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Articles 31 - 48 of 48

Full-Text Articles in Art and Design

Perito Moreno, Annie Schulz May 2021

Perito Moreno, Annie Schulz

The Echo

No abstract provided.


Along The Canal, Caroline Bass May 2021

Along The Canal, Caroline Bass

The Echo

No abstract provided.


On Again Off Again, Carly Marlys May 2021

On Again Off Again, Carly Marlys

The Echo

No abstract provided.


Interrupted, Caroline Bass May 2021

Interrupted, Caroline Bass

The Echo

No abstract provided.


Watching Through The Kaleidoscope, Ciaran Francis May 2021

Watching Through The Kaleidoscope, Ciaran Francis

The Echo

No abstract provided.


Containment, Brandon Barney May 2021

Containment, Brandon Barney

The Echo

No abstract provided.


Cover May 2021

Cover

The Echo

No abstract provided.


Preface & Table Of Contents May 2021

Preface & Table Of Contents

The Echo

No abstract provided.


Echo 2021 - Complete Issue May 2021

Echo 2021 - Complete Issue

The Echo

No abstract provided.


Butterfly Away, Micah Neeld May 2021

Butterfly Away, Micah Neeld

TYGR: Student Art and Literary Magazine 2018-present

Photograph of butterfly among from spring flowers.


Missing, Murdered, Indigenous, Matthew Bollinger May 2021

Missing, Murdered, Indigenous, Matthew Bollinger

Chamisa: A Journal of Literary, Performance, and Visual Arts of the Greater Southwest

The missing and murdered Indigenous women epidemic is an issue currently affecting Indigenous people in North America. To articulate my concept visually, old photographs that showcase American culture (predominantly white) are drawn on, cut-up, and recomposed into portraits of missing Navajo women.


Made Of Water, Covered In Mud, Nicole Norman May 2021

Made Of Water, Covered In Mud, Nicole Norman

Graduate Theses and Dissertations

My fixation on water as metaphor is a product of my cosmic design; Scorpio sun, Pisces moon, Pisces rising. I am made of water, begging to be held. Anything liquid has this same desire. I use my art practice to examine the fluidity of physical and digital spaces; how they transform almost constantly. This is only possible through the use of containers that give form to abstract ideas and make them easier to drink (read: digest). Containers can vary in size and shape, but their purpose remains the same. A drinking glass, a swimming pool, a creek bed. These are …


In-Between Spaces, Trinity Kai May 2021

In-Between Spaces, Trinity Kai

Graduate Theses and Dissertations

In-between Spaces is a paper based in personal narrative that uses Critical Race Theory and art to analyze the history of photography and systems of discrimination facilitated by hegemonic culture. Body is at the center as a symbol of the physical and psychological impacts systemic inequalities have on people that are classified as other and how one can be absent and present in institutional and public spaces.


Do You Want To Be Tender?, Leah Grant May 2021

Do You Want To Be Tender?, Leah Grant

Graduate Theses and Dissertations

In this thesis, you will find a body of writings and artworks that reflect Leah Grant’s art practice and research. Throughout the paper, you will see Leah alternate back and forth between her artwork and writings. Leah Grant addresses her personal experience as a Black woman and what it means it explore vulnerability through understanding how the relationships around her affects the relationship she has with herself. Leah has created a collection of poems, prints, and video and audio collages that assist her with revealing and concealing.


To Shake, To Shatter, Sydney Whitten Apr 2021

To Shake, To Shatter, Sydney Whitten

Honors Scholars Collaborative Projects

To Shake, To Shatter is a photography project about memory, family and relationship with one’s self. All images are taken on large format film, in Nashville Tennessee and Whitten’s home town of Carlock, Illinois.

For this series, Whitten explored her family archives to gather film stills from her childhood. She turned those stills into 30 x 40 inch prints, which would later be placed around Nashville to be photographed. These stills provided a way for the past to entangle itself with the present. She found theses still to interact hauntingly and romantically with the light and the shadows of the …


With Kindest Regards To You And Miss Sparks, Claire E. Kelly Apr 2021

With Kindest Regards To You And Miss Sparks, Claire E. Kelly

Honors Scholars Collaborative Projects

This work explores the life of a woman, Katherine Josephine Sparks, who lived in Nashville from 1910 to 1993. Vignettes of her life are revealed through the Katherine Sparks Collection at the Nashville Archives, in which over 18,000 items including letters, photographs, memorabilia, and legal documents house parts of her family’s story. Katherine lived an unassuming life, she never married, and she had no children. There is very little documentation of her life left other than what is held in this archival collection. Without the archive, this record would be lost—a small part of history that would go undiscovered and …


Stranger’S Window, Nation’S Mirror, Kyoko Hamaguchi Jan 2021

Stranger’S Window, Nation’S Mirror, Kyoko Hamaguchi

Theses and Dissertations

In this text, I consider my identity as a Japanese immigrant in the United States during a global pandemic and its impact on my understanding of home as a liminal space. In particular, I discuss notions of home in relation to my work as an artist including two works that utilize the home-sharing platform Airbnb and three works that deal with the dichotomy of inside and outside.


In/Visible, Raymond Thompson Jr Jan 2021

In/Visible, Raymond Thompson Jr

Graduate Theses, Dissertations, and Problem Reports

My MFA thesis and supporting exhibition focus on challenging the United States’ photographic archive that often left out African-American people. The work, through the use of appropriation and alternative photographic processes, disrupts America’s historical visual archive and notions that surround the white gaze. Through the unsettling of this visual space, new speculative narratives can be created to help imagine new futures. This work is the beginning of a process of mourning histories I have never known and reclaiming a place for myself and my family in the American landscape that is free of racial trauma.