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Articles 1 - 5 of 5
Full-Text Articles in American Popular Culture
Derek C. Maus And James J. Donahue. Post-Soul Satire: Black Identity After Civil Rights. Jackson: Up Of Mississippi, 2014., Jacinta Yanders
Derek C. Maus And James J. Donahue. Post-Soul Satire: Black Identity After Civil Rights. Jackson: Up Of Mississippi, 2014., Jacinta Yanders
Studies in 20th & 21st Century Literature
Review of Derek C. Maus and James J. Donahue. Post-Soul Satire: Black Identity After Civil Rights. Jackson: UP of Mississippi, 2014.
Jeffrey A. Brown. The Modern Superhero In Film And Television: Popular Genre And American Culture. New York: Routledge, 2016., Danielle A. Orozco
Jeffrey A. Brown. The Modern Superhero In Film And Television: Popular Genre And American Culture. New York: Routledge, 2016., Danielle A. Orozco
Studies in 20th & 21st Century Literature
Review of Jeffrey A. Brown. The Modern Superhero in Film and Television: Popular Genre and American Culture. New York: Routledge, 2016.
Polymediated Narrative: The Case Of The Supernatural Episode "Fan Fiction", Art Herbig, Andrew F. Herrmann
Polymediated Narrative: The Case Of The Supernatural Episode "Fan Fiction", Art Herbig, Andrew F. Herrmann
Andrew F. Herrmann
Modern stories are the product of a recursive process influenced by elements of genre, outside content, medium, and more. These stories exist in a multitude of forms and are transmitted across multiple media. This article examines how those stories function as pieces of a broader narrative, as well as how that narrative acts as a world for the creation of stories. Through an examination of the polymediated nature of modern narratives, we explore the complicated nature of modern storytelling.
Narratives Of Miami In Dexter And Burn Notice, Myles Mcnutt
Narratives Of Miami In Dexter And Burn Notice, Myles Mcnutt
Communication & Theatre Arts Faculty Publications
In popular discourse around television, a series’ relationship with place is often marked through the suggestion its setting is “like a character in the show”, but this article argues against adopting this as a framework for analyzing television’s relationship with space and place. It articulates the relationship between this discourse of “spatial capital” and hierarchies of cultural capital within the television industry, limiting the types of series that are deemed to warrant closer investigation regarding issues of space and place and lacking nuanced engagement with place’s relationship with television narrative in particular. After breaking down the logic under which these …
"If You Want To Be The Man, You've Got To Beat The Man": Masculinity And The Rise Of Professional Wrestling In The 1990'S, Marc Ouellette
"If You Want To Be The Man, You've Got To Beat The Man": Masculinity And The Rise Of Professional Wrestling In The 1990'S, Marc Ouellette
English Faculty Publications
This paper traces the relationship between the shifting representations of masculinity in professional wrestling programs of the 1990s and the contemporaneous shifts in conceptions of masculinity, examining the ways each of these shifts impacted the other. Most important among these was a growing sense that the biggest enemy in wrestling and in day-to-day life is one’s boss. Moreover, the corporate corruption theme continues to underscore the WWE’s on-screen and off-screen coverage, well into the second decade of the twenty-first century. Thus, the paper provides a template for considering a widely consumed popular cultural form in ways that challenge the determinism …