Art and Design Commons^™

Kuna Shirts From Panama In Brussels’ Art And History Museum, Anne-Françoise Martin

IX Jornadas Internacionales de Textiles Precolombinos y Amerindianos / 9th International Conference on Pre-Columbian and Amerindian Textiles, Museo delle Culture, Milan, 2022.

The Kuna live in the San Blas Archipelago off the coast of Panama. Kuna women make cotton shirts (mola/molakana) using the reverse appliqué technique. They start by superimposing several thin layers of very colourful fabric. A subtle positioning of cuts brings out the colours of the lower layers and creates patterns. Kuna women are inspired by plants and animals in the nature that surrounds them when creating these patterns. They also draw on a repertoire of patterns from everyday objects. These shirts, sewn with pride and a great deal of humour, can tell us a lot about Kuna society. They …

Estudio, Análisis E Intervención De Las Sandalias Procedentes De La Colección Frissell, Oaxaca, Gloria Martha Sánchez Valenzuela, Amaranta González Hurtado

IX Jornadas Internacionales de Textiles Precolombinos y Amerindianos / 9th International Conference on Pre-Columbian and Amerindian Textiles, Museo delle Culture, Milan, 2022.

La colección Frissell es considerada como uno de los acervos más importantes del estado de Oaxaca y la más rica en arte zapoteco; aun cuando la mayor parte del conjunto está constituido por piezas de cerámica precolombina, esta también cuenta con algunos objetos de origen orgánico como fragmentos textiles y sandalias, de los que lamentablemente se desconoce su procedencia exacta; sin embargo, gracias al análisis realizado a su técnica de factura se presupone que son de origen prehispánico y que pudieron ser extraídos de alguna cueva de los alrededores del Valle de Oaxaca. En total, la colección cuenta con cinco …

Tradición E Innovación En Los Textiles Aymaras Del Departamento De La Paz: La Aykata, Agustín Daniel Leonardo Miranda Cossío

IX Jornadas Internacionales de Textiles Precolombinos y Amerindianos / 9th International Conference on Pre-Columbian and Amerindian Textiles, Museo delle Culture, Milan, 2022.

La presente propuesta muestra la vigencia del tejido tradicional de textiles en zonas cercanas y en las ciudades de La Paz y El Alto. La información fue obtenida de tejedores que habitan en la ciudad – área rural y frecuentan la ciudad por motivos de cargos comunales o comercio de tejidos como medio de subsistencia. El paulatino desplazamiento de las piezas textiles tejidas a mano en los centros urbanos de Bolivia ha llevado a creer que este arte está menguando; si bien es cierto que su uso se ha restringido a las fiestas o ceremonias particulares, la presencia del textil …

Tejidos Kallawaya – Folclor Regional O Reflejos De Procesos De Etnicización, Eva Fischer

IX Jornadas Internacionales de Textiles Precolombinos y Amerindianos / 9th International Conference on Pre-Columbian and Amerindian Textiles, Museo delle Culture, Milan, 2022.

En mi aporte analizaré dos tipos de figuras y sus contextos, las que muestran entre sí una estrecha relación y simultáneamente diferencias profundas: el diseño llamado corte grande o kurti, y las figuras denominadas curandero, Kallawaya. El primer diseño va bajo la rúbrica de los diseños “abstractos” y el segundo bajo aquella de los diseños figurativos. Antes de aparecer en los tejidos, ambos debían transformarse en figuras de memoria en el sentido de Assmann (2000). Los dos diseños y sus contextos, percibidos como reflejos de etapas específicas de procesos más largos y complejos, permiten explorar, por lo menos en parte, …

Diseño Textil Y Vestimentario Tradicional De Los Pueblos De Canchis (Cuzco), Nathalie Santisteban-D.

IX Jornadas Internacionales de Textiles Precolombinos y Amerindianos / 9th International Conference on Pre-Columbian and Amerindian Textiles, Museo delle Culture, Milan, 2022.

