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Articles 31 - 60 of 1708
Full-Text Articles in Art and Design
Repeat After Me, Bonnie Morano
Repeat After Me, Bonnie Morano
Theses and Dissertations
Bonnie Morano’s devotional abstract oil paintings are an offering of conviction reconciled with joy. Balancing spiritual zeal with geometric space, she creates mirrored compositions filled with gravitas and play. The sacred and domestic join together in maximal harmony, examining alternative arrangements of transcendental experience.
Affectionate Facsimiles, Julio C. Williams
Affectionate Facsimiles, Julio C. Williams
Theses and Dissertations
The paintings in Affectionate Facsimiles are journeys into the expansiveness of color and memory via the accumulation of gestural action. Sporadic freneticism is used to archive desire and time and their relationship to identity. Thin and translucent layers are built up in bursts of intensity as palimpsests of intentioned labor.
Place-Conscious Vs. Place-Bound, Julie Avetisyan
Place-Conscious Vs. Place-Bound, Julie Avetisyan
Theses and Dissertations
Julie Avetisyan’s installation of sculptures, paintings and printmaking works are driven by an exploration of constructed identity that is not place-bound, but place-conscious. In this paper, she explores how her art practice generates world building under the context of the Armenian Diaspora – considering histories of indigeneity, migration, and assimilation.
Jennifer Packer’S Unique Employment Of Color: How The Artist Uses Hue To Mystify And Politicize Simultaneously, Jackson Gifford
Jennifer Packer’S Unique Employment Of Color: How The Artist Uses Hue To Mystify And Politicize Simultaneously, Jackson Gifford
Rushton Journal of Undergraduate Humanities Research
Jennifer Packer has immensely impacted the art world since her emergence a decade ago. An African American woman, Packer uses her art to depict, analyze, and complicate the intricacies of living in the United States as a Black person. Packer’s singular style of intimate portraits bordering on the abstract makes her work both intellectually and visually engaging. This essay argues that Packer uses color, through various techniques, to address the socio-political dilemmas she wants to get at in her work. At the same time, she uses these hues in abstraction to lift her paintings away from reality.
Preventive Conservation Of Easel Paintings For Collectors In China: Navigating Challenges And Exploring Feasible Solutions, Di Lu
MA Theses
This thesis explores the unique challenges faced by art collectors in China, particularly those investing in easel paintings amidst the rapid growth of the Chinese art market. These collectors, often constrained by budget limitations and limited access to high-quality conservation materials and expertise, face significant risks in preserving their cultural assets. The study delves into these specific risks and challenges, aiming to identify feasible strategies for preventive conservation within the Chinese context. Through an extensive review of literature, qualitative interviews with conservators, collectors, and experts, and in-depth case studies, this research offers practical, cost-effective recommendations for alternative materials and methods …
Body. Freedom. Choice: Creating Artwork In Post-Roe America, Erin Sedra
Body. Freedom. Choice: Creating Artwork In Post-Roe America, Erin Sedra
MSU Graduate Theses
I knew from a young age that I never wanted children. Whenever I expressed my disinterest in motherhood, I was often met with bewilderment, disapproval, and hostility. The church I was raised in taught me that my value and worth as a woman directly correlated with the power of my birthing hips. This fundamentalist upbringing has significantly shaped my relationship with my femininity, my body, and my artwork. When I feel powerless, turning to my art gives me a sense of control and self-expression. This body of work began as a reaction to the overturning of Roe v. Wade and …
Shinners, Alexis E. Mabry
Shinners, Alexis E. Mabry
Theses and Dissertations
Shinners is a project that aims to examine the position of women in subcultures and capture conversations of women in subcultural sports. Within feminism, sociological constructs, campy horror, and personal experience I am manifesting the physical and mental obstacles faced in the subcultural sport of Bicycle Motocross (BMX) through photography, painting, collage, video, and sculpture. I interpret images posted to social media of injuries obtained while riding BMX as forms of empowerment, bodily gore as extreme evidence of participation, performative violence, valorizing the understanding of both the physical and psychological pain of failure, and the use of failure as a …
Points Of Contact, Giancarlo Venturini
Points Of Contact, Giancarlo Venturini
Theses and Dissertations
The work in Points of Contact arises from engaging love as it relates to distance, desire, and longing. This paper will analyze my painting practice and its evolution from the explicit to implicit. Specifically I am going to talk about my utilization of landscape painting to consider another way of expressing sexuality and queerness. I will explain how objects and landscapes are conduits for feelings that can intrinsically hold allegorical representations. This show is about searching through vast spaces to find points of connection in the natural world. I will talk about portals and the varied degrees of accessible windows …
Catherine Nelson, Senior Art Exhibition Portfolio, Macrocosm, Catherine Nelson
Catherine Nelson, Senior Art Exhibition Portfolio, Macrocosm, Catherine Nelson
Senior Art Portfolios
This is artwork by Catherine Nelson, created for the Spring 2024 Senior Art Exhibition at St. Norbert College.
