American Popular Culture Commons^™

Toni Morrison, Oprah Winfrey, And Postmodern Popular Audiences, John K. Young

John K. Young

In this essay the author examines the "Oprah Effect" on the career of Toni Morrison, who after three appearances on "Oprah's Book Club" has become the most dramatic example of postmodernism's merger between Morrison's canonical status and Winfrey's commercial power has superseded the publishing industry's field of normative whiteness, enabling Morrison to reach a broad, popular audience while being marketed as artistically important.

Soundscapes Of Disaster And Humanitarianism: Survival Singing, Relief Telethons, And The Haiti Earthquake, Elizabeth Mcalister

Elizabeth McAlister

This essay first listens, on one hand, to music made by Haitians, for Haitians, close to the epicenter, in the direct aftermath of the Haiti 2010 earthquake. On the other hand, it considers music made by (mostly) North Americans for (mostly) other Americans, in telethon performances far away in New York and Los Angeles and London, weeks after the event. I argue that Haitians used music, and particularly religious singing, self-reflexively, in a culturally patterned way, to orient themselves in time and space, and to construct a frame of meaning in which to understand and act in the devastated Haitian …

From Pulp Hero To Superhero: Culture, Race, And Identity In American Popular Culture, 1900-1940, Julian C. Chambliss, William L. Svitavsky

Julian C Chambliss

Adventure characters in the pulp magazines and comic books of the early twentieth century reflected development in the ongoing American fascination with heroic figures. As established figures such as the cowboy became disconnected from everyday experiences of Americans, new popular fantasies emerged, providing readers with essentialist action heroes whose adventures stylized the struggle of the American everyman with a modern, industrialized, heterogeneous world. Popular characters such as Tarzan, Conan, the Shadow, and Doc Savage perpetuated the individualistic archetype Americans associated with the frontier cowboy and the struggles of manifest destiny while offering the fantastic adventure, exoticism, and escapism that modernity …

Slaves, Cannibals, And Infected Hyper-Whites: The Race And Religion Of Zombies, Elizabeth Mcalister

Elizabeth McAlister

Social Justice In Turbulent Times: Critical Race Theory And Occupy Wall Street, Nick J. Sciullo

Nick J. Sciullo

In this brief article, I tackle several issues that are critically important to progressive move(ment)s in the law and in society as a whole. I am convinced that the progressive community can make great strides in enriching the law and people’s experience with it through continued articulation and combined sense of theory and practice. We need to move beyond litigation and engage our critical consciousness to embrace activism on all fronts. This is why I locate a positive politics of struggle in the Occupy Movements that I believe progressives ought to embrace . We must simultaneously come to grips with …

Nostalgia For The Liberal Hour: Talkin' 'Bout The Horizons Of Norman Jewison's Generation, Daniel Mcneil

Daniel McNeil

Soft Rock, Vincent L. Stephens

Vincent L Stephens

Soft rock refers to melodic vocal music with romantic themes and lush production typically associated with middle-aged taste cultures. I define the genre's place in the history of radio broadcasting, controversies over its artistic merit and its eclectic aesthetic.