Art and Design Commons^™

Reducing Food Scarcity: The Benefits Of Urban Farming, S.A. Claudell, Emilio Mejia

Journal of Nonprofit Innovation

Urban farming can enhance the lives of communities and help reduce food scarcity. This paper presents a conceptual prototype of an efficient urban farming community that can be scaled for a single apartment building or an entire community across all global geoeconomics regions, including densely populated cities and rural, developing towns and communities. When deployed in coordination with smart crop choices, local farm support, and efficient transportation then the result isn’t just sustainability, but also increasing fresh produce accessibility, optimizing nutritional value, eliminating the use of ‘forever chemicals’, reducing transportation costs, and fostering global environmental benefits.

Imagine Doris, who is …

Apple “Porn” 2.0: Apple’S Vision (Pro), Suzanne E. Ferriss

Class, Race and Corporate Power

This article extends the argument made in “Apple ‘Porn’: Design Videos as Seduction and Exploitation” (Ferriss 2018) to consider the corporation’s filmed representation of its newest device: an augmented reality headset dubbed Vision Pro. It argues that Apple’s latest narratives further relegate human work and community to the margins by presenting human experience as thoroughly mediated by computer-enhanced simulation, its pinnacle achieved through its Apple Vision Pro headset that turns the home and workspace into one immersive audiovisual world. Rather than its devices and software becoming an inseparable part of our personal and shared spaces, they become the spaces. We …

Tech Time

DePaul Magazine

DePaul is embracing tech more than ever, incorporating innovative devices and approaches into education in all corners of the university. Here are seven ways DePaul provides hands-on experiences with cutting-edge tools that position students and faculty in the forefront of their industries and disciplines.

Osmosis: Asymmetries In Telematic Performance, Matthias Ziegler

Journal of Network Music and Arts

For the 2022 edition of the NowNet Arts Conference on October 31st, the telematic research team of the Zurich University of the Arts (ZHdK) presented a project entitled OSMOSIS. OSMOSIS was a concert event, highlighting how telematically connected spaces always confront each other asymmetrically. Their telematic connection is part of a continuous space in which information is fragmented and selectively reassembled. Like the biochemical process of osmosis in which molecules diffuse across a cell membrane from one level of concentration to another, in telematic connections certain elements such as sound, physicality, movement, and empathy are diffused across spaces, each being …

Synthesis: Works Of Sarah Weaver And Collaborations (2020-2022), Sarah Weaver

Journal of Network Music and Arts

Synthesis Series is a set of contemplative contemporary network arts works for solo, chamber, and large ensemble performance. The works are my compositions and collaborations from the years 2020 to 2022. The concept of synthesis is conceived as an activation of synchrony. Synthesis Series follows my prior works in Synchrony Series and Source Series as sequences of compositions since 1998 proliferating into a networked system of artistic realization. In Synchrony Series I defined synchrony as the perceptual alignment of distributed time and space components. Synthesis builds on this to activate the alignment as a networked state of composite resultants, networked …

Distributed Networks Of Listening And Sounding: 20 Years Of Telematic Musicking, Doug Van Nort

Journal of Network Music and Arts

This paper traces a twenty-year arc of my performance and compositional practice in the medium of telematic music, focusing on a distinct approach to fostering interdependence and emergence through the integration of listening strategies, electroacoustic improvisation, pre-composed structures, blended real/virtual acoustics, networked mutual-influence, shared signal transformations, gesture-concepts and machine agencies. Communities of collaboration and exchange over this time period are discussed, which span both pre- and post-pandemic approaches to the medium that range from metaphors of immersion and dispersion to diffraction.