Este estudio trata sobre el diseño decorativo e iconográfico textil y vestimentario tradicional de los pueblos de San Pablo, de Tinta y de Marangani de la provincia de Canchis (Cuzco, Perú). El sistema vestimentario indígena tradicional de estos pueblos está conformado por piezas vestimentarias tejidas, unkuña y poncho, que permiten identificar el grupo étnico y el lugar de procedencia de los portadores. Las otras piezas vestimentarias están adornadas suntuosamente por el bordado con máquina de coser. El vestido indígena tradicional de estos pueblos es famoso por el bordado con máquina. Este estudio busca dar a conocer que en los pueblos …

Watu, Chumbe Y Cobija. Patrones Textiles En La Alta Amazonía Peruana. Movilidad, Persistencias Y Transformaciones En El Largo Tiempo, María Elena Del Solar

IX Jornadas Internacionales de Textiles Precolombinos y Amerindianos / 9th International Conference on Pre-Columbian and Amerindian Textiles, Museo delle Culture, Milan, 2022.

La convivencia de dos formas de producción textil, organizadas a partir de técnicas y necesidades histórica y culturalmente modeladas, constituyen lo cotidiano en la mayoría de comunidades tejedoras del territorio andino. Ambas modalidades, el telar de cintura de origen prehispánico y el telar de pedal de tipo español, producen tejidos desde lógicas diversas que testimonian sobre aspectos centrales de la vida de las sociedades andinas, en una suerte de diagnóstico socio cultural e histórico. En este artículo se presentan algunas características constantes, así como peculiares, en los patrones textiles del grupo kichwa lamista del piedemonte amazónico, zona montañosa del nororiente …

The Research And Treatment Of A Qing Dynasty Garment From The Buffalo Museum Of Science, Nhat Quyen D. Nguyen

Art Conservation Master's Projects

The scope of this project was to research, analyze and treat a sleeveless garment from the Buffalo Museum of Science that is thought to be originally from China. The sleeveless garment was donated to the museum by Chauncey J. Hamlin and little information is known about the context or origin of the garment. Research was conducted to gain historical information about the type of garment and why it was made. Analysis was conducted on the fibers, metal wrapped threads and dyes to identify the materials used. The garment was treated with a heat activated adhesive support patch to stabilize the …

Limitations And Possibilities Of Digital Restoration Techniques Using Generative Ai Tools: Reconstituting Antoine François Callet’S Achilles Dragging Hector’S Body Past The Walls Of Troy, Charles O'Brien, James Hutson, Trent Olsen, Jay Ratican

Faculty Scholarship

Digital restoration offers new avenues for conserving historical artworks, yet presents unique challenges. This research delves into the balance between traditional restoration methods and the use of generative artificial intelligence (AI) tools, using Antoine François Callet’s portrayal of Achilles Dragging Hector’s Body Past the Walls of Troy as a case study. The application of Easy Diffusion and Stable Diffusion 2.1 technologies provides insights into AI-driven restoration methods such as inpainting and colorization. Results indicate that while AI can streamline the restoration process, repeated inpainting can compromise the painting’s color quality and detailed features. Furthermore, the AI approach occasionally introduces unintended …

Programa De La Conferencia Segundo Congreso Internacional De Iconografía Precolombina

Segundo congreso internacional de iconografía precolombina. Barcelona, 2023. Actas.

Barcelona, 2023.

Victòria Solanilla, organizador

17 al 20 de octubre de 2023.

En el Museu de Cultures del Món de Barcelona. Calle Montcada, nº12-14, 08003, Barcelona.

Y en el Institut d’Estudis Catalans. Calle del Carme, nº 47, 08001, Barcelona.

Organizado por el GRUP d'ESTUDIS PRECOLOMBINS· con el apoyo del MUSEU ETNOLÒGIC I DE CULTURES DEL MÓN· INSTITUT D'ESTUDIS CATALANS· SOCIETAT CATALANA D'ESTUDIS HISTÒRICS

Les Trésors De La Maison, Or L’Amour Maternel: The Technical Study And Treatment Of Previously-Restored Painting, Katherine C. Aguirre

Art Conservation Master's Projects

“Mother and Children” is a painting belonging to the collection of the Garman Art Conservation Program at SUNY Buffalo State College. The painting depicts a seated woman with light skin and dark hair and two children. The painting was damaged in the past, and the image was obscured by thick layers of grime and oxidized varnish. It had also been previously treated on at least two occasions. A full technical analysis and conservation treatment was completed. The methods of analysis included multi-modal imaging, x-radiography, Fourier transform infrared spectroscopy, X-ray fluorescence spectroscopy, and cross-sectional analysis. The goal of the analysis was …

A Lifetime Of Stress: Analysis And Treatment Of An Inlaid Chinese Box, Katherine Mcfarlin

