Art and Design Commons^™

Taking In: Aib Photography 2006, Aib Students

Taking In

This book is our fourth edition of Taking In:...a collection, a celebration really, of the best photography created by the students of The Art Institute of Boston at Lesley University. Students came together in the class, taught by Gretjen Hargesheimer, and dedicated themselves to all facets of this yearly publishing event...including design, fund raising, jury selection, editing, layout, and print production. Taking In: is truly a collaboration of the images, ideas, and talents from all departments at AIB. The concept has always been a simple one...to showcase the artistic diversity and vision of students who incorporate photography in heir …

Taking In: Aib Photography 2005, Aib Students

Taking In

This book is the third edition in the Taking In: series. As was the case in Taking In: I and II, the work, dedication, detail, and graphic design is extraordinary and impressive. The work submitted by our students, and selected by our distinguished judges, reflects the eclectic vision, visual intelligence, perception, and promise of a talented student body. During this first year as a class, Taking In: worked through twice as many submissions than the previous years in half the amount of time. The stable class structure allowed a dependable process to support creativity and enabled the students, as artists, …

Taking In: Aib Photography 2004, Aib Students

Taking In

This book is the second edition in the Taking In: series. As was the case in Taking In: I, the work, dedication, detail, and graphic design is extraordinary and impressive. The work submitted by our students, and selected by our distinguished judges, reflects the eclectic vision, visual intelligence, perception, and promise of a talented student body. Taking In: is truly a collaboration of the images, ideas, and talents from all departments at AIB. The concept has always been a simple one...to showcase the artistic diversity and vision of students who incorporate photography in heir personal artistic expression.

Taking In: The Best Of Aib Photography 2003, Aib Students

Taking In

Welcome to the first edition of Taking In: the best of aib photography. During this first year Taking In has gone through many twists and turns in order to publish a professional portfolio representing the quality work produced by students at the Art Institute of Boston at Lesley University. Along with the portfolio there will be a gallery opening this Fall presenting all of the published pieces in a professional setting. Our intention is to bridge the gap between student creations and the greater art community through publication. The number of entries for our first publication were more than …

William Morris At The Huntington. Exhibition Review, Wendy Salmond

Art Faculty Articles and Research

Wendy Salmond reviews an exhibition at the Huntington to honor the life and design career of William Morris.

Robert Motherwell On Paper: Gesture, Variation, And Continuity, University Of Richmond Museums

Exhibition Brochures

Robert Motherwell on Paper: Gesture, Variation, and Continuity

October 17 to December 13, 1997

Marsh Art Gallery

Introduction

Abstract art is stripped bare of other things in order to intensify its rhythms, spatial intervals, and color structure, a process of emphasis. - Robert Motherwell

The renowned Abstract Expressionist artist Robert Motherwell (1915-1991), best known as a painter, produced a remarkable body of works on paper. His drawings, prints, and collages show an intimate side of his visual sensibility and reveal the very personal "handwriting" of the artist as he responded to the subtleties of paper, both as a medium and …

Songs And Stories That Only You Know: Multiplicity, Meaning, & The Metaphorical Bridge, Matthew Haggett

Dissertations and Theses

The thesis report will serve as a companion for the body of work that is the bulk of the thesis project. The theme of the thesis project is "the bridge". "The bridge" is a metaphor for meaning occurring through context. It is present on many levels. It will implicit in much of the discussion. I will include themes such as the play of differing scales, the ambiguous line between part and whole, and the reasons for the book format . Specific imagery that occurs repeatedly in the work, like architecture and knots, will be explained in terms of its sources, …

Shirley Moskowitz At Seventy-Five, Samuel D. Gruber Dr.

Samuel D. Gruber Dr.

Essay about the life and art of Shirley Moskowitz for catalog of retrospective exhibit.

Front Matter

Inscape

No abstract provided.

Art: Andi Nufer, Andi Nufer

Inscape

No abstract provided.

About The Artists

Inscape

No abstract provided.

Full Issue

Inscape

No abstract provided.

The Use Of Geometry In The 80s, Wright State University Art Galleries

Exhibition and Program Catalogs

This booklet showcases works included in the exhibit that celebrates and studies different attitudes towards contemporary Modernist heritage, comparing the classic tradition of modernism and Neo-conceptualist artists.

Brochure: The Osprey By Frederick William Wetzel, University Of North Florida Foundation, Inc.