An Overview Of Immersive Virtual Reality Music Experiences In Online Platforms, Ben Loveridge

Journal of Network Music and Arts

As the field of Virtual Reality (VR) continues to mature, so too does the potential for creative and immersive musical experiences in the medium. However, of the thousands of applications now available across the major VR platforms, only a small number of titles focus on the ability to create or explore musical content. This article outlines the current state of music games, experiences, and creative applications across the current VR ecosystem. Firstly, it surveys the quantity of commercial titles currently available across the major VR platforms with a music-related focus. Secondly, the article classifies music applications into the following subcategories: …

Musical Time In Network Interaction: The Case Of Unfinished Line, Silvio Ferraz, William Teixeira

Journal of Network Music and Arts

Considering recent world events, art and music could not be unmoved by the dramatic turn of directions in both the way people relate and the place of technology in their lives. An ongoing project of both the authors in writing a new piece for cello and Disklavier operated by interactions in real-time gave place to a new kind of composition, mixing written music to improvisation and replacing real-time for something we are calling remote time. This paper presents such walking of resilience, first reviewing some relevant points of view about musical interaction in real-time and the importance of synchrony for …

The Entanglement: Volumetric Music Performances In A Virtual Metaverse Environment, Damian Dziwis, Henrik Von Coler

Journal of Network Music and Arts

Telematic music performances are an established performance practice in contemporary music. Performing music pieces with geographically distributed musicians is both a technological challenge and an artistic one. These challenges and the resulting possibilities can lead to innovative aesthetic realizations. This paper presents the implementation and realization of “The Entanglement,” a telematic concert performance in a metaverse environment. The system is realized using web-based frameworks to implement a platform-independent online multi-user environment with volumetric, three- dimensional, streaming of audio and video. This allows live performance of this improvisation piece based on an algorithmic quantum computer composition within a freely explorational virtual …

Adventures In [A]Synchrony: Tools And Strategies For The Network Arts-Curious Music Educator, Seth Adams

Journal of Network Music and Arts

Networked Music Performance (NMP) is ensemble music mediated by a network such as the internet. NMP can be usefully divided into asynchronous and synchronous formats. Prototypical examples of the asynchronous format familiar to music educators are Eric Whitacre’s virtual choirs that began in 2009. A decade later, the virtual ensemble format exploded in popularity due to the COVID-19 pandemic. Although the format does not allow participants to interact with one another, virtual ensembles nonetheless provide ample opportunities for both musical and nonmusical benefits. Synchronous NMP is, by comparison, little known and rarely practiced by music educators. However, both types of …

Editorial, Sarah Weaver

Journal of Network Music and Arts

No abstract provided.

Game On

DePaul Magazine

Video game industry icon Eugene Jarvis and DePaul alumna and Trustee Sasha Gerritson take the College of Computing and Digital Media to the next level with a landmark gift. The gift renames the college in honor of Jarvis and launches the Jarvis Student Center for Innovation and Collaboration, a multidisciplinary, student-focused space.

Unstumm | Augmented Voyage: A Platform For Telematic Live Performances In Augmented Reality, Unstumm Unstumm, Nicola Hein, Claudia Schmitz, Sven Hahne Hahne

Journal of Network Music and Arts

UnStumm | Augmented Voyage is curated and developed by time-based media artist Claudia Schmitz and sound artist and guitarist Nicola L. Hein. It was programmed and developed by software engineer Sven Hahne. UnStumm | Augmented Voyage is also a mobile app and server infrastructure that serves as the artistic vehicle to realize telematic live performances with artists from around the globe. It consists of video art, music, and dance in augmented reality.
Through the use of our software, the audience is able to view the video streams by video artists as 3D video sculptures and listen to the audio streams …

“Dancedemic” In A Pandemic: A New Networked Reality, Ellen Pearlman

Journal of Network Music and Arts

The Covid-19 pandemic of 2020 forced large parts of the globe and entire industries to shut down. Network connectivity became a necessary lifeline deploying a host of technologies that, while once considered experimental, were to be adopted as a vital part of just-in-time solutions-based practices. This report examines the implementation of one of these topologies in the form of an artist-built, artist-owned global network in the hopes that other small-sized organizations can benefit from these ad hoc, but successful solutions.

