Art and Design Commons^™

Art As Display, Frank M. Boardman

Dissertations, Theses, and Capstone Projects

Art is essentially a type of display. As an activity, art is what we do when we display objects with certain intentions. As a set of objects, art is all of those things that are displayed for those purposes. The artworld is the social atmosphere that surrounds this particular activity of display. And a history of art is an evolving narrative of change in the practice of this sort of display.

Specifically, to focus for convenience on art as a set of objects, this is what we can call the “displayed-object thesis”:

x is a work of art iff: (a) …

The Excitement Of Life, Jacob D. Soukup

Celebration of Learning

These recent paintings explore the presence of excitement, energy and adrenaline rush one can capture in a moment. Oil paints have a quality that can make a painting come to life. This lifelike quality is exactly what I strive to capture in a way that allows the viewers to put themselves inside the painting. The inspiration for these paintings came from my own experiences of adventure and risk-taking. The use of foreshortening and distortion helps give the figures a sense of energy and create movement throughout the composition. By portraying the various situations through a warped lens, I believe that …

Animal Studies Journal 2016 5 (1): Cover Page, Table Of Contents, Notes On Contributors And Editorial, Melissa J. Boyde

Animal Studies Journal

Cover page, table of contents, contributor biographies and editorial for Animal Studies Journal Vol. 5 No.1, 2016.

Through The Eyes Of A Bee: Seeing The World As A Whole, Adrian G. Dyer, Scarlett R. Howard, Jair E. Garcia

Animal Studies Journal

Honeybees are an important model species for understanding animal vision as free-flying individuals can be easily trained by researchers to collect nutrition from novel visual stimuli and thus learn visual tasks. A leading question in animal vision is whether it is possible to perceive all information within a scene, or if only elemental cues are perceived driven by the visual system and supporting neural mechanisms. In human vision we often process the global content of a scene, and prefer such information to local elemental features. Here we discuss recent evidence from studies on honeybees which demonstrate a preference for global …

A Sustainable Campus: The Sydney Declaration On Interspecies Sustainability, Fiona Probyn-Rapsey, Sue Donaldson, George Ioannides, Tess Lea, Kate Marsh, Astrida Neimanis, Annie Potts, Nik Taylor, Richard Twine, Dinesh Wadiwel, Stuart White

Animal Studies Journal

Under the remit of an expanded definition of sustainability – one that acknowledges animal agriculture as a key carbon intensive industry, and one that includes interspecies ethics as an integral part of social justice – institutions such as Universities can and should play a role in supporting a wider agenda for sustainable food practices on campus. By drawing out clear connections between sustainability objectives on campus and the shift away from animal based products, the objective of this article is to advocate for a more consistent understanding and implementation of sustainability measures as championed by university campuses at large. We …

[Review] David Wilson, The Welfare Of Performing Animals: A Historical Perspective. Berlin: Springer, 2015, Peta Tait

Animal Studies Journal

This book makes a valuable contribution to animal studies. It investigates the social and political processes concerned with the welfare of performing animals in Britain from the nineteenth century into the twentieth century. Although this area requires specialised inquiry, as David Wilson points out, animal performance is usually generalised about within pro-animal scholarship. Drawing on highly detailed research, this book provides a comprehensive account of the individuals and organisations that campaigned against animal performance and its cruelties and, in turn, those who campaigned for its continuation. It presents the human stories behind the movement against animal performance; descriptions of the …

Thirteen Figurings: Reflections On Termites, From Below, Perdita Phillips

Animal Studies Journal

This image essay is a creative reflection back upon The Encyclopaedia Isoptera: An encyclopaedia of the arts, sciences, literature and general information about termites, which was mostly written by the artist between 1997 and 1998, and forward to what termite art might undo today. Without access to living termites and, predating multispecies ethnographies, the Encyclopaedia Isoptera was an investigation into the limits of knowledge around termites. Looking back, it can be seen that certain strategies in the Encyclopaedia, such as looking at superseded or alternative knowledge, was a way of interrogating the boundaries of the sensible/insensible, and parallels more recent …