Fear Of God: Exploring Transformative Potential, Misunderstanding, Systemic Challenges, And The Future., Jermaine Ollivierre
Fear Of God: Exploring Transformative Potential, Misunderstanding, Systemic Challenges, And The Future., Jermaine Ollivierre
Theses and Dissertations
This personal journey is a testament to the transformative power of play within my practice. It is a love story between me and the institution, sparked by my fervor for communal creativity in a graduate school environment. Through creative endeavors like public art installations and silent artist talks, I confront racial dynamics and institutional reluctance to engage with complex issues like Black Lives Matter. My personal experiences of alienation are woven into the broader themes of community building, communication, and systemic change. I navigate the complexities of group mentality and exclusion by deliberately using unconventional forms of expression, such as …
Invites Only: Exploring Social Dynamics And Self-Image Through Oil Paint, Mara Cressey
Invites Only: Exploring Social Dynamics And Self-Image Through Oil Paint, Mara Cressey
MSU Graduate Theses
My thesis work depicts the events of a fictional party. Using oil paint, I create multi-figure works that feature recurring characters, various narratives, complex relationships, and emotions associated with this fictitious evening. Within this painted realm, I portray a more confident, powerful version of myself; an alter ego, who exists alongside these various characters. Drawing inspiration from compositional strategies from Renaissance art history and Christian altarpieces, I paint on large-scale, shaped canvas and paper to suggest doors, windows, and other domestic, interior spaces. Additionally, these shapes allow me to juxtapose suggestions of prominence and divinity with satire, irreverence, and profanity. …
At The Table, Payton Olivia Brown
At The Table, Payton Olivia Brown
Graduate Theses, Dissertations, and Problem Reports
This written document is the accompanying thesis for my Master of Fine Arts exhibition, At the Table. This document, as well as my artwork, investigates the profound impact that food has on one’s life by strengthening connections with others, upholding traditions, and cherishing memories. It also elaborates on the inspirations, research, and experimentation utilized in the process of creating the exhibition. Through an array of paintings, mixed media, and sculptural work, this exhibition is intended to depict my own personal experiences and memories in relation to food.
Although I am making autobiographical artwork, I am also trying to portray the …
Recollection, Shelby Ann Theis-Lukenbill
Recollection, Shelby Ann Theis-Lukenbill
MSU Graduate Theses
My work is inspired by life's transient nature and objects' enduring capacity to house memories. The delicate sculptures I create combine second-hand objects with paper to capture the essence of moments and possessions that define personal histories. The objects I use represent more than their form or chemistry; they are imbued with fragments of history and memory that I am driven to preserve. In this work, the sentimental nature and purpose of my belongings hold an equal or greater value than the physical nature and purpose of those belongings. I illuminate an object’s sentimentality by combining its form with painted …
Joy In The Focus, Focus On The Joy, Alicia Cully
Joy In The Focus, Focus On The Joy, Alicia Cully
Electronic Theses and Dissertations
This body of work, Joy in the Focus, Focus on the Joy is an engendered unspoken symbolic language generated from the handwritten words of the English language that are defined or viewed with positive connotations. These symbols are meant to spread the feelings each word embodies with what resonates with the priori or memory of the audience. The symbolic language is a key for an individual to make their own connections with how the symbol’s meaning makes them feel,, resulting in an openly welcome invitation to reach a focused joy in connecting with the displayed feeling(s). My drive to create …
A Light On Europe. The International And Intermedial Trajectory Of A Medieval Chandelier At The Turn Of The Nineteenth Century, Eveline Deneer
A Light On Europe. The International And Intermedial Trajectory Of A Medieval Chandelier At The Turn Of The Nineteenth Century, Eveline Deneer
Artl@s Bulletin
This article investigates the shaping of European visual culture by tracing the international and intermedial trajectory of the visual motive of a chandelier from a 15th-century Burgundian manuscript in the decades around 1800. Passing from Brussels, Paris, Lyon, Mannheim, and Vienna to Coburg, and moving from illumination to drawing, archaeological illustration, painting, engraving to the applied arts, its trajectory exemplifies the historical conditions and cultural phenomena that animated the formation of a European visual culture, at a time when historical and national consciousness were developing on the continent.
