Art and Design Commons^™

Tracing As Process, Lesley Su

Masters Theses

Tracing is a way to observe, document and translate, to be anchored in the physical working, to find personal occupancy in the built environment.

By establishing one-to-one relationships with the physical context, tracing enables us to comprehend objects in multiple dimensions. Through tracing, we can explore how two-dimensional drawings can be transformed into three-dimensional objects, and vice versa, objects can be documented through drawing to capture the essence of reality.

Based on materials and motion, research on tracing techniques guides me into how tracing could act as a process of art and architecture practice.

I Buried The Fireworks Under The Tree, Sihan Zhu

Masters Theses

Unreachable memories always surround me. I've been trying to extract logical parts from my chaotic memories, hoping to find a connection with the world within the soundless, intangible black fireworks stored in my retina under the grand fireworks display. When I first encountered intaglio printmaking, I impulsively drew subconscious memories on the plate, arranging them along some chaotic storylines. Gradually, I realized that I needed to create my own logical structure. So I started using specific visual symbols and repeating them, using the repetition of the printmaking process to search for logical clues. Printmaking with its special rhythm allowed me …

Objects And Apparitions: A Portable Museum, Yesuk Seo

Masters Theses

My work transcends the boundaries between painterly printmaking and sculpture. Through hand-pulled silkscreen prints, I create abstract pixelated images depicting our constantly changing relationship with meaning and reality. Memories are often glamorized and distorted whether it is our childhood home, our neighborhood, or the city. My practice archives my family history and traces patterns in memory and space by using invisibility as a phenomena to render newer explorations of abstraction, in time and in urban landscapes. Objects & Apparitions: A Portable Museum, pairs moiré patterns of ghostly printmaking with wooden objects in specific arrangements. It captures my nomadic journey between …

One More Time, I Love You —— 我有所念人，隔在远远乡, Jingjing Yang

Masters Theses

"One More Time, I Love You ——我有所念人，隔在远远乡" is a thesis project that delves into the profound nature of "obsession," which surpasses the boundaries of life and death, as well as the mortal world and the underworld. The interpretation of this type of obsession varies among individuals, and my understanding of it originates from the traditional Chinese myth concerning the afterlife journey. According to this myth, upon departing from the mortal realm, the deceased traverse the Bridge of Helplessness, cross the Forgotten River, peruse their past, present, and future lives on a Three Lives Stone, and then partake in the Soup …

Rotten And Falling, Khwanchira Chindamanee

Masters Theses

Abstract

I am an artist printmaker fascinated by the theme of impermanence as manifested through the cycle of birth, aging and death. Death is not the end of the cycle, however. Death begets transformation, via decay, of one form into another or perhaps others.

During my time at RISD, I received a scholarship to study Japanese paper making in Iowa. The experience was transformative for both my printing and soft sculpture. Later, I learned about mycelium, and began incorporating this living element into my work.

This thesis reflects on my primary source of artistic inspiration, the hup taem murals of …

Soul Furnace / فرن الأرواح, Isa Ghanayem

Masters Theses

“This is the good washing, this is (the washing) which separates the dirty body from the pure body. This is like silver mixed with lead, it is separated from it by this (process): one makes for it a cupel of bones, which is what is called the “head of the dog” and of which the common name is kūja-which is the crucible—and this must be made of burnt bones. One melts the silver in it, one gives it a strong fire: the cupel will absorb and receive the lead, the fire will make its subtle (part) fly away and extirpate …

Step 10, Jinhong Cai

Masters Theses

Step 10 is an experiment on provoking empathy through

abstracted elements within my studio practice. I am

proposing to craft an emotional piece without leaning

on my identity. This written thesis consists of two parts:

narrative prose and an explanation of my studio practice.

While the installation is entirely devoid of cultural or

personal references, this text-based thesis is full of them

because it is intended to inform whoever is interested in

learning more about the motive behind this creation.

