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Full-Text Articles in American Popular Culture
"I Need To Fight The Power, But I Need That New Ferrari": Conspicuous Consumption, New-School Hip-Hop And "The New Rock & Roll", Emmett H. Robinson Smith
"I Need To Fight The Power, But I Need That New Ferrari": Conspicuous Consumption, New-School Hip-Hop And "The New Rock & Roll", Emmett H. Robinson Smith
Electronic Thesis and Dissertation Repository
2017 marked the year in which hip-hop officially became the most listened-to genre in the United States. This thesis explores hip-hop music’s rise to its now-hegemonic position within the music industry, seeking to provide insight into the increasingly popular sentiment that hip-hop is “the new rock & roll”. The “new-school” hip-hop artists of the last six years or so have also been the subject of widespread critical disdain, especially for their heightened degree of emphasis on conspicuous consumption. This study will track hip-hop’s ascent from the mid-1980s through to its current position as both a political vehicle and a commercial …
The Icon Formation Of Ruby Bridges Within Hegemonic Memory Of The Civil Rights Movement, Katherine Cashion
The Icon Formation Of Ruby Bridges Within Hegemonic Memory Of The Civil Rights Movement, Katherine Cashion
Scripps Senior Theses
In 1960, when Ruby Bridges was six-years-old, she desegregated the formerly all white William Frantz Elementary School in New Orleans, Louisiana. This thesis traces her formation as a Civil Rights icon and how her icon narratives are influenced by, perpetuate, or challenge hegemonic memory of the Civil Rights Movement. The hegemonic narrative situates the Civil Rights Movement as a triumphant moment of the past, and is based upon the belief that it abolished institutionalized racism, leaving us in a world where lingering prejudice is the result of the failings of individuals. Analysis of narratives about Ruby Bridges by Norman Rockwell, …
When Ana Becomes The Protagonist: Eating Disorder Narratives, The Pursuit Of Thinness And Social Resistance On The Internet, Nadezh Mulholland
When Ana Becomes The Protagonist: Eating Disorder Narratives, The Pursuit Of Thinness And Social Resistance On The Internet, Nadezh Mulholland
Cultural Studies Capstone Papers
There is media concern that books about eating disorders are harmful to young readers. However, there is little research on how readers interpret the content of novels and memoirs featuring characters with eating disorders. This project considers the thinspiration images used as motivation to lose weight on so-called pro-ana and pro-mia social networks for people with eating disorders, and draws parallels between thinspiration and images used on the covers of eating disorder books. This paper uses a Gramscian lens to dismantle media claims by analyzing the interactions between members of eating disorder social networks, showing that website users tum to …
Paradox On The Playa: Uncovering The Contradictions Embedded In Burning Man, Shelby Anne Rothman
Paradox On The Playa: Uncovering The Contradictions Embedded In Burning Man, Shelby Anne Rothman
Cultural Studies Capstone Papers
This project examines the contradictions embedded in the stated goals and organizational structure of Burning Man. Burning Man is something that is portrayed as positive in an alternative community; but in reality has its own hegemony and hierarchical bureaucracy. Through a discourse analysis and participant observation, this project shows that the ideologies of the culture are partially liberatory while most other aspects of Burning Man are hegemonic. The social contradictions of Burning Man are pointed out through employing theories of ideology, hegemony, place and space, heteronormativity, and subculture theory.
The Crossroads At Midnight: Hegemony In The Music And Culture Of Delta Blues, Taylor Applegate
The Crossroads At Midnight: Hegemony In The Music And Culture Of Delta Blues, Taylor Applegate
Summer Research
The blues gave rise to the many forms of Afro-American popular music, among them bebop, ragtime, jazz, funk, soul and rap. The origins of the blues itself, however, is less clear; many origin stories cite a simple fusion of West African musical traditions with Western ones while others are founded in the mythos of the lone guitarist at the crossroads in league with the devil. In reality, the origin of blues music, like any other cultural production, probably arose from a series of interacting factors under unique social and economic circumstances. This project investigates the probable origins of the blues, …