Standing On The Edge Of A Dream, Parto Ahmadpour Mobarake
Standing On The Edge Of A Dream, Parto Ahmadpour Mobarake
Graduate Theses and Dissertations
Standing On the Edge of a Dream delves into the intricate tapestry of lived experiences shaped by relocation, emphasizing the nuanced space that exists between reality and imagination. As an individual who has undergone the transformative journey of immigration, I recognize that the concept of relocation is like standing on the edge of a dream. This notion becomes a living structure, intricately woven with threads from our past, present, and future. My artistic exploration extends beyond my artworks, yet it remains deeply rooted in my personal narratives. The artworks in the exhibition continue to draw inspiration from personal memories and …
A Pursuance Of Self, Kassidy Albert
A Pursuance Of Self, Kassidy Albert
Undergraduate Honors Theses
The self portrait is a consistent aspect of art history, with many artists returning to it again and again across their lives. This project intends to explore the function of the self portrait. Through research and execution of artwork, the artist has found that the self portrait has multiple functions, including: a practice of anatomy; a display of status, skill, and likeness; an outlet for emotion; and a place for psychological confrontation. Across the life of this project, the artist completed twenty-two self portraits in a variety of styles and materials.
William Albright's Whistler (1834-1903): Three Nocturnes: "Why The Hell . . . Should Anyone Listen To This?!", R. Douglas Reed
William Albright's Whistler (1834-1903): Three Nocturnes: "Why The Hell . . . Should Anyone Listen To This?!", R. Douglas Reed
Music & Musical Performance
William Albright's Whistler (1834-1903): Three Nocturnes: "Why the hell...should anyone listen to this?!"
By Douglas Reed--2022
The article explores William Albright's Whistler (1834-1903): Three Nocturnes (1989) through historical context, musical analysis, performance practice, and the composer's essay on the relationship between his composition and Whistler's paintings. Commentary by composer Sydney Hodkinson gives information about the 1960s new music scene in Ann Arbor (the ONCE Group, The Grate Society) composition study with Ross Lee Finney.
Destigmatizing Complex Regional Pain Syndrome Through Art And Research, Jennifer K. Fortuna
Destigmatizing Complex Regional Pain Syndrome Through Art And Research, Jennifer K. Fortuna
The Open Journal of Occupational Therapy
Bill Dambrova, an artist based in Phoenix, AZ, provided the cover art for the Fall 2023 issue of the Open Journal of Occupational Therapy (OJOT). Bill’s paintings explore the intrinsic and extrinsic relationships between living things. Through the Artists + Researchers (ARx) program, Bill was teamed with Dr. Gretchen Bachman, OTD, OTR/L, MBA, CEAS, CHT, and Dr. Cindy Ivy, OTD, OTR/L, MEd, CHT, occupational therapy professors and researchers from Northern Arizona University. Their goal was to create a work of art that could disseminate research on complex regional pain syndrome (CRPS). The partnership led to the creation of “Invisible War,” …
Hacking The Library Exhibition Panels, Sally Brown, Jackie Andrews, Matthew Conboy, Ruth Yang, Trudy Trudy Borenstein- Sugiura, Shan Cawley, Chantel Foretich, Xue'er Gao, Ryan Lewis, Robin Miller, Imari Nacht, Chris Revelle, Erin Tapley
Hacking The Library Exhibition Panels, Sally Brown, Jackie Andrews, Matthew Conboy, Ruth Yang, Trudy Trudy Borenstein- Sugiura, Shan Cawley, Chantel Foretich, Xue'er Gao, Ryan Lewis, Robin Miller, Imari Nacht, Chris Revelle, Erin Tapley
Faculty & Staff Scholarship
The hacker ethos in the positive sense is about the ability to deconstruct and reconstruct information systems. Hacking starts with reconceptualizing libraries. Libraries are now beyond the book. As libraries evolve into a new sort of space --still a space for research, learning and study-- but also for community engagement and collaboration, library exhibits present a unique opportunity for both collaborating exhibitors and library users. Artists engage with libraries creatively through artist residencies, installations, using discarded library materials in their work, collaborative workshops, digital collections remixing, performances and more. Hacking the Library will present artwork that highlights the intersecting values …
