in order to graduate. Maybe do not read it.