Art Conservation Master's Projects

Inlaid wooden objects are complex and intricate mixed media assemblages that can provide significant challenges to the conservator, as the properties of the individual materials can conflict and complicate treatment options. For example, traditional inlay materials such as ivory and mother-of-pearl are particularly susceptible to shifts in moisture and acidity, and the hygroscopic nature of historic proteinaceous adhesives can exacerbate dimensional changes in the surrounding wood. This paper describes the research and subsequent treatment to stabilize and restore a Qing dynasty wooden tabletop chest inlaid with ivory, mother-of-pearl, and various siliceous minerals. A combination of adhesive failure along multiple joints …

Technical Analysis And Treatment Of A Folk Art Portrait Of A Boy, Khanh P. Nguyen

Art Conservation Master's Projects

This Master’s Project is a multidisciplinary technical study and conservation treatment of Portrait of a Boy, a 19th century oil painting on canvas and thought to be an example of the American Folk Art movement. Research into Folk Art traditions was executed to inform the context of the artwork. Comprehensive imaging and scientific analyses provided additional historical and material context for the painting. The painting was imaged with the following techniques: visible illumination, ultraviolet (UV) reflectography, ultraviolet-induced visible fluorescence, infrared reflectography, visible-induced infrared (IR) luminescence, x-radiography, and multispectral imaging (MSI). Scientific and materials analyses included: optical microscopy of fiber …

Stop Kiss: A Scenic Design, Taylor Walters-Riggsbee

Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work

The purpose of this thesis is to document the design processes of the University of Nebraska Lincoln’s production of Stop Kiss by Diana Son, produced March 1-9, 2023, in partnership with the Nebraska Repertory Theatre. Documented is a complete representation of a scenic design process including discussion of practices and design methodologies, research plates, supporting analytical paperwork, preliminary sketches, digital renderings, and 1/4” scale model photos, a full set of drafting, painter’s elevations and a corresponding props and dressing list. Performance photos follow as an archive of the production process and performance photos.

Advisor: Joshua David Madsen

Jogakpo Window (7 Feet X 4 Feet), Seo-Young J. Chu

Publications and Research

Materials: glass, sunlight, post-it notes. Image description: Photographs show a large window covered with a 조각보 patchwork of colorful post-it notes. Sunlight illuminates the paper.

Póster De La Conferencia Segundo Congreso Internacional De Iconografía Precolombina

Segundo congreso internacional de iconografía precolombina. Barcelona, 2023. Actas.

Victòria Solanilla, organizadora

17 al 20 de octubre de 2023.

En el Museu de Cultures del Món de Barcelona. Calle Montcada, nº12-14, 08003, Barcelona.

Y en el Institut d’Estudis Catalans. Calle del Carme, nº 47, 08001, Barcelona.

Los Bordados Mayas Que Protegen De Enfermedades En El Estado De Yucatán, México, Roberto Campos-Navarro, Leydi Dorantes, Danielle Dupiech Cavaleri

Segundo congreso internacional de iconografía precolombina. Barcelona, 2023. Actas.

Conocemos el rol de los textiles en los rituales y el significado de numerosos símbolos que bordan las artesanas mayas de la Península de Yucatán, no obstante, existen varios motivos de plantas medicinales bordados en los textiles que no fueron analizados. En el mes de septiembre de 2022 dio comienzo una investigación en cooperación con la joven curandera x-meno’ob de Yaxcabá, Leydi Dorantes, que cultiva más de doscientas plantas medicinales mayas en el jardín botánico que creó su abuelo, mismas que usa en rituales y también para curar. Ella nos da a conocer la relación existente entre los elementos de …

Proyectar El Diseño Precolombino: Experiencias Didácticas, Luz Helena Ballestas Rincón

Segundo congreso internacional de iconografía precolombina. Barcelona, 2023. Actas.

Se presenta el resultado de un Modelo Pedagógico basado en el Diseño Precolombino, el cual ha sido aplicado en diversos escenarios y ambientes de aprendizaje. Mediante la sistematización de la teoría con la práctica del diseño se muestran ejemplos de los métodos de diseño que han resultado eficaces, ya sea en el ámbito universitario o en grupos interesados en el conocimiento de estos bienes patrimoniales, entre los que se encuentran estudiantes y profesores del área artística así como personas convocadas por algunos museos que poseen colecciones precolombinas.