The questions I bought into the thought and creation

process are: Can a piece of art still successfully bring

out …

Recipes For Building Relationships, Adriana Lintz

Masters Theses

This thesis explores the history of women's access to education and the issues of gender disparity in education. I focus on single-gendered schools as I write from personal experience to describe the benefits for individuals in single-gender educational systems. I cite conflicting research on how men and women learn regarding biological, cognitive, and developmental differences. I illuminate some of the benefits of single-gendered education through research, experience, and personal communications. I write about the controversies and disparities regarding education and single-gender schools. I document research on the issues women face in education and the politics of women’s bodies and minds …

Eco-Interoception: What Plants, Fungi And Protista Have Taught My Body, Sara Riley Dotterer

Art Theses and Dissertations

To me, ecology is the relational, full-body awareness that I am made up of and deeply connected to everything around me; and for better or worse, this is reciprocal. I form ecotones, an ecological transitional zone between two ecosystems, with the world around me. I use this ecotonal lens to blur binaries and dissolve boundaries between me and the world “outside my body.” During my Masters of Fine Arts at Southern Methodist University, I have continuously explored and represented the lives of various more-than-human species outside of my body, including plants, fungi and protista through an ecotonal lens. Although these …

The Hospitality Of Doubt, Ian Grieve

Art Theses and Dissertations

This paper discusses the last two years of research toward a Master of Fine Art in Studio Art. I mainly address my painting practice, but while in the program, I have worked in collage, ceramics, intaglio printmaking, and sculpture. My paintings are thick, multilayered, and often contain ambiguous narratives. The pictures develop through engagement, openness, and response within the work. I seek and embrace connection with viewers of the work. The spectator ‘completes’ the art and enhances or alters the artworks meaning by observing it and applying their individual perspectives. I seek to incorporate a sense of nostalgia and familiarity. …

Eve Leaving The Garden, Norma L. Colby Ms.

LSU Master's Theses

This body of work serves as an investigation into the concepts and burdens that, as a female millennial, impact me regularly. As the door to my education closes, I turn to a much bigger world with endless possibilities and responsibilities. With these overwhelming prospects, I find myself reflecting on how our society has progressed and worsened to arrive here today. I continue to question the passing down of systemic burdens, politics, and gender roles of women in the 21^st century. Eve Leaving the Garden is a collection of textile works, photographs, and sculptures that serve as an exploration of …

Inner Portraits, Bethany Salisbury

Graduate Theses

This paper investigates the many interconnected layers of women’s mental health through portraiture and how animal and plant symbolism can represent the way women's hormones and bodily health affect their mental health. I reveal how the artwork created presents these connections and inner mental health narratives to the viewer, creating a space of empathy, destigmatization, and self-reflection. This body of portraiture art connects five women through a series of both two-and three-dimensional portraits based on interviews using my own adaptation of Sara Lawrence-Lightfoots’ (1983) portrait methodology.

Women and non-binary individuals have always dealt with difficult interactions of bodily and mental …

Reading The Room: Memory, Dwelling, And The Everyday, Sara R. Hardin

University of New Orleans Theses and Dissertations

In any space, there is a residue that coats the present with a patina of memory. Creating layered imagery in dream-like paintings and prints, I use the domestic realm as a metaphor for the internal world of the mind, memories, and private thoughts, including them in compositions with symbols like the boundaries of windows, doors, and gates. These metaphorical structures also portray outward identities, which guard inner emotions. The conceptual aspects of these compositional elements weave together memories of the past and places of the present into a unified whole.

I began graduate school at the beginning of the COVID-19 …

Personal Details, Ben Nathan

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

In 2022 I lost my Paternal Grandmother. I found that in addition to the loss of a dear matriarch I mourned everyday things lost to the past. From furniture to childhood relationships, I was made keenly aware of their absence. As I longed to spend more time in the past, I created a studio practice of printing and drawing, whereby I enable myself to spend hours a day in quiet introspection, just drawing and reflecting on my life as expressed by personal details.

My work melds renderings of everyday spaces and objects from memories of childhood and my present experience …

An Exploration Of Pattern: British Wildflowers, Megan Quinn

Theses/Capstones/Creative Projects

For this creative project I decided to focus on illustration and design, displaying the skills I have picked up over my academic journey.