A Spectrum Of Online Rehearsal Applications: A Potential Means For Cultural Connection, Dana Kemack Goot, W. Scott Deal

Journal of Network Music and Arts

The current array of telematic music applications offers exceptional opportunities to transcend distance and enable networking between various cultures and communities. As a means to achieve this, network music applications require assessment through their previous implementations, installation requirements, cost, hardware requirements, and usability in order to assess their potential and to decipher improvements needed as a means of cultural connectivity. An early precursor of telematic music was an innovative concert by Paul Robeson in 1957, which circumvented political restrictions and enabled activism as it occurred, despite the U.S. State Department’s revocation of Robeson’s passport due to his left-wing tendencies and …

Telematic Immersion: Performance, Technology, And Audiovisual Work In Virtual Studies (2020) By Paulo C. Chagas, Cássia Carrascoza Bomfim

Journal of Network Music and Arts

This article discusses the concept of telematic immersion developed in partnership with composer Paulo C. Chagas. Focusing on Chagas’s work Virtual Studies (2020) for flute, live electronics, and 3D video, we reflect on different aspects of artistic creativity in the telematic environment including the use of audio and video technology and the multiple connections between musicians and apparatuses. The article discusses how the parameters of chamber music in the physical environment, such as the uniqueness of the live performance, the corporality of sound, and the visual and choreographic dimension of the performance are being transformed through the virtual setting of …

Sonic Proximities: Locating Oneself And The Others Within A “Migratory Journey”, Ximena Alarcon Diaz

Journal of Network Music and Arts

The INTIMAL App© is a mobile application that synchronously senses people’s walking rhythms in distant locations and then rhythmically sonifies these with the user’s chosen audio frequencies. Taken altogether, the perception of breathing and walking rhythms across space and time creates an embodied telepresence. At the level of content, the app has provided first-hand narrative accounts about the migration experiences of Colombian women living in Europe. These stories are meant to elicit a response from the listener, allowing for a path to be built out of new relationships that emerge between voices and sound frequencies. In the context of the …

Editorial, Sarah Weaver

Journal of Network Music and Arts

No abstract provided.

Du Undergraduate Showcase: Research, Scholarship, And Creative Works: Abstracts, Emma Aggeler, Elena Arroway, Daisy T. Booker, Justin Bravo, Kyle Bucholtz, Megan Burnham, Nicole Choi, Spencer Cockerell, Rosie Contino, Jackson Garske, Kaitlyn Glover, Caroline Hamilton, Haley Hartmann, Madalyne Heiken, Colin Holter, Leah Huzjak, Alyssa Jeng, Cole Jernigan, Chad Kashiwa, Adelaide Kerenick, Emily King, Abigail Langeberg, Maddie Leake, Meredith Lemons, Alec Mackay, Greer Mckinley, Ori Miller, Guy Milliman, Katherine Miromonti, Audrey Mitchell, Lauren Moak, Megan Morrell, Gelella Nebiyu, Zdenek Otruba, Toni V. Panzera, Kassidy Patarino, Sneha Patil, Alexandra Penney, Kevin Persky, Caitlin Pham, Gabriela Recinos, Mary Ringgenberg, Chase Routt, Olivia Schneider, Roman Shrestha, Arlo Simmerman, Alec Smith, Tessa Smith, Nhi-Lac Thai, Kyle Thurmann, Casey Tindall, Amelia Trembath, Maria Trubetskaya, Zachary Vangelisti, Peter Vo, Abby Walker, David Winter, Grayden Wolfe, Leah York

DU Undergraduate Research Journal Archive

Abstracts from the DU Undergraduate Showcase.

Real-Time Illumination Capture And Rendering On Mobile Devices, Snehal Padhye, James A. Ferwerda

Frameless

We present our efforts to develop methods for rendering 3D objects on mobile devices using real-world dynamic illumination from the user’s environment. To achieve this, we use the front and back cameras on the mobile device to estimate the light distribution in the environment in real time. We then create a dynamic illumination map and render the object at interactive rates in a browser on the device using a web-based graphics API. This project achieves one of the goals of our related work on realistic visualization of virtual objects: to make virtual objects appear to be situated within the scene …

Vr Sound Mapping: Make Sound Accessible For Dhh People In Virtual Reality Environments, Ziming Li, Roshan Peiris

Frameless

In-game audio plays an important role in enhancing the sense of reality and immersion in the gaming experience. In many games, sounds are also used to provide notifications and clues which are essential to the gameplay. However, in this case, the DHH (deaf and hard of hearing) players may fail to access the information conveyed by sounds, which degrades their gaming experience (Jain et al. 2021).