Al experimentar y proponer activando los mecanismos que liberan la creatividad y, a …

Identificación De La División Del Trabajo Entre Los Géneros A Través Del Análisis Iconográfico, Sarah Kauffmann

Segundo congreso internacional de iconografía precolombina. Barcelona, 2023. Actas.

El presente trabajo se enfoca en la metodología para identificar los roles y actividades realizadas por determinado género en la sociedad maya prehispánica. Códigos especiales en la iconografía son utilizados para representar y diferenciar los dos géneros. Varios medios se explorarán como las estelas, dinteles, cerámicas y figurillas. A través de la iconografía se identificará las actividades, vestimenta y postura para interpretar la división del trabajo.

This present study focuses on the methodology for identifying the roles and activities realized by both genders in the pre-Hispanic Mayan society. Special iconographical codes are used to represent and differentiate men and women. …

El Refugio De La Imagen Chamánica En El Mundo Malagana, Sonia Blanco, Catalina Simmonds Caldas

Segundo congreso internacional de iconografía precolombina. Barcelona, 2023. Actas.

La voluntad de elaborar una pieza antropomorfa, es incidir sobre el objeto, haciéndolo actuante. Tratándose del mundo Malagana – sociedad prehispánica colombiana –, que consideró el papel primordial de la mujer, esta imagen femenina y robusta, en cerámica, de pie, portadora de una máscara, como pieza – soporte simbólica contendría en su epidermis y gesto, una narrativa ritual. Desarrollada en un espacio funerario, como ajuar, personificaría los atributos del mono aullador y convocante de los “espíritus (auxiliares) alter-ego”, de los monos ardilla, intervendría de forma ritualista sobre los humedales del pueblo Malagana, aportándoles el equilibrio para la inflorescencia de la …

El Sobredimensionamiento Y Otros Recursos Plásticos Como Representación De La Capacidad Extática–Visionaria En El Arte Chamánico Americano, Ana María Llamazares

Segundo congreso internacional de iconografía precolombina. Barcelona, 2023. Actas.

Este artículo explora uno de los principales rasgos del arte chamánico visionario: el sobredimensionamiento de las figuras o de algunas de sus partes significativas. A través de diversos registros arqueológicos y contemporáneos, se brindan elementos valiosos para interpretar como representaciones explícitas de la capacidad extática o visionaria, ciertas imágenes de arte prehispánico o etnográfico ligadas a tradiciones de prácticas chamánicas americanas, en las que se ha expresado la percepción de la magnificación energética a través de rayos, aureolas o apéndices diversos que expanden el tamaño de las cabezas, manos, pies u otras partes del cuerpo en forma desproporcionada respecto del …

Material Analysis And Conservation Treatment Of Louise Nevelson’S Sculpture Dawn’S Image, Night, Kaela Nurmi

Art Conservation Master's Projects

Louise Nevelson’s large-scale, matte black assemblage sculpture Dawn’s Image, Night, 1969, is owned by and currently on display at SUNY Buffalo State College. The paint layers exhibited significant amounts of dust, some damages, vandalism, and unsightly fingerprints. Extensive scientific analysis and archival research were utilized to design an appropriate treatment and long-term preservation plan. Methods of analysis include: Fourier transform infrared spectroscopy, pyrolysis-gas chromatography-mass spectrometry, microchemical testing, and xray fluorescence spectroscopy. The project also addresses the ethical considerations surrounding the prior removal of original components for safety considerations, repainting as a possible treatment, and the overall obstacles of treating a …

Research, Analysis And Conservation Treatment Of A 19th Century Watercolor, Abby Schleicher

Art Conservation Master's Projects

This project focused on a watercolor from the mid- nineteenth century referred to as [Sailboats and Windmill] by Edward Tucker. The research concentrated on the popularity of watercolors in Britain in the 18th and 19th century along with the techniques and materials developed around this time. Visual examination along with multi-modal imaging techniques and scientific analysis utilizing X-ray fluorescence and Micro-Attenuated Total Reflection Fourier Spectroscopy aided understanding and identification of materials.

The Met Costume Institute: Evolution, Metamorphosis, And Cultural Phenomenon, Shelby Kanski

Senior Honors Projects

No abstract provided.