Do Insects Feel Pain?, Helen Tiffin

Animal Studies Journal

This paper briefly considers the broad social and scientific background to research into the possibility of insects experiencing pain sensations analogous to our own. There has been increasing use of insects in pain experiments generally, as ethical constraints on the use of other animals increased through the last century. The ways in which scientists have tackled the question of insect pain, particularly in trying to distinguish between nociception and pain are then selectively summarised. These include opioid, hormonal, evolutionary, neurophysiological and behavioural approaches, as well as experiments designed to elucidate the difficult area of insect consciousness, from the 1980s to …

Humans, Insects And Their Interaction: A Multi-Faceted Analysis, Raynald H. Lemelin, Rick W. Harper, Jason Dampier, Robert Bowles, Debbie Balika

Animal Studies Journal

By administering Personal Meaning of Insects Maps (PMIM) to participants from eastern Canada and northeastern United States, we examine how people’s perceptions of insects are often determined by childhood encounters, corporeal cues, and influenced by environmental preference during recreational activities, often resulting in inconsistencies, inaccuracies, and bias. While the purpose of this study was to acquire a greater understanding of these entanglements through visual maps, the goal of this paper is to disentangle these morasses by highlighting the various positive, negative, dialectic, and ambivalent aspects of how insects are perceived.

[Review] Robert Cribb, Helen Gilbert And Helen Tiffen, Wild Man From Borneo: A Cultural History Of The Orangutan. Honolulu: University Of Hawai’I Press, 2014, Matthew Chrulew

Animal Studies Journal

Wild Man from Borneo is a studious and wide-ranging cultural history of the orangutan and an indispensable resource for anyone working on this species or great apes in general. Orangutan stories and encounters have always captivated, from the tales of the Dayak and Batak peoples from Borneo and Indonesia, to the first rumours of early European travellers, and later observations and dissections. The orangutan’s uncanny similarity to humans, both in form and behaviour, made it central to a nineteenth-century debate about the uniqueness of humanity, in a time when few had been seen and Europeans were unsure just what sort …

[Review] Ann C. Colley, Wild Animal Skins In Victorian Britain. Farnham: Ashgate, 2014, John Simons

Animal Studies Journal

You should never judge a book by its cover but, of course, that’s exactly what the Victorians did when they looked at animals—or so Professor Ann Colley claims, and with some justification. This book is a contribution to the growing list of valuable and entertaining studies of the collection and exhibition of wild animals in Victorian Britain and beyond, and it is highly recommended to anyone researching the field. I was looking forward to reading this as although there has been a fair bit of work on zoos and menageries and, especially recently, on taxidermy, the habit of collecting skins …

Toothsome Termites And Grilled Grasshoppers: A Cultural History Of Invertebrate Gastronomy, Deirdre P. Coleman

Animal Studies Journal

This article examines the recent turn to entomophagy (insect eating) as a new source of nutrition in a world confronted by increasing population, degraded soils, and food insecurity. Although many regard entomophagy with disgust, there is a case to be made that many insects are much more nutritious, as well as greener and cleaner¹, than many of the foods we regularly eat without thinking. Also, there is nothing new about insect eating or the belief in entomophagy as a sustainable and sensible practice. There is a long cultural history in countries such as Africa and Australia, for instance.

Mimicry And Mimesis: Matrix Insect, Madeleine Kelly

Animal Studies Journal

Paintings and insects might seem like odd companions. In this paper I describe how a series of paintings I made depicting insects creates associations between mimesis and mimicry in order to flag a sort of protective self-referentiality – one where painting resists its proverbial ‘end’ and insects are presented as vital new orders. Drawing upon art historical references, such as Surrealism and the modernist grid, I argue that playing on these references and the compositional effects of camouflage enlivens our regard for the sensuous worlds of both insects and painting. I conclude by exploring how paintings of insects are powerful …

