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Articles 1 - 30 of 51
Full-Text Articles in Art and Design
Tied Together, Eiko Nishida
Tied Together, Eiko Nishida
Theses and Dissertations
The paper is about a site-specific installation that questions a viewer’s norms and perspectives, through the use of multilingual newspapers as a sculptural material.
Skin Echoes, Andreia Santana
Skin Echoes, Andreia Santana
Theses and Dissertations
Santana’s explores the intersection of biology and identity, incorporating living matter and performative gestures into installations to reflect on social constructs of history and gender. By observing water and its qualities of defying Western dichotomies, Skin Echoes focuses on the material interchanges across bodies and the wider material world.
Spit Brimming With Futures, Penny Molesso
Spit Brimming With Futures, Penny Molesso
School of Art, Art History, and Design: Theses and Student Creative Work
SPIT BRIMMING WITH FUTURES is an immersive video and audio installation that uses ASMR (Autonomous Sensory Meridian Response) to investigate the intersection of transgender and neurodivergent identity, expressing an urgent need to imagine stories about transgender, autistic people that affirm our agency and autonomy amidst a political climate that weaponizes neurodivergence to delegitimize trans experiences. The American political right’s vilification of transgender people is used to uphold structures of white supremacy and heteropatriarchy that become destabilized when rigid binary gender categories are challenged. The political right has a vested interest in keeping trans people out of public view, thus weaponizing …
Here And Now, Samaira 2023, Samaira G. Wilson
Here And Now, Samaira 2023, Samaira G. Wilson
Senior Projects Spring 2023
Consider my work as a thread weaving through time. Illustrations of grappling with the present and its illusive constant nature. Questioning permanence. The temporary. This show, these walls, not forever, not for lease. Just a point in time. Can we hold time? Keep it? Is it ours? No. Time is something that is eaten, driven through, falling, perpetual, casual, necessary, fought against, spent, and healing.
Here and Now plays with what time feels like and is contrasted by an active voyage to another world.
This Side Of Silver, Bennett Wood
This Side Of Silver, Bennett Wood
Senior Projects Spring 2023
Senior Project submitted to The Division of Arts of Bard College.
Dear Everything That Feels,, Oga Li (Oga L)
Dear Everything That Feels,, Oga Li (Oga L)
Senior Projects Spring 2023
Senior Project submitted to The Division of Arts of Bard College.
A Part From You, Kenneth Rick Briggenhorst Jr.
A Part From You, Kenneth Rick Briggenhorst Jr.
MSU Graduate Theses
I invite empathy through art that is technologically assisted to find alternative interpretations for nontheologically informed faith. The sudden passing of my dearest friend, Jimmy, encouraged me to dig through my archives of data, to cherish all the bytes that remain of him. In this endeavor, I find that death is not the end, but a post-physical state of being. I express this sentiment in a part from you, where the work utilizes inanimate constructs to place your faith in, to make sense of the complexities of grief in a digitally tethered way of life. This life that allows many …
Winding Down River Road, Gillian Harper
Winding Down River Road, Gillian Harper
LSU Master's Theses
As a mechanism to explore my temporary home in Louisiana, Winding Down River Road is a collection of artworks that integrates natural materials collected from landscapes in southern Louisiana with steel and petroleum-based products. My interest in researching environmental issues, ecology, and industry has shaped my vehicles for observation and how I generate data. Through a variety of methodologies, I am considering how climate change is forcing many of us to re-contextualize how our home can be affected by the very industries we rely on. Personal engagement with residents living in the dystopian atmosphere of southern Louisiana’s industrial corridor and …
Half In Dream: The Tangle In The Grid, Abbey L. Paccia
Half In Dream: The Tangle In The Grid, Abbey L. Paccia
Masters Theses
Half in Dream: The Tangle in the Grid discusses the form and content of a physical art installation by the same name. The site-specific installation is a large three-dimensional collage of natural ephemera collected from the area around Amherst, Massachusetts, which interacts with natural lighting conditions to illuminate a gallery-facing image of ever-moving light and shadow. The written work elaborates some of the many details within the structure of the artwork, and reveals the philosophies, embodied practices, and methodologies that informed the visual work's creation. Woven throughout are reflections on phenomenology, walking practice, General Systems Theory, collective making, narrative arts, …
Sanctuary: The-Construction Of Communion, Carlos Salazar-Lermont
Sanctuary: The-Construction Of Communion, Carlos Salazar-Lermont
MFA in Visual Art
This thesis narrates the development of the multimedia art installation called Sanctuary. I unwrap the theoretical background of my practice, which is rooted in the theories of deconstruction by Jacques Derrida, and the rhizome theory by Gilles Deleuze and Félix Guattari. I approach my creative process as a grammatic of matter, space, and time, constructing meaning through an interplay of significants that connect to political, social, economic, and cultural implications. In the case of Sanctuary, I sought to create a path of empathy towards Venezuelan refugees in St. Louis, Missouri through the exploration of the concept of communion. …
Crying At Nothing But Colors, Maryalice Carroll
Crying At Nothing But Colors, Maryalice Carroll
Graduate Theses and Dissertations
crying at nothing but colors is an installation of ceramic works that explores the abstraction of feelings, both physical and emotional. The installation itself is a house made out of tension cables that stretch wall to wall in the gallery space. Inside the house are 7 ceramic objects placed on wooden pedestals paired with tufted rugs.