If These Walls Could Talk: Restoring 15th Century Paintings In Upper Mustang, Ellie Penner

Independent Study Project (ISP) Collection

The Thupchen monastery, or gompa, in Lomanthang is a site that hosts monumental 15th century Buddhist artworks, which reflect an abundant history from the key trade region of Upper Mustang, Nepal. This site, after neglect and use as a storage space until the 1990s, has seen radical change in the past two decades through an ongoing painting restoration project. Since these restorations began, there have been discrepancies between how scholars and restoration artists believe the work should be done, and how the local community of Lomanthang wants their monastery to be restored. This study aims to examine why the temple …

Contextualizing And Reconstructing A Model Birch Bark Canoe, Jen Mikes

Art Conservation Master's Projects

To perform a well-informed conservation treatment on an object, it is crucial to understand its context, history, and significance. When an object presents with little provenance or context, it can be difficult to determine the course that its treatment should follow. In this project, a structurally unstable birch bark canoe model of unknown origin was examined, researched, and treated. The treatment campaign was customized for the object based on literature research, owner consultation, and materials experimentation. The canoe model was structurally stabilized with adhesive and adhesive reactivated Japanese tissue, it was locally humidified and reshaped with Gore-Tex sandwiches, and was …

The Last Prisoners Of War: How Nazi-Looted Art Is Displayed In U.S. Museums, Monica May Thompson

Geifman Prize in Holocaust Studies

How art museums approach NLA is important today because much of the public relies on museums for their education. NLA cases are especially controversial because they are not only legal battles, but ethical ones so museums have to be extra careful approaching them. Even if the museum has won the legal battle the public may not see them as winning the ethical one therefore they might want to avoid displaying this information to the public. However, as we can see with the previous websites, it actually looks worse for museums not to be open and honest about their NLA pieces …

Prejudiced Commodities: Understanding Knowledge Transfer From India To Britain Through Printed And Painted Calicoes, 1720-1780, Aditi Khare

Textile Society of America Symposium Proceedings

The eighteenth-century trade in calico between Europe and India was a function of global textile manufacture, exchange, and consumption on multiple levels. This trade had several political, cultural, and economic consequences— the most important of which, I suggest, was the transfer of useful knowledge from artisanal oral textile traditions in India to the receptive, commercial, and nascent cotton printing industry in Europe.

This paper explores the contribution of Indian cotton printing knowledge towards the development of Europe’s cotton industry and, consequently, its dissemination through European knowledge networks. In particular, the largely overlooked chemical knowledge pertaining to dyes and mordants responsible …

Colcha Circle: A Stitch In Northern New Mexico Culture, Olimpia Newman, Rebecca Abrams

Textile Society of America Symposium Proceedings

Colcha embroidery is folk art, characteristic of northern New Mexico history, traditions, and a form of cultural expression that has not been researched and documented sufficiently. It has been practiced in private homes and small circles as a result of commissions or economic development programs, as has also been the case in the San Luis Valley, Colorado. Despite the exposure offered by local markets and demonstrations during events in New Mexico, the embroidery is in many ways an unknown technique, even to the next generation.

This video captures a candid discussion among eleven colcha artists, some of whom are entering …

Hidden Stories/Human Lives: Proceedings Of The Textile Society Of America 17th Biennial Symposium, October 15-17, 2020--Full Program With Abstracts & Bios

Textile Society of America Symposium Proceedings

The theme Hidden Stories/Human Lives presents opportunities to reveal complex and hidden stories of global textile making and coincides with the 100th anniversary of the 19th Amendment to the United States Constitution. Yet, just as the voices of women of color, marginalized by the suffrage movement, are only now being recognized, the stories of the many human lives that have contributed—directly and indirectly—to textile making, including enslaved people, immigrant entrepreneurs, and industrial laborers, remain untold. With this symposium, we hope to get “behind the curtain” to explore the wider human network engaged in textile production, bringing to light hidden stories …

Freedom Quilt: Collective Patchwork In Post-Communist Hungary, Christalena Hughmanick

Textile Society of America Symposium Proceedings

The paper investigates the democratic and social values of patchwork quilting through its culture of open-source pattern sharing and communal group work – using The Freedom Quilt Hungary project as a primary example. I facilitated a social engagement artwork, developed in 2019 on the occasion of the 30th anniversary of the end of Socialist rule in Hungary in 1989. This change resulted in new laws, allowing for the formation of the Hungarian Patchwork Guild (HPG), with whom I worked closely to create the work. It provided members of this group and the public with a platform to define individual notions …