Art and Design Commons^™

Sawft.Servindat... [V1.7], Ray Ferreira

Theses and Dissertations

A descriptor of my artistic practice, a text piece, a series of linguistic musings, and more, Sawft.servindat… [v1.7] attempts to explore the dance between language, embodiment, and performativity. More specifically, the text moves through metaphor and metonym, Englishes, Spanishes, and Images, the performativity of representation and the representation of performativity —my body. My body moving across spaces and times. As part of the Sawft.servindat… series, Sawft.servindat… [v1.7] uses the scroll down format of most PDF reading software to activate the inherently embodied experience of intra-acting with technologies, resisting the dichotomy between the virtual and analog. Englishes juxtaposed with Spanishes juxtaposed …

History Of Lungs Of The Planet Mosaic, Susan Hunt

Documentation

A brief history and description of Lungs of the Planet, a tile mural depicting line drawings on individual 6 x 6 inch tiles, as well as larger color images of blossoms, fruit, and birds to symbolize the cycle of life.

The mural was created as a collaborative art project by students in the Natural World Cluster of the Monserrat First Year Program at the College of the Holy Cross. The project was led by Virginia Raguin, Distinguished Professor of Humanities at the College. Particpants included students, faculty, staff and community members.

The mural was installed on the west patio …

Tangled Knot Tied, Shalya Marsh

School of Art, Art History, and Design: Theses and Student Creative Work

I make formal studies in layering that use abstraction and visual symbols as a metaphor for the complex relationship we as individuals have with language, interpretation, and human interaction. My current work explores ideas of connection through representations of knots and tangles. While knots can signify protection and strength, tangles allude to anxiety.

I rely heavily on format and structure as a means of conveying content. Repetition, contrast, and layering of elements suggest the complexity of relationships. The work is composed of a series of tied knots or tangles, single knot forms in multiple variations, or a combination of multiple …

Chasing The Craze: When The Right Variables Are Off-Stage, Tina M. Gebhart

Art and Art History Faculty Publications

A smooth white glaze, (Figure 1) with a buttery surface and smooth breaking on edges, just enough change of whiteness in a crevice pooling, seemingly opaque when thicker, but with a certain glow, a slight grey showing through. It crazes slightly, a fine webbing of cracks. Not enough to be decorative crazing, and not enough crazing to make me abandon the glaze, but enough crazing that I would like it to be gone. I prefer a system-oriented testing approach as a kind of universal order. A simple Unity Molecular Formula grid mapping method typically shows a boundary line of crazed …

The Devil Made Us Do It: Depictions Of Satan In Kentucky Folk Art, Kentucky Folk Art Center

Kentucky Folk Art Center Exhibition Catalogs

2016 Kentucky Folk Art Center exhibition catalog of artwork depicting Satan.

Mark Francis: Time & Chance, Mark Francis, Kentucky Folk Art Center

Kentucky Folk Art Center Exhibition Catalogs

2016 Kentucky Folk Art Center exhibition catalog of artist Mark Francis.

Mariposa Naturally Inclined, Jessica Lazarus

The Graduate Review

No abstract provided.

Making Meyers Clear: An Exploration Of The Chemistry And Art Of Ceramic Glazes, Sara Catherine Williams

Honors Theses

For both seasoned potters and students, looking at a line of unglazed bisque-ware can be a terrifying moment. Terrifying because you know that if you choose the wrong glazes, all of your hard work up until now could be wasted. The form of any clay creation, be it functional or artistic, is equal in importance with the glaze. Bad forms cannot be covered with good glazes, but good forms may be ruined with them. It is through the pairing of the two that a truly beautiful piece is made.

During my undergraduate years and much of my life I have …

Cajamarca Ceramic Spoons From Northern Peru: Forming A Symbolic Function, Jeanette Louise Nicewinter

Theses and Dissertations

Ten painted Cajamarca-style ceramic spoons form the foundation for an investigation of the way that these seemingly utilitarian objects were bestowed with economic and symbolic value both within and outside of the borders of the Cajamarca region, located in the north highlands of present-day Peru. Since the ceramic spoons have been recovered from sites associated with large and powerful societies and states, such as the Moche of the north coast and the Wari of the central highlands, an analysis of the form, style and imagery present on these spoons reveals how these objects transcended cultural boundaries. To assess and evaluate …

Sensible Nonsense, Timothy J. Woodbrey

Theses and Dissertations

“Truth happens only by establishing itself in the strife and the free space opened up by truth itself. Because truth is the opposition of clearing and concealing, there belongs to it what is here called establishing.”[i]—Martin Heidegger

All things contain their own individual existence. When I look at objects I notice material, tradition, individual history. These are starting points for my imagination to seed and germinate. My ideas are fragmented, nonlinear and nonsensical to others but they hold honesty to me. Honesty is powerful and is worth sharing.

