Art and Design Commons^™

The Lantern Vol. 32, No. 3, Summer 1966, Craig Bender, Barbara Ann Bald, Connie Church, Jeffrie Ann Hall, Barbara Bray, Barbara Zucker, Robert Sharpe, Susan Kegerise

The Lantern Literary Magazines, 1933 to Present

• Commandment Point
• The Descendant
• The Ultimate Journey
• Thoughts While Riding New York Subway
• Crazy Arthur
• Confession
• The Gull
• One Boy
• Cinquain: Cruel Life
• Quality of Revenge
• The Bull
• Chinese Landscape

Nexus, June 1966, Wright State University Community

Nexus Literary Journal

Nexus is a magazine that began as an insert in the Wright State Guardian student newspaper in 1965 and has since been published semi-regularly. It began only accepting creative writing, but has since expanded to include illustrations, photography and other non-written art forms. Today, it is published in a digital format and accepts submissions from around the country, though it maintains its commitment to the Wright State Community.

1966 Annual, Morehead State College.

Inkpot Magazine

1966 annual issue of Inkpot magazine published by the English Department of Morehead State College.

Concept Sketchbook, 1966, John Fischetti

Notebooks

A concept sketchbook created by editorial cartoonist, John R. Fischetti with content from 1966 containing preliminary sketches of political cartoons and ideas for his daily editorial cartoons. Topics include: Charles de Gaulle, Barry Goldwater, and Lyndon B. Johnson.

The Art Of Printmaking: Part 1. The Tools And Techniques Of The Printmaker, Norman Geske

Sheldon Museum of Art: Catalogs and Publications

There are four major techniques for making original prints. A brief descriptlon of each of these -- relief processes, incised processes, planographic processes, and stencil processes -- is found in the following paragraphs.

Most art museums today seek the means of reaching a wider public than is actually counted through the turnstile and, as a result, art objects have come to be a commonplace in public places of all kinds, civic and commercial. Art has even taken to the road in circulating exhibitions, art-mobiles and the like. The present series of exhibitions has been organized as an effort in this …

The Art Of Printmaking: Part 2. Master Prints From The Fifteenth Through The Eighteenth Centuries, Norman A. Geske

Sheldon Museum of Art: Catalogs and Publications

SCHONGAUER, MARTIN
ALDEGREVER, HEINRICH
ALTDORFER, ALBRECHT
BALDUNG-GRIEN, HANS
BEHAM, BARTHEL
CRANACH, LUCAS
DURER, ALBRECHT
DUVET, JEAN
HOLBEIN, HANS
LAUTENSACK, HANS SEBALD
VAN LEYDEN, LUCAS
MANTEGNA, ANDREA
BOSSE, ABRAHAM
CALLOT, JACQUES
CARRACCI, AGOSTINO
GELLEE, CLAUDE (called Lorrain)
GOLTZIUS, HENDRIK
NANTEUIL, ROBERT
VAN RIJN, REMBRANDT HARMENSZ
CANAL, ANTONIO (called Canaletto)
HOGARTH, WILLIAM
MOREAU, JEAN-MICHEL (known as Moreau Ie Jeune)
PIRANESI, GIOVANNI BATTISTA

The Art Of Printmaking: Part 3. Master Prints From The Nineteenth And Twentieth Centuries, Norman A. Geske

Sheldon Museum of Art: Catalogs and Publications

BONNARD, PIERRE
BOYS, THOMAS SHOTTER
CEZANNE, PAUL
DAUMIER, HONORE
DEGAS, EDGAR
DELACROIX, EUGENE
DORE, GUSTAVE
FANTIN~LATOUR, HENRI
GAUGUIN, PAUL
GOYA, FRANCISCO JOSE
GROS, BARON ANTOINE JEAN
ISABEY, EUGENE
MANET, EDOUARD
MILLET, JEAN-FRANCOIS
MERYON, CHARLES
PISSARRO, CAMILLE
REDON,ODILON
TOULOUSE-LAUTREC, HENRI DE
TURNER, JOSEPH MALLORD WILLIAM
BECKMANN, MAX
BRAQUE, GEORGES
KANDINSKY, WASSILI
KIRCHNER, ERNST LUDWIG
KOLLWITZ, KATHE
LIEBERMANN, MAX
MUNCH, EDVARD
MATISSE, HENRI
PECHSTEIN, MAX
PICASSO, PABLO RUIZ
ROUAULT, GEORGES

The Art Of Printmaking: Part 4. American Prints From The Eighteenth Century To The Present, Norman A. Geske

Sheldon Museum of Art: Catalogs and Publications

PEALE, CHARLES WILSON
PELHAM, PETER
SAVAGE, EDWARD
CASSATT, MARY
CATLIN, GEORGE
DUVENECK, FRANK
HOMER, WINSLOW
HUNT, WILLIAM MORRIS
WHISTLER, JAMES McNEIL
WEIR, J. ALDEN
BELLOWS, GEORGE W.
CORNELL, THOMAS
CRAWFORD, RALSTON
FEININGER, LYONEL
HASSAM, CHILDE
HOPPER, EDWARD
JONES, JOHN PAUL
KUNIYOSHI, YASUO
LANDECK, ARMIN
LASANSKY, MAURICIO
SISTER MARY CORITA, I.H.M.
McGARRELL, JAMES
OROZCO, JOSE CLEMENTE
PEARSON, HENRY
PETERDI, GABOR
PONCE DE LEON, MICHAEL
POSADA, JOSE GUADALUPE
SLOAN, JOHN
SUMMERS, CAROL
WALD, SYLVIA

School Of Practical Art Course Catalog (1966-1967), School Of Practical Art

Art Institute of Boston (AIB) Course Catalogs

It is the purpose of the School of Practical Art to train students so thoroughly in the various phases of commercial art, that they may upon completion of the course earn a good living in their chosen career. Earnest effort and thorough preparation are necessary if the student is to become successful professionally. Enthusiastic and excellent working habits must be developed early and maintained throughout the course. Deadlines must be given and met punctually. Good design, composition, color and technical skill must be evident in all finished work. In preparation for this high standard the beginner receives a thorough foundation …

The Lantern Vol. 32, No. 2, January 1966, Paul Sautter, Craig Bender, Sue Hartenstine, Mack Whitlock, Barbara Ann Bald, Craig Bennett, Barbara Worthing, Bruce Hofsommer, Stephen L. Sullivan Jr., Howard Wester, Nancy Cliff

The Lantern Literary Magazines, 1933 to Present

• Mission 63
• The Kiss
• The Dream
• Silence is Golden
• Self-Pity
• The Excuse
• Car Eighteen
• Clothes Make the Man
• The Place of a Just Man
• Golden Gods
• The Journey
• Third Prize Picture
• Gone Now
• In Vain
• Deep Dying
• Marnie
• Rut

Faculty '66 Exhibition (Exhibition Catalogue), Department Of Art

Faculty Catalogues

Exhibiting faculty were: C. Kermit Ewing, Richard Clarke, Walter H. Stevens, Philip Nichols, WIlliam Loy, Byron McKeeby, Philip Livingston, Morna McGoldrick Livingston, and Carl Sublett.