Throughout this essay, I will describe the abstract ceramic objects as Beings. They are colorful and have textured glaze on the surface with a gloopy opalescent glaze oozing out of holes that cover each piece. They are an extension of myself. They are the …
She Is Clothed With Strength And Dignity; She Can Laugh At The Days To Come!, Immanuel J. Williams
She Is Clothed With Strength And Dignity; She Can Laugh At The Days To Come!, Immanuel J. Williams
Senior Projects Spring 2022
Motherhood in the words of Aunt Brenda.
See, we look at our parents first as these godlike figures like they're going to figure it out, not realizing that they were children. They were people. They had dreams and aspirations and all that. And when you strip that away, the title of mother– parent– this woman…. Who is that person?
Well, they're a person. They bleed just like you. They had dreams and thoughts and all that, just like you.
You know, I challenge everybody, you know, take your mother or father off of that godlike pedestal because you'll find that …
Interview, Elizabeth Naiden
Interview, Elizabeth Naiden
Theses and Dissertations
An exploration of work by Liz Naiden in the form of a conversation discussing light and dark, attention and proprioception, and design and architectural theories of space in installation works. Addresses the role of voice, speech, and reading and speaking aloud, performing for oneself, and performing for others.
Yellow, Sisi Chen
Yellow, Sisi Chen
Theses and Dissertations
The following paper is a constellational unpacking of yellow through notes on critical race and feminist theories, myth, science, science fiction, disparate histories, cyborgs, biography, virtuality, materiality, fungi, porcelain, language, internalization, melancholia, smells, sounds, tastes, feels, and more feels.
Tomorrow Is The Worst Day Since Yesterday, Matthew Carlson
Tomorrow Is The Worst Day Since Yesterday, Matthew Carlson
School of Art, Art History, and Design: Theses and Student Creative Work
Susan Sontag wrote: “Illness is the night-side of life, a more onerous citizenship. Everyone who is born holds dual citizenship, in the kingdom of the well and in the kingdom of the sick. Although we prefer to use only the good passport, sooner or later each of us is obliged, at least for a spell, to identify ourselves as citizens of that other space”.
This work addresses aspects of that citizenship. I used my experiences as a person living with a disability and as a parent to a son with Autism to explore the dichotomy of this dual citizenship. The …
Difficult Paintings, Hao (Damien) Ding
Difficult Paintings, Hao (Damien) Ding
Theses and Dissertations
The sublime as a concept has a fraught and racist history. However, it remains the single most helpful idea in describing the deeply felt state of being when one comes across something ineffably powerful. From an art-making perspective, this thesis, and the accompanying exhibition of installations and paintings, proposes an alternative construction of the concept of the sublime. Using Lacanian psychoanalysis as a conceptual point of departure, a painter can manipulate the relationship of the viewer and paintings to create paradoxical moments of simultaneous intimacy and distance, which interact to create an alternative path towards the sublime. Through descriptions of …
Ex-Tensions: Material Entanglement And Intensities, Zohreh Galdizadeh Garmeh
Ex-Tensions: Material Entanglement And Intensities, Zohreh Galdizadeh Garmeh
Electronic Theses and Dissertations
This thesis is an exploration of the intrinsic capacity of matter and material formations and utilization of art as a mode of inquiry. Ex-tensions: Material Entanglement and Intensities investigates the animism and vibrancy of objects and the hidden interplay between materials and intensities that flow through and around within the spaces that confine us. In this body of work, all forms of material configurations are understood as animated and agential and as different representations of the same substance that are only formally diverse.