UNF Foundation Art

Painting of an Osprey by Frederick William Wetzel for University of North Florida fundraising

Warm Journal: Special Issue On Competition Volume 1 Issue 3, 1973-2021 Women's Art Registry Of Minnesota

WARM Journal

WARM’s focus in this issue is on competition and its impacts on personal and professional life. Within this issue is a conversation between the women on the WARM Journal Committee entitled “Dividing the Pie” which discusses women and societal images. There were compositions on competition, artwork, and poems followed by a calendar of events. Also found is information on WARM Exhibitions and a piece about Jaci Schacht’s work authored by Fran Addington. This issue concludes with reviews of local displays, an open letter to Sam Sachs, and details about WARM members and membership.

Warm Journal Volume 1 Issue 2, 1972-2021 Women's Art Registry Of Minnesota

WARM Journal

This issue contains two interviews, one with Pat Olson about her graphic design work and life as an artist, and one with B.J. Shigaki about her life and being the director of the Rochester Art Center. There is a collection of poetry by Jill Breckenridge-Haldeman, and a review of Obstacle Race by Germaine Greer, a book on women’s “fine art” from the Middle Ages to the mid-20th century. Also included in the issue were submissions of artistry with descriptions from members of WARM.

Warm Journal Volume 1 Issue 1, 1973-2021 Women's Art Registry Of Minnesota

WARM Journal

The main articles of this issue concern Julia Barkley’s trip to China, Taiwan, and Japan, an interview with Sally Brown, an art instructor in the Twin Cities, and a review of the Women’s Art Weekend by Roseanne Sullivan. Barkley’s travelogue, although it contains language dated by modern standards, is an insightful exposé of what life was like for female artists in East Asia at the start of the 1980s. Brown’s interview provides a window into the development of women’s artistry in the 1960s. The Women’s Art Weekend documented women speaking about their struggles against racism and sexism at MCAD, and …

Warm Newsletter 1978 January-March, 1973-2021 Women's Art Registry Of Minnesota

WARM Journal

WARM provides a newsletter for January-March of 1978. Its contents include meetings, announcements, openings, and membership information. The coordinator provides congratulations to grant winners, grants given for Women Invite Women and Visiting Artist Program, and thanks for work on grant proposals. Readers are given information about membership fees, the annual meeting, and an invitation to the open discussion during the annual meeting. Article 1: Membership amendment (includes levels of membership) to the by-laws of WARM has been revised and clarified within this newsletter. The letter concludes with upcoming events of Joan Snyder and Marcia Tucker, a Wild Rice television date, …

A Series Of Paintings Investigating Certain Specified Space Concepts, Michael C. Jackson

All Master's Theses

This thesis is devoted only to that work considered completely investigated: a portrait/figure series of seven paintings. In addition, the series of works with which this thesis is devoted essentially follow this format: large areas of architectural space and color versus a natural object- -a portrait figure. A play or conflict was set up between these two things; the success of the play determined the success of the painting. The factors used to judge success are basically those classical rules of composition dealing with balance: visual weight of areas, complexity, and color. The only areas manipulated were: (1) shape of …

I Made Some Prints, Teresa O. Tempero

All Master's Theses

In discussing the prints and drawings chosen for this study, I wish to consider mostly subject matter and composition, giving less mention to technique. The three forms of printmaking used are intaglio, collagraph, and woodcut. A specific theme was not chosen for these prints. Since printmaking has been such a relatively new experience of expression for me, I chose to concentrate this study on the printmaking process.

Parody As The Ironic Mode Of Existential Art, Delma Ward Tayer

All Master's Theses

This study was commenced as an investigation into the aesthetics of existentialism as applied to contemporary art in America, particularly painting. This student believes that to the artist who recognizes the absurdity of his existence, irony is the natural mode of expression. It is also the belief of this student that the form of irony in recent American art, expressed primarily in parody and black humor, indicates America’s own particular brand of cheerful nihilism. The purpose was to better understand the aesthetics of existentialism, to apply these to contemporary art, and finally to apply these influences to the student’s own …

A Series Of Intaglio And Mixed-Media Prints Portraying The Negative Consequences Resulting From Man's Inhumanitarian Actions, Susan Clare Miller

All Master's Theses

It is the purpose of this study (1) to portray in visual, graphic form the negative consequences resulting from inhumanitarian acts man inflicts upon himself and others; (2) to delineate these actions in a revealing, subtle manner that is still representative of the facts of reality; (3) to experiment with a diverse range of intaglio printmaking techniques and compositional arrangements which best produce the visual, emotional effects desired.