The Intersectional Influences Of Prince: A Human-Animal Tribute, Annie K. Potts

Animal Studies Journal

Prince Rogers Nelson (1958-2016) was best known for his joyful funk music and electrifying stage performances that transgressed normative representations of gender, sexuality, race, spirituality, identity and taste. He was also a compassionate person who held deep convictions about freedom and the right of all species to enjoy lives without fear and suffering. This essay discusses Prince’s intersectional influences – the various ways his virtuosity over the past 38 years disrupted binaries, challenged assumptions and stereotypes, advocated for social justice, and combatted speciesism in its many forms. Embedded within the essay are seven personal tributes written by fans of Prince …

Provocations From The Field : The Place Of Bees, Michael R. Griffiths

Animal Studies Journal

What would it mean to permit lack to become a productive place? What, indeed, would it mean to think place – so often feminized in the carnophallogocentric order – as active? Lack, in these terms, could be constitutive rather than a mere marker of absence. I propose that the place of bees in the symbolics of species could yield answers to these and related questions. Insects are often understood and conceived as communicators – through pheromones for instance. But in the very gesture that recognizes their communication, one finds the refusal of consciousness behind this communicative apparatus. If bees are …

Digital Photography As Experience Artifact, Ryan V. Brennan

Theses and Dissertations

Through the screen interface, the boundary between personal and collective experience is being redefined both spatially and temporally. Here, memories are given independent mediated existence, taking form in digital photographic artifacts that can be communally shared and manipulated into a synthetic continuum.

On Assemblage And Erasure, Dante Migone-Ojeda

Bachelor of Fine Arts Senior Papers

Through textual and visual research, I assert that the root cause of the injustice that drives my work and the work of the artists within my thesis paper is erasure. I attribute this erasure in large part to the role of neoliberalism upon the world stage, and it’s pervasive global influence. While neoliberalism did not create inequality, it has codified it and through its relentless push for “progress” it has propped up a dynamic of oppressor and oppressed. This in turn leads to simple categorization and ultimately erasure. I posit that my work not only makes this erasure visible, but …

Changing Human Relationships Through Interactive Art, Daniel Shieh

Bachelor of Fine Arts Senior Papers

In our current society, there is a constant endeavor to reconcile our differences while respecting our individuality. Since the 1990s, a large amount of artworks begin focusing on human relationships. In this essay, I discuss the question: how can interactive artworks create common ground between people while respecting their individual identity? Through creating a sequence of interactive artworks, I determine the three factors that are necessary for connecting people of different backgrounds—mutual vulnerability, anonymity, and the leveling of power dynamics. Mutual vulnerability entails an interaction where two people reveal themselves to each other, and connect through this reciprocal action. Anonymity …

Abstraction As A Form Of Redaction, Alex P. Derosa

Bachelor of Fine Arts Senior Papers

Abstraction as a Form of Redaction acts as an explanation of the personal and conceptual basis of my three bodies of work titled the dimension of intimacy, notations of the mind, and medical signifiers. Examining contemporary art through the lens of the self, I have created work that is present in conversations about intimacy, abstraction, self-portraiture, and feminism. Though my work does not directly address contemporary feminism, I am using this work to reclaim my body, my mind, and my space as an act of agency. The work, when looked at as a compilation, functions as an autobiography. …

Artificiality And The New Image: The Image Body, Liza H. Butts

Bachelor of Fine Arts Senior Papers

This paper sets up a historical argument for how images exist in the world and how artists relate to these images. The questions of the paper are concerned with defining the “Contemporary Image” and looking at how the digitization of all the images in our world affect the art object and the experience of art in the physical world. The conclusion and answer to these questions is found in a resistance to images that oversaturate our culture. This resistance occurs by looking to the painted image to function as a body in the world; aware of its existence, responsive to …

Exercises On Overcoming Perfectionist Tendencies, Jake Yoo

Bachelor of Fine Arts Senior Papers

In my latest series, I investigate my neurotic perfectionist tendency through repetition of phrases that I understand to be true in my head, but have a problem with accepting it in my heart. This way, I am studying my personal biases and the way I perceive the world in order to break free from unwanted behaviors and process negative emotions. Louise Bourgeois is a historical precedence to my practice as whole, while the series functions similarly to Yayoi Kusama’s dot and net paintings—a psychological portrait achieved through continuous repetition of a few elements.