Dead Weightless, Isaiah Schwartz
Dead Weightless, Isaiah Schwartz
Senior Projects Spring 2021
There is more than convenience embedded into my attraction to the unrefined materials that I work with. Shopping cart (baby size), palette, cheesecloth, bucket, and window. Each is rich with an individual history that expands beyond the use it was intended for. Suspending them in the air is my observance of the sanctity of their mundane uses. To create something new, also out of these unrefined materials, and to refuse to polish it. To have resolution in a thing that is also ambiguous. I can find intrigue in a million different things as soon as I pay attention to them. …
Snake Tube Adventure Racing… And More!, Jane Marie M. Tardo
Snake Tube Adventure Racing… And More!, Jane Marie M. Tardo
University of New Orleans Theses and Dissertations
My work revolves around using a specialized blend of art, design, and craft to interpret political narratives through fabricated products. These objects weave contemporary commentary and consumer indulgences into sculptural cultures. Each product is designed to mimic its own marketed culture—offering an enticingly tactile, interactive experience that is equal parts confusing, concerning, and delightful. The products are accompanied by investment opportunities in the form of popular, limited released merchandized objects, such as hats and patches. Using humor and subtlety, my gamelike installations explore arenas such as agency, autonomy, intimacy, and dueling realities in a time of ecological collapse and cultural …
The Object Memory Palace, Amra Causevic
The Object Memory Palace, Amra Causevic
Theses and Dissertations
I am interested in orchestrating instances of potentiality or concrete possibilities that proposes the futurity of play through means of touch, activation, assembly, and interaction within art spaces. The installation mentioned is composed of found objects and repurposed materials that address themes of place, memory, object-ness, and the archive, through gestural means of poetics and map making. It is an invitation to create new logics and find moments of empathy, connectivity, and hopes for a collective.
Rhythms Of Light, Jessica R. Csanky
Rhythms Of Light, Jessica R. Csanky
CGU MFA Theses
My works are visual expressions of a true love for movement, rhythm, and saturated color. In making art, I present lived experiences that are rendered abstract. These formal representations originate from an energetic space or sensory association and express a connection to places I have been, whether physically or emotionally.
Integral to my practice is the uninhibited exploration of materials and tools. I am committed to deepening my understanding of what paint can do when combined with drawing and installation techniques.
My compositions address architecture, landscape, memory, as well as psychological and physical spaces that we move through during our …
Memory Bread, Nisiqi
Memory Bread, Nisiqi
Art + Design Masters Theses
Memory Bread, constituting a daily performance ritual and the post-action objects, seeks to address the generational decline of mother language use in Inner Mongolia Autonomous Region, a post-colonized province of China. I chose to eat sliced white bread in the performance and later casted concrete sculptures as the extension of the action for both substances’ capitalistic nature. Being an invasive material that took over the traditional architectural lifestyle, the use of concrete mirrors the pervasive cultural and ethnic assimilation in China. Meanwhile, the materiality of concrete being a mixture of various substances also metaphors the mixed culture that Chinese-Mongolians …
Installation: Untitled#0420, Thesis: Is The Artist’S Position Valid And Necessary To Her Completed Artworks ? —— An Investigation Of The Artist’S Position Through Martin Heidegger’S Poetry, Language, Thought And The Fisherman Analogy, Coco Ma
Senior Projects Spring 2020
Artist statement:
In my practice of mixed-media sculptures and installations, I use different kinds of materials in unexpected ways to provoke uncertainties, inquiries, and reflections. My works entice people to stop and pay close attention. In this process, they may be confused and amused. By being labor- intensive and repetitive with ordinary materials, my works inspire people to see familiar forms and materials in new and fresh ways. Underneath the familiarity of the materials is the “white noise,” a hum of dissonance between the familiar and the strange.