Fierce Female Friendships: An Artistic Representation And Exploration Of The Benefits Of Gender-Based Inclusivity And Community In Stem, Maya Bachmeier-Evans
Fierce Female Friendships: An Artistic Representation And Exploration Of The Benefits Of Gender-Based Inclusivity And Community In Stem, Maya Bachmeier-Evans
WWU Honors College Senior Projects
Incorporating visual art, social research, women’s studies, and artificial intelligence, Fierce Female Friendships investigates the ramifications of gendered experience on the learning environment. By reflecting upon her work in a male-dominated discipline, the author transforms her sense of classroom isolation into two paintings that highlight the subtle yet significant differences that separate inclusivity from alienation. In addition to her personalized reflections, the author also creates a fourteen-question survey which invites her peers to consider gender in academia, to assess their experiences on a university campus, and to imagine how they might depict those experiences using visual art. Positing the idea …
A Community Of Knots, Katherine Mahler
A Community Of Knots, Katherine Mahler
MFA in Visual Arts Theses
In her 1965 essay On Weaving, the artist Anni Albers stated, “As it is possible to go from any place to any other, so also, starting from a defined and specialized field, can one arrive at a realization of ever-extending relationships. Thus tangential subjects come into view. The thoughts, however, can, I believe, be traced back to the event of a thread” (Albers XI). A thread is the beginning of coming into being. In this paper, I will discuss the lines of my work from the beginning of the program, exploring mapping to how my work as a teacher …
Les Trésors De La Maison, Or L’Amour Maternel: The Technical Study And Treatment Of Previously-Restored Painting, Katherine C. Aguirre
Les Trésors De La Maison, Or L’Amour Maternel: The Technical Study And Treatment Of Previously-Restored Painting, Katherine C. Aguirre
Art Conservation Master's Projects
“Mother and Children” is a painting belonging to the collection of the Garman Art Conservation Program at SUNY Buffalo State College. The painting depicts a seated woman with light skin and dark hair and two children. The painting was damaged in the past, and the image was obscured by thick layers of grime and oxidized varnish. It had also been previously treated on at least two occasions. A full technical analysis and conservation treatment was completed. The methods of analysis included multi-modal imaging, x-radiography, Fourier transform infrared spectroscopy, X-ray fluorescence spectroscopy, and cross-sectional analysis. The goal of the analysis was …
Technical Analysis And Treatment Of A Folk Art Portrait Of A Boy, Khanh P. Nguyen
Technical Analysis And Treatment Of A Folk Art Portrait Of A Boy, Khanh P. Nguyen
Art Conservation Master's Projects
This Master’s Project is a multidisciplinary technical study and conservation treatment of Portrait of a Boy, a 19th century oil painting on canvas and thought to be an example of the American Folk Art movement. Research into Folk Art traditions was executed to inform the context of the artwork. Comprehensive imaging and scientific analyses provided additional historical and material context for the painting. The painting was imaged with the following techniques: visible illumination, ultraviolet (UV) reflectography, ultraviolet-induced visible fluorescence, infrared reflectography, visible-induced infrared (IR) luminescence, x-radiography, and multispectral imaging (MSI). Scientific and materials analyses included: optical microscopy of fiber …
Enhance The Use Of Arts, Crafts, And Creative Expression Within Ot Practice, Genevieve England, Susan Macdermott
Enhance The Use Of Arts, Crafts, And Creative Expression Within Ot Practice, Genevieve England, Susan Macdermott
Summer 2023 Virtual OTD Capstone Symposium
Through the evolution of occupational therapy, the presence of arts and crafts within the profession has decreased. It is a possibility that the cause stems from lack of exposure to crafts, decreased craft related coursework within OT school programming, as well as the shift towards medical model-based OT interventions. The purpose of this project was to gain an understanding of arts and crafts and/or creative expression within OT practice in order to create an effective program.