The Health Benefits Of Video Games, Zachary Shanks

Emerging Writers

This paper seeks to evaluate if video games are useful as more than just entertainment.  The research shows that they can be utilized in the educational, medical, and business fields. Video Games have been shown to benefit the physical, emotional, and mental health of players, as well as create more efficient learning and working environments. The article argues that video games are no longer just a source of entertainment, as they are now becoming useful tools in society.

Incomplete Images, Or Where Does The Art Happen?, Rebecca Uliasz

Journal of Network Music and Arts

No abstract provided.

Sync Variations: For Sixteen Isolated Electric Violin Players And A Programmed Network System, Elad Shniderman

Journal of Network Music and Arts

Sync Variations is a collaboration between the composer and sound artist Elad Shniderman, the physicist Moti Fridman, and his colleagues Nir Davidson and Shir Shahal. An article on the scientific research aspect of this project was published in Nature Communications². This article focuses on the musical performance and score.

The project is the product of a unique interaction between musicians through a custom-programmed network system. This system simulates the network environment of the internet in many ways. However, the piece has not yet been performed over the internet, which naturally will be the next step in this project. …

On Composing 5,000 Miles, Joe Sferra

Journal of Network Music and Arts

This article is my account of composing my first piece for telematic performance, a quartet called 5,000 Miles. The piece was commissioned by the ACCAD Sonic Arts Ensemble, directed by Marc Ainger, Ann Stimson, and Federico Cámara Halac. I performed the piece with the ensemble on two performances in November 2020: a performance for the NowNetArts Conference, and a second performance titled “Into the Multiverse” for the Wexner Center for the Arts at Ohio State University. I outline how I approached writing a specifically telematic piece, then present an analysis.

Live Electronics, Audiovisual Compositions, And Telematic Performance: Collaborations During The Pandemic, Danilo Rossetti, Cássia Carrascoza Bomfim

Journal of Network Music and Arts

We present a report of the experience of our remote musical collaboration during the Covid-19 pandemic regarding live electronic, audiovisual compositions, and telematic performance in the context of the project Sound Notebooks. We discuss the problems found and the solutions adopted in the performances, as well as the hypotheses of musical research raised by the remote environment. We argue that the variety of expressive modes, sonic modalities, and video possibilities in the Sound Notebooks repertoire we presented contributes to the construction of an aesthetics for remote performance. We additionally address practical and conceptual questions involving the composition, performance, and technical …

Electo Electro 2020, An Interactive Voting Booth Installation, Mike Richison

Journal of Network Music and Arts

Electo Electro 2020 was a project that was created specifically for the 2020 presidential election cycle. This paper is a follow-up to an article published in 2019 for the Journal of Network Music and Arts, “Voting Booths and Interactive Art Installations: The Diebold AccuVote-TS in Context.” In that paper, I discussed the original concept and goals for the project, several examples of work from other artists, and an earlier project from 2016 that served as the impetus for Electo Electro. This paper will discuss the outcomes and iterations of the project, specifically how it was adapted to an online …

Editorial, Sarah Weaver

Journal of Network Music and Arts

No abstract provided.

News

In The Loop

News briefs: Hollywood Reporter Honor; Studio CDM Documents Remote Initiatives; Animation Jam Goes Virtual; "Tom of Your Life" Film Release; D.E.F. Showcase 2020; Trackmania Soundtrack; Alumnus Commemorates St. Vincent de Paul; Alumni Games at PixelPop; Cybersecurity Champion

Synchrony: Music Of Sarah Weaver And Collaborations (2006–2019), Sarah Weaver

Journal of Network Music and Arts

Synchrony is a prominent lens in works by composer Sarah Weaver and collaborations from the years 2006 to 2019 for solo, chamber, large ensemble, and network music pieces. “Synchrony,” defined as perceptual alignment of distributed time and space components, has a practical motivation for transcending both latency and technology mediation in the network music medium. Synchrony also functions as a deep realm of artistic expression for both network and localized music. This essay outlines the technological context of performances, artistic strategies for synchrony, examples from the pieces, and new directions for the work going forward.