The installation Untitled#0420 uses fishing lines as its major component, which is …
I Think You Were In My Dream Last Night, Josie Cotton
I Think You Were In My Dream Last Night, Josie Cotton
Senior Projects Spring 2020
I Think You Were In My Dream Last Night
I have always worked by creating opportunities for mistakes and then fixing them. I’ve taken inspiration from the things I pick up every day: cups, necklaces, coat hangers, tables, chairs. I’ve taken inspiration from my dreams. They are always based in reality but twisted into a shape I’ve never seen before, and I wonder where these ideas come from. When I wake up, the people or the places I dreamt about are changed forever by a new perspective, out of my control. That is an idea I wanted to sift through …
Enmesh: The Art Of Trauma And Recovery, Joanna Pottle
Enmesh: The Art Of Trauma And Recovery, Joanna Pottle
Senior Honors Projects, 2010-2019
Liminal Space is an artistic installation within the ongoing, interdisciplinary creative/research project "Enmesh: The Art of Trauma and Recovery.” Utilizing a combination of research methods, creative processes, and cultural inspirations, this project asks the following questions: how can the artistic process (this project serving as a preliminary case study) parallel various modes of recovery and healing? How can this objective be visually communicated through a mixed media approach of drawing, painting, and printmaking and how can this approach be an effective tool of communication? What can we conclude from both modes of work (solitarily or collectively)? How do they accomplish …
Kiddush Levana, The Moon Is Your Handheld Mirror, Noa Ginzburg
Kiddush Levana, The Moon Is Your Handheld Mirror, Noa Ginzburg
Theses and Dissertations
Noa Ginzburg is weaving cast-off and hand-made objects, lights, reflections, spells, drawings, and an abundance of knots into site-responsive installations. In her thesis, Ginzburg addresses Hieronymus Bosch’s paintings, the synergy of assemblages, repurposing of materials in the era of Anthropocene, and how notions of solidarity and indeterminacy influence her work.
North American Data, Joseph A. Burwell
North American Data, Joseph A. Burwell
Theses and Dissertations
North American Data fractures and reconfigures pre-existing narratives into new, unauthorized forms of storytelling. Core samples extracted from various narrative sources are reassigned new roles according to their proximity to each other. This paper functions as an introduction to the essential actors and their dramatic inclinations within fluctuating scenarios.
Generative Movements, Cabbage Juice, & Habitats Of Selfhood, Jason Michael Rondinelli
Generative Movements, Cabbage Juice, & Habitats Of Selfhood, Jason Michael Rondinelli
Theses and Dissertations
The content of this essay is a reflection on my practice as an artist. A summary of text includes an analysis of my attraction to certain materials such as drywall, cabbage juice and coconut oil, all materials are the extensions of my memory, intention and pleasure. From warm memories of bathhouses and the flesh of others to managing illness at home, my artwork distills a lived experience into material reality. These materials take the shape of sculptural networks that serve as biographical biomes. The architectural and organic components of the work are sourced from my own experience and the surreal …
Greetings From..., Casey Mae Schachner
Greetings From..., Casey Mae Schachner
Graduate Student Theses, Dissertations, & Professional Papers
Greetings from... is a reflection of my roots in the tropical vacationland of Florida, a place for which I feel both nostalgic and conflicted. Growing up in southern tourist destinations, I was confronted daily with the extreme contrasts of living in paradise. In my artwork, I am translating the cacophony of Florida through the lens of materiality. By re-configuring commodified objects of the tourism industry, the sculptural works in this show exhibit my consideration for the paradoxical relationships that exist between materials and place. Much like the avant-garde Surrealist object, or the assemblage of found materials in provocative combinations that …
Between The Bars, Unique Shaw-Smith Dr, Eliese Maxwell, Victoria Otero, Catherine Trujillo, Habib Placencia Adissi
Between The Bars, Unique Shaw-Smith Dr, Eliese Maxwell, Victoria Otero, Catherine Trujillo, Habib Placencia Adissi
Creative Works
“Between the Bars” is a senior project exhibition, in collaboration with Cal Poly Sociology Professor Dr. Unique Shaw-Smith. Featuring artwork produced by incarcerated artists, the goal is to undo negative stereotypes and to empower the rehabilitation of incarcerated artists individually and collectively through art.The exhibit demonstrates that rehabilitation does occur in prison and emphasizes that art has the power to transcend all social differences and divisions. The exhibit features more than 60 works in diverse mediums including sculpture, painting, and poetry by 34 incarcerated artists from California Men’s Colony.
This catalog represents the onsite exhibit of the same name, which …