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Full-Text Articles in American Popular Culture
"It's [Not] Only Lines On Paper, Folks!": The Curious Literary Identity Of The Graphic Novel, Oona Blood Cullen
"It's [Not] Only Lines On Paper, Folks!": The Curious Literary Identity Of The Graphic Novel, Oona Blood Cullen
Senior Projects Spring 2017
Art Spiegelman's “Maus,” Alan Moore and Dave Gibbons' “Watchmen,” and Frank Miller's “The Dark Knight Returns,” created waves in both the literary and comics communities upon their subsequent release in the year 1986. My project seeks to unpack the ways in which the “1986 Big Three” forge identities for themselves both within and without the designations of literature and comics, and ultimately to define the unique literary identity of each work. I examine the ways in which each of these works makes use of the history and traditions of the medium from which they emerge, including use of recognizable tropes …
Rustic Roots And Fiddle Hell: An Ethnography Of Fiddle Camps In The Northeastern United States, Flannery Blanchard Brown
Rustic Roots And Fiddle Hell: An Ethnography Of Fiddle Camps In The Northeastern United States, Flannery Blanchard Brown
Senior Projects Spring 2017
Senior Project submitted to The Division of Arts of Bard College.
Human Gumbo And All Its Glory: Taking A Look At Black Culture And Mardi Gras Indians In The Face Of Erasure, Jayde Tyranique Davis
Human Gumbo And All Its Glory: Taking A Look At Black Culture And Mardi Gras Indians In The Face Of Erasure, Jayde Tyranique Davis
Senior Projects Spring 2017
Senior Project submitted to The Division of Social Studies of Bard College.
Rauschenberg's Journey To Dante: Or How To Keep A Clean Head, Maxwell Ian Eric Barnes
Rauschenberg's Journey To Dante: Or How To Keep A Clean Head, Maxwell Ian Eric Barnes
Senior Projects Spring 2017
Senior Project submitted to The Division of Social Studies of Bard College.