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Full-Text Articles in American Literature
From Borderlands To Border Islands: Intersections Between Anzaldúa's Chicana Feminist Theory And U.S. Latina Literature From The Hispanic Caribbean, Cristina Gonzalez Martin
From Borderlands To Border Islands: Intersections Between Anzaldúa's Chicana Feminist Theory And U.S. Latina Literature From The Hispanic Caribbean, Cristina Gonzalez Martin
Theses and Dissertations
This thesis studies three texts by three U.S. Latina authors from the Hispanic Caribbean through the lens of Chicana feminist border theory. The works analyzed are How the García Girls Lost Their Accents (1991) by Dominican author Julia Alvarez, Dreaming in Cuban (1992) by Cuban-American novelist Cristina García, and the memoir Almost a Woman (1998) by Puerto Rican author Esmeralda Santiago. The theoretical framework used is Gloria Anzaldúa’s Borderlands/La Frontera: The New Mestiza. The objective is to show how these texts manifest the formation of a hybrid, diasporic, in-between identity that corresponds with Anzaldúa’s definition of mestiza consciousness or la …
Double Margins: Yolanda Martines-San Miguel Discusses Lgbtq Hispanic Caribbean Lit, Lawrence La Fountain-Stokes
Double Margins: Yolanda Martines-San Miguel Discusses Lgbtq Hispanic Caribbean Lit, Lawrence La Fountain-Stokes
Center for LGBTQ Studies (CLAGS)
In her talk, "Families of Desire: Migration and Sexuality in New York's Caribbean Enclaves," Yolanda Martinez-San Miguel explored the representation of same-sex affective and sexual relationships in the works of one lesbian and two gay Hispanic Caribbean authors, all of whom migrated to New York from their island of origin and who portray this Diasporic experience in their writing. Her presentation forms part of a broader, book-length project on cultural representations of migration among Cuba, Puerto Rico, the Dominican Republic, and New York, including literature, popular music, graffiti, and photography.