The natural world is all around us and throughout history, in both written and visual methods of communication, organic patterns based in nature have played a large part in how we as individuals interpret and interact with the world. Organic material is at the forefront of our minds as we navigate through the challenges that life throws at us, and for me, I wanted to celebrate this through my own artistic journey. The natural world for me …

Refigured: Separations In Portraiture, Caroline Myers

All Theses

Utilizing traditional painting techniques embedded with digital syntaxes, Refigured: Separations in Portraiture, serves as a catalog of my experiences with communication in a hyperconnected world. Processing illegible information caused by my hearing loss informs the process of imposing similar boundaries within my paintings. Like a technical glitch, these obstructions create an illegible visual experience, with evidence of my process remaining as a clue for the viewer’s understanding of the image.

Though personal in nature, I expand from my experience with auditory communication to employ pertinent explorations into the sustained unpredictability of today’s ever-expanding medium that is technology. My paintings …

Second Nature: Impressions Of Place., Trish Korte

Electronic Theses and Dissertations

For my art practice, I grow and forage my art materials for eco printing, a direct contact printing method that reveals leaf shapes and hidden imagery through heat and pressure. I take specific cues from surrounding materials, objects, and environments. Tree systems and compelling textures of fungus are interpreted through ceramic and fiber. With an ongoing collaboration of natural materials and eco printing processes, my art speaks symbolically and metaphorically through imagery and materials. This thesis and accompanying exhibition present an examination of current work in context with an ongoing investigation of natural materials and eco printing.

The Artist's Arsenal: Hiv+ Women Artists, The ‘War On Aids’, And Reclaiming Illness Narratives, Mekha Varghese

Art and Art History Honors Papers

This work uses the methodologies of both art history and medical sociology through the ‘syndemic’ framework to engage in close readings of two selected artworks, Exit (1997) by Nancer LeMoins and Violation of Africa (1984) by Affrekka Jefferson. An interdisciplinary approach to these works enables consideration of how multiple marginalized identities—i.e., living with a stigmatized illness, being a woman, being LGBTQIA+, being a person of color—appear in visual art and shape illness experience; these ideas are investigated through a formal and iconographic reading of the selected artworks. Placing art as the foundation of this analysis reveals its astounding impact and …

Bloody Show, Leonie Weber

Theses and Dissertations

Leonie Weber reflects on how reproductive, domestic, and emotional labor is addressed in her artwork, and her experience as an artist-parent in the art world. Moreover, she specifically discusses mothers who are navigating their own artistic paths. Her practice encompasses sculpture, printmaking, performance, and installation.

Above & Below, Kelly N. Munson

All Graduate Theses, Dissertations, and Other Capstone Projects

“Our ability to perceive quality in nature begins, as in art, with the pretty. It expands through successive stages of the beautiful to values yet uncaptured by language.” —Aldo Leopoldo

My work often finds itself in a lonely space. Is it science? Not really. Is it Art? Maybe. Is it Design? Sometimes. I have never fit neatly into any box. As a once want-to-be Chemist, I found the results of its study too tight and often detached. As I dove into the world of Fine Art, those efforts yielded work that was too loose—in many cases leaving me wanting a …

Merino Wool In America: Migration, Economic Desire And Patriotism, Una R. Winn

Senior Projects Spring 2023

Senior Project submitted to The Division of Arts and The Division of Social Studies of Bard College.

Mycelium, Minjoo Lee

Master's Theses

Mycelium (noun)

/mʌɪˈsiːlɪəm/

plural: mycelia

the vegetative, root-like part of a fungus, consisting of a network of fine white thread-like filaments (hyphae).

—————————

From as long as I can remember,

I’ve drawn inspiration from nature. I’ve always looked to create art and designs that contain the same visual elements and story-telling that is so present in nature.

In mycelia, I found inspiration in the fact that they are vital in terrestrial and aquatic ecosystems for their role in the decomposition of material. They give life to what has died, turning negative into positive.

