American Literature Commons^™

Workers, Athletes And Artists: The Historical Continuity Of White Control Of Black America, Courtney Walton

Masters Theses

From the early twentieth century to the early twenty-first century, black Americans have been subject to different forms of control. This subjection of blacks to societal demands arose in part because black people are viewed as inferior to white people. Because of this misconstrued perception, black people are forced to present an acceptable level of blackness to prevent punishment. Richard Wright's "The Ethics of Living Jim Crow: An Autobiographical Sketch" (1938), Zora Neale Hurston's "How It Feels to Be Colored Me" (1928), and Langston Hughes's "The Negro Artist and Racial Mountain" (1926) detail their lives at the tum of the …

Yeah You Write: Authenticity And Authority In Katrina Literature, Terri Coleman

Masters Theses

No abstract provided.

Speaking Silence Fluently: Encouraging Student Understanding Of Counterhegemonic Strategies In African American Literature, Kathleen S. Decker

Masters Theses

This thesis suggests that while mainstream multicultural education claims to promote both diversity and equality, it fails to adequately address, let alone improve, the living conditions of minority students. It further suggests that when teachers help students read through the lenses of critical multiculturalism and critical whiteness studies, students can better see that both canonical and non-canonical African American authors deliberately employ nuanced strategies to resist white supremacy. Specifically through the use of purposeful and discreet silences, these authors serve to promote new and actively counterhegemonic ways of thinking in the classroom.

Each chapter pairs two texts--one canonical and one …

African American Poets Of The Vietnam War, Megan Guernsey

Masters Theses

Almost 6000 African American men gave their lives in the Vietnam War. While peaceful protests, voter registration drives, and racial confrontations occurred throughout the United States, the government continued to send young Black men to Southeast Asia to preserve the "freedom" of the Vietnamese people. The irony of this situation lies in the fact that these soldiers were asked to fight a War in the name of democracy, to kill in order to secure rights that they themselves were being denied. Although many Black Americans saw military service as a means of escaping poor ghetto life, they often were confronted …

Audre Lorde's Expansive Influence On Black Lesbians: Jewelle Gomez, Cheryl Clarke, And Kate Rushin, Denise L. Fitzer

Masters Theses

Audre Lorde, who named herself black, feminist, lesbian, mother, poet, and activist, was a pioneer for black lesbians everywhere. In her poetry and prose, Lorde challenged the myths and taboos associated with black women, lesbians, and feminists. Although her work focused on a broad range of topics that illuminated her many identities, she concentrated most heavily on issues of multiple oppression and its resulting fear and silence. In naming herself, Lorde urged others to do the same — to fight the self-imposed and socially-imposed silence surrounding triple oppression.

Countless women from the black community of writers have paid tribute to …

Zora Neale Hurston’S Search For Identity In Moses, Man Of The Mountain, Joan E. Sebastian

Masters Theses

Zora Neale Hurston, Afro-American writer of the 1920s and 1930s, has gained critical recognition for her novels and studies about the Afro-American masses. Hurston, also an anthropologist and folklorist, worked directly with southern Afro-Americans through her research in both of these fields. Her folklore collecting journeys enabled her to see and to capture the cultural traditions and oral heritage of Afro-Americans. It was her search into the cultural traditions, moreover, that led her to find her own identity. Hurston, therefore, depicted her protagonists as searching for an identity in most of her novels, with this quest especially apparent in Moses, …

Jean Toomer's Cane: A Work In The American Grotesque Genre, Kathryn M. Olsen

Masters Theses

In my thesis I will discuss the fact that Jean Toomer’s Cane is a grotesque work, one which in several ways resembles Sherwood Anderson’s Winesburg, Ohio. While Jean Toomer never specifically alludes to any of the characters in Cane as grotesques, they consistently exhibit three of the strongest, most characteristic elements of the grotesque: physical and/or psychic deformities, alienation from the reader/viewer, and, most importantly, unrelenting conflict from two opposing elements. In fact, the figures in Cane show even more development of grotesque themes than the characters in Winesburg, Ohio, a collection known for its portrayals of modern …