Rewriting History: The Press As A Tool For Destruction And Preservation, Emily L. Mogavero

Bachelor of Fine Arts Senior Papers

This statement describes my two bodies of work, Aufheben and Artist-Hero/Squish, in which I use printmaking processes to rewrite history. In Artist-Hero/Squish I mimic canonical paintings of women by modernist male painters and run my quotations of these paintings through the press while the paint is still wet on the canvas. Through this process, I examine, confront, and change the male-dominated history of art. Aufheben currently includes one hundred drypoint prints that catalogue the personal history of my mark. This series represents a process of constant change, with individual prints suggesting stages of my process including moments of growth …

The Vital Ambiguity Of Surface: Culturally Determined Notions Of Metaphor And Performance In Contemporary Building Material, Christopher T. Campbell

Graduate School of Art Theses

This thesis investigates the systems and information decipherable within a material surface; more specifically, those ideas of value, performance, and function we may infer from the surface of contemporary building materials. When these materials are reduced to their flattened image, the cosmetic facade of a surface has the capacity to inform as well as deceive. Additionally, we may see in materials outward properties, such as color or tactility, the capacity for metaphor and the application of a symbolic personhood. This thesis seeks to comprehend the ways in which these expectations become fodder for complication and paradox, and promote a perceptual …

Interspace Encounters: Parkview Gardens, Madeline Marak

Graduate School of Art Theses

The undertaking to render an experience tangible reveals the inadequacy of the techniques and technologies of representation to transcribe the perception of ubiquitous, yet unnoticed, spaces in the urban environment. The work of Madeline Marak contemplates overlooked and forgotten spaces that are unnoticed by busy, preoccupied minds. The work advocates for slowing down… considering… and being present. This thesis refers to writer Rebecca Solnit and her anthologies on the subjects of walking, wandering, and getting lost to advocate for activities that preoccupy the mind and facilitate freethinking. The humanist geographer Yi-Fu Tuan is quoted in argument for a direct engagement …

Zeitgeist: An Artist's Present Perspective, Danielle Leventhal

Bachelor of Fine Arts Senior Papers

This statement is an analysis of my process in creating a zeitgeist collection of painted portraits. The pieces in this collection began with a live, in-person session with each of my subjects, all of whom are my friends: females ages 18-22 at Wash.U. An interest in the brain and mirror neurons, as well as Susan Stewart’s idea that the face is a “text” that must be read in order to exist, is what enabled these portraits to become a psychological examination of the spirit of our time. The material process of collapsing layers of time, emotions, and thoughts on the …

Rhetoric: The Art Of Using Language Effectively, Eric Burwell

Graduate School of Art Theses

My thesis is constructed of fifty text modules, each containing 100 words exactly. These modules express my technical interests, my personal history, and artists that influenced my writing and paintings. The module form enables me to concentrate my thoughts about how I approach personal studio methods and constrain personal limitations that direct my writing into poetry. The methods employed in the writing also correlate with my paintings. Many of the modules address methods I use in constructing my paintings; arrays of gestural marks of language and sometimes specifics words. I choose to arrange these letterforms in gestural fields of color. …

Of Ghosts And Garage Sales: The Painted Realizations Of Reflective Nostalgia, Rachel Ahava Rosenfeld

Graduate School of Art Theses

Painted from the lost snapshot photograph collections of strangers, the Testimonial paintings represent both the mythical potential of earlier times and the maddening reality that no matter what details are revealed, they can only ever be ghosts of the glories and tragedies that preceded our own. In the search for their stories, for their truths, for their absent memories, everything and everyone that we could have known lies dormant. The ghosts, the legion of “selves” arise from the questions asked of the paintings, and through the invented answers that activate the fractured past. In order to do this, I analyze …

Identity Withheld 4, Dylan Bannister

The Anthology

Artwork

No Feet, Kwan Fuller

The Anthology

Artwork

On The Floor: Of The Earth, Nicole Davenport

The Anthology

Artwork