TATUME ISLAND Tattoo Studio was born out …

Wonderland, Mai Tran

All Graduate Theses, Dissertations, and Other Capstone Projects

“WONDERLAND” is a series of large-scale print and installation work created from 2021 to 2023. This body of work showcases dream-like landscapes, Vietnamese legends and customs blended with American culture to create unique visual narratives. Elements such as mythical animals, the Ly dynasty dragon and ceramics, and the Vietnamese Nom script speak to an almost forgotten culture. In contrast, the carno-lotus (cheeseburger) plant, Walleye, Bobcat, and winter scenery reference life in the Midwest. By combining elements from the two cultures, the artist builds parallel worlds where all living things can sustain and value each other’s differences — a place without …

Found And Fabricated, Molly S. Davis

Graduate Theses, Dissertations, and Problem Reports

My MFA written thesis addresses work completed and shown in a thesis exhibition at West Virginia University as well as significant influences to my studio process. While my stated focus is sculpture, the work presented in the exhibition consisted of three sculptural pieces and two sets of prints. This thesis, along with the supporting exhibition, addresses my investigations into the physical properties and tendencies of materials and how that information can guide and inform a work of art. Physical characteristics of the materials such as color, texture, shape, and weight are emphasized and guide the creation of the works in …

Strange Creature, Dagny Walton

Graduate Student Theses, Dissertations, & Professional Papers

Strange Creature is an exploration and renovation of the myth of the American West. I extract elements from the known and recognizable myth of the West and create my own rendition, focusing in particular on themes of transformation and violence. Here in this black mirror world, animals speak out loud, cowboys face down a wildland with eyes, and two suns light up the lonely sky. There is no continuous narrative thread, but each piece is a vignette that takes place in a single shared world. This world is at once familiar and completely alien. I intend to surprise the viewer …

Illustrating Waterfowl At The Wheeler National Wildlife Refuge Through A Tactile Artist Book, Stevie Lee Evans

Honors Capstone Projects and Theses

No abstract provided.

Imprints: The Marks We Make, Patricia Botts

Graduate Theses

When walking throughout a cemetery, you may notice the small dash on a tombstone between the year of someone’s birth and their death. Have you ever given thought as to how a tiny line can represent so much? Even a small mark, such as the dash, can represent volumes in the entirety of a person’s life and the imprint they leave on those around them. In my work, I use various types of line as symbols associated with representations of life. I am most interested in lines as visual representation of physical and psychological wounds, both newly created and those …

Graphic Scotland: Visuality And Empire, 1810 – 1913, Laura Michelle Golobish

Art & Art History ETDs

Graphic Scotland: Visuality and Empire, 1810–1913 interrogates the aesthetic, technological, and literary conventions used to represent Scotland’s character in nineteenth-century publications. Beginning in the late eighteenth century, publishers, authors, and readers began to correlate the material format of prints, books, illustration, and bookbinding with individual and national character. Periodicals and literature drew the correlations between the aesthetic conventions of picturesque Scottish landscape, physiognomy of Scottish authors, and bookbinding to frame ideas about Scottish character as a didactic model for middle class British and American readers. Thus, Graphic Scotland offers an intertextual reading of three illustrated publications about Scotland–J.R. Osgood’s 1882 …

La Cultura Que No Cambia, Karina Arreola-Gutierrez

MFA in Visual Art

In the text of La Cultura Que No Cambia, I mention how my work has been influenced by becoming more aware of generations of altar making that occur in my family. By collecting stories and photographs of altars, I can observe and create work based on how the legacies can change through generations or stay the same. The memory of my ancestors and family traditions is strengthened. Growing up seeing discrimination towards others has influenced me to highlight my Mexican heritage of traditions, culture, and language through several different methods. Using these elements, I can create work informing audiences about …

Visibility, Jamie Valdez

Electronic Theses, Projects, and Dissertations

I am a woman, activist, artist, mother, and wife. My art practice questions the role of

institutions in disseminating outdated traditions and unfair rituals in relation to women. Bringing

visibility to what is ignored, I create works that are critical to the unfair expectations that society

fosters, expectations which ultimately oppress women vis- -vis the (art) institution. Through

different conceptual strategies, my work questions what society has taught us about gender

roles and explores the pedagogies that our institutionalized education has systematically

perpetuated for women and girls from early educational experiences.