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American Popular Culture Commons

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Full-Text Articles in American Popular Culture

Mothers At Work: Reconstruction And Deconstruction Of Patriarchy In Gone With The Wind, Catherine Willa Staley Jan 2012

Mothers At Work: Reconstruction And Deconstruction Of Patriarchy In Gone With The Wind, Catherine Willa Staley

Theses, Dissertations and Capstones

In this thesis, I explore the performances of motherhood in Margaret Mitchell’s Gone with the Wind and how those performances conflict with culturally constructed expectations of that role. An analysis of Scarlett O’Hara and Melanie Wilkes, and how each woman compares to the South’s model for motherhood, reveals implications that extend beyond the novel’s Civil War setting to reveal the ongoing negotiation of modern readers still living within patriarchal conceptions of mothering. In Chapter 1, I outline the novel’s spectrum of motherhood, which is composed of characters who nurture and manage others. Each individual on that spectrum contributes to or …


Silence And Self-Making: Black Lung Rhetoric And The Ken Hechler Letters, Jennifer De Pompei Jan 2012

Silence And Self-Making: Black Lung Rhetoric And The Ken Hechler Letters, Jennifer De Pompei

Theses, Dissertations and Capstones

This thesis combines history, rhetoric, and feminist identity studies to discuss the subject of black lung disease and the Appalachian coal miner. The first chapter examines the "evolution of mentalities" in historical and popular discourse surrounding the miner, which reflects James V. Catano's subversive form of the self-making identity in Ragged Dicks. The second chapter uses the feminist theory of silence as a form of control and power to understand the absence of black lung disease from the literature of coal. The final chapter is a case study of the correspondence between Congressional Representative Ken Hechler of West Virginia and …


The Body Of Light : Poems, Alicia Matheny Jan 2007

The Body Of Light : Poems, Alicia Matheny

Theses, Dissertations and Capstones

This creative thesis explores the different facets of Pink Floyd and their music, drawing inspiration from albums varying from The Piper at the Gates of Dawn (1967) to Dark Side of the Moon (1973). Using images drawn from nature, the cosmos, and Pagan mythology, this thesis also incorporates biographical details found in Nicholas Schaffner’s important biography, Saucerful of Secrets: The Pink Floyd Odyssey (New York: Harmony Books, 1991). There are also experiments with form in the poems, in that in many of the poems, instead of commas, there are tab spaces. Each space expresses the silence between each word. …


Nothing Personal : A Collection Of Nonfiction Essays Exposing The Perverted Experiences Of Life, Interactions, And Responses, Benjamin P. Taylor Jan 2006

Nothing Personal : A Collection Of Nonfiction Essays Exposing The Perverted Experiences Of Life, Interactions, And Responses, Benjamin P. Taylor

Theses, Dissertations and Capstones

Nothing Personal is a collection of nonfiction essays playfully written in response to subtle misunderstandings. Such misunderstandings, in this creative thesis, are fueled by an unexplained divorce, alcoholism, the new absence of love, and the difference between the personal and the traditional church. The essays also expose the science of conversation and other lighter occurrences and happenings in an esteemed pursuit to live life more humorously.


Billing Below Title : The Contested Autobiographies Of Frances Farmer And Louise Brooks, Karen M. Anderson Jan 2003

Billing Below Title : The Contested Autobiographies Of Frances Farmer And Louise Brooks, Karen M. Anderson

Theses, Dissertations and Capstones

Today autobiography and memoir hold great interest for the average reader as well as the literary scholar. Some argue this form has replaced the novel as the dominant modern/postmodern narrative expression. Its study crosses departmental boundaries, surfacing in disciplines such as psychology, as well as English/literature. This thesis focuses on the autobiographies of two Euro-American actresses of the early twentieth century. Intersecting the study of film, narrative, autobiography (“female” or feminist, as well as canonical or “male”) and modernism, it focuses on text and subtext, analyzing reasons for both the works’ and actress/authors’ cultural marginalization. In art as well as …