This document is an examination of my work during …

Synthetic Landscapes, Benjamin Thomas Jordan

Theses and Dissertations

My work explores the complex social geography of modern society and the intricate relationship between mankind and the environment. Through this work I explore the past and present lineage of manifest destiny, from its beginnings in Europe to western expansion in America, to forms it has takes in contemporary America. These ceramic forms serve as the conceptual grounds to explore the romanticizing of the western landscape especially from an individual and group perspective. I simultaneously celebrate the history of the pastoral life while questioning the authenticity, and motivations of that lifestyle, and use this platform as a jumping off point …

The Ceramic Body: Concepts Of Violence, Nature, And Gender, Chrysanna R. Daley

Scripps Senior Theses

This thesis is an exploration of the connection between women and nature, specifically the violence that has been inflicted upon them both and how it is interrelated. I positioned my research within the field of Ecofeminism, which critiques the language we (as a Western culture) use to associate women with nature and vice-versa. Traditionally, women are more often associated with nature than men are, and the environment is personified as “Mother Nature”. I argue that uncritically gendering nature as “female” is problematic because of the associations we typically make between the two, and the expectations and values we assign to …

Artscience, Dustin Swiers

All Graduate Theses, Dissertations, and Other Capstone Projects

My thesis show opened on Friday, March 11, 2016 at the 410 project's art gallery, located in downtown Mankato.

The artwork consisted of sculptures displayed on pedestals, hanging on the walls, sitting on specifically constructed arrangements, and hanging from the ceiling. The materials I used to create these sculptures have a dramatically contrasting appearance, but have one universal similarity. At some point most of the materials used were liquid or fluid. I used metals, ceramics, hand blown glass, plastics, and wax. I like to work with these materials in that fluid state because of the added flexibility and forgiveness they …

House Of God: Ma Thesis, Michael James Cimino

All Graduate Theses, Dissertations, and Other Capstone Projects

What I tried: I considered the viewer more in this exhibition that any other prior. I created this work specifically to provoke response. I strategically exhibited objects deeply rooted in personal meaning, and mass culture in the Midwest. I intended to illicit a broad range of interpretation without any supplementary didactic. I wanted to observe the reaction of the view when no answer is given. I wanted to hear your interpretation without my own influencing yours. What happens with the responsibility falls on the view to make up their own mind, rather than simply responding to a predicated statement.

Why …

Closed For Business, Tyler Schrandt

All Graduate Theses, Dissertations, and Other Capstone Projects

Closed for Business is an installation which creates an immersive environment that awards the curious. The inspiration for the exhibition came from local industry and human tendency. In likeliness of a defunct factory, the installation transforms the gallery into a dimly lit mysterious space. Using mostly objects found on local farms and in everyday households, a narrative takes shape. The question "what happened here?" looms as you investigate the space looking for clues. With a keen eye for observation, you navigate the room and stumble upon the office of a misguided -- and missing -- entrepreneur. As you internalizing the …

Body Memory, Juana Cecilia Arias

All Graduate Theses, Dissertations, and Other Capstone Projects

The Arts Center of St. Peter, located at 315 S. Minnesota Ave, in St. Peter, MN, hosted the thesis exhibit, Body Memory. The exhibit ran from April 8, 2016, through May 8, 2016. The opening reception was held on Saturday, April 9, 2016.

Ceramic sculptures were created with a variety of textile and paper imprints on the clay surface, then folded over an internal paper structure, and placed in a constructed canvas hammock to allow gravity to alter the form. All sculptures were finished using underglaze washes to emphasize the surface textures. Gloss tile sealer, wax, waxed paper, silk, or …

Creating Color: Unearthing The Chemistry Of Ceramic Glazes, Jessica Mariah Hargis

Honors Theses

There is something magical about taking lumps of cold clay and turning them into a functional form. The transofrmation process is what first peaked my interest in ceramics. I turned this visual art form my junior year of college after being completely overwhelmed by my chemistry major. Not only did Ceramics 1 teach me basic hand building and surface design techniques, but it allowed me to literally pound out my stress. I've gained a strong adoration for ceramics because it relieves my stress and gives me the opportunity to express myself.

After taking Ceramics 1, enrolling in Ceramics 2 was …

Subsurface, Elizabeth J. Huhtala

Graduate Student Theses, Dissertations, & Professional Papers

No abstract provided.