Developing A Holistic Outlook Through Art, Jennifer K. Fortuna
Developing A Holistic Outlook Through Art, Jennifer K. Fortuna
The Open Journal of Occupational Therapy
Dr. Guy McCormack, PhD., OTR/L, FAOTA, an occupational therapist and retired academic program director based in Seaside, California, provided the cover art for the Summer 2023 edition of The Open Journal of Occupational Therapy (OJOT). “Tree of Life” is a 20” x 24” painting made from acrylic on panel. McCormack has served as an occupational therapist and educator for nearly 50 years. His career includes many notable clinical and academic achievements. Today, he finds joy in painting landscapes, animals, and abstract compositions. Since his retirement, art has helped McCormack develop a more holistic outlook on life.
7th Annual Chapman Staff Art Exhibition Program, Chapman University Staff
7th Annual Chapman Staff Art Exhibition Program, Chapman University Staff
Library Displays and Bibliographies
The Leatherby Libraries Hall of Art was established to showcase the creativity of the Chapman community. It was dedicated for this purpose in 2014 although the space has been available for staff and student exhibits since 2011. While past staff art exhibits featured work by Leatherby Libraries staff members only, this is our fifth year opening up the exhibit to any interested staff member of Chapman University.
The 21 artists represented here demonstrate the wide variety of talent at our university. From photography to painting, mosaics to film, the works you see here provide a unique opportunity to view and …
Hacking The Library Exhibition Pdfs, Sally Brown, Christine Hoffmann, Lois Ann Raimondo, Karen Diaz, Sarah Pahlfrey
Hacking The Library Exhibition Pdfs, Sally Brown, Christine Hoffmann, Lois Ann Raimondo, Karen Diaz, Sarah Pahlfrey
Faculty & Staff Scholarship
The hacker ethos in the positive sense is about the ability to deconstruct and reconstruct information systems. Hacking starts with reconceptualizing libraries. L Hacking the Library presents artwork that highlights the intersecting values that shape our libraries through an artistic lens, reflecting on challenges and definitions of libraries past and as we move into the future. To provide personal context, "Community Connections" complement the art from librarians across the nation who responded to the artwork.
Artists included: Jackie Andrews (Maryland, mixed media), Trudy Borenstein- Sugiura (New Jersey, book arts), Sally Jane Brown (West Virginia, drawing), Shan Cawley (West Virginia, painting), …
Women's Work: The Sublime Is Now, Michelle Blackstone
Women's Work: The Sublime Is Now, Michelle Blackstone
MFA in Visual Arts Theses
What influences the lens through which we view art and the value we ascribe to it? This paper investigates the ways in which the historically gendered philosophy of “The Sublime,” a lack of institutional access, and traditionally gendered materials have acted as impediments for women in the arts. Discussion is given to the ways that masculine rhetoric in terms of “The Sublime” prevented women from attaining what was once considered the highest level of artistic achievement. Further attention is given to obstructions female artists face(d) in terms of gaining intuitional access within the art world. Finally, I examine the ways …
Movement, Mechanization, And Coexistence, Yukyung Chung
Movement, Mechanization, And Coexistence, Yukyung Chung
Masters Theses
A movement is a tool that expresses the subject I pursue, ‘mechanization of human beings’. There are many technologies that replace humans these days, such as artificial intelligence. This makes me skeptical and afraid of being replaced as an artist in the future. Paradoxically, people, including myself, are enthusiastic about it, indicating that we do embrace the mechanization process as a society.
I will reveal this phenomenon of coexistence by demonstrating the possibility that machines cannot replace us, through motion experiments where rules increase, first starting with the reliance on intuition. I will explore not only the things that machines …