American Literature Commons^™

Fridy, Wilford Eugene, B. 1934 (Mss 384), Manuscripts & Folklife Archives

MSS Finding Aids

Finding aid only for Manuscripts Collection 384. Correspondence, class materials, published and unpublished papers, and research material collected by Dr. Wilford E. Fridy in his study of Robert Penn Warren and his writings. Includes an untitled and unpublished novel by Robert Penn Warren, correspondence between Fridy and Warren, and photos of Warren and Guthrie, Kentucky, Warren’s hometown.

Transnational Gestures: Rethinking Trauma In U.S. War Fiction, Ruth A.H. Lahti

Doctoral Dissertations

This dissertation addresses the need to "world" our literary histories of U.S. war fiction, arguing that a transnational approach to this genre remaps on an enlarged scale the ethical implications of 20th and 21st century war writing. This study turns to representations of the human body to differently apprehend the ethical struggles of war fiction, thereby rethinking psychological and nationalist models of war trauma and developing a new method of reading the literature of war. To lay the ground for this analysis, I argue that the dominance of trauma theory in critical work on U.S. war fiction privileges the "authentic" …

Framing Identity: Repudiating The Ideal In Chicana Literature, Michael A. Flores

All NMU Master's Theses

In the 1960s Rodolfo “Corky” Gonzalez penned his now canonical, epic poem “I Am Joaquin.” The poem chronicles the historic oppression of a transnational, Mexican people as well as revolutionary acts of their forefathers in resisting tyranny. Coinciding with a series of renewed, sociopolitical campaigns, collectively known as the Chicano Movement, Gonzales’ poem uses vivid imagery to present an idealized representation of Chicanos and encouraged his reader to engage in revolutionary action. Though the poem encourages strong leadership, upward mobility, and political engagement the representations of women in his text are misogynistic and limiting.

His presentation of the “black-shawled …

Kingsolver, Barbara, B. 1955 (Sc 2846), Manuscripts & Folklife Archives

MSS Finding Aids

Finding aid only for Manuscripts Small Collection 2846. Letter, 10 December 1996, of Barbara Kingsolver, Tucson, Arizona, to Gil Moody of Moody Books Inc., Johnson City, Tennessee. She expresses her support of independent bookstores and her willingness to sign books and bookplates for readers, but places high priority on reserving time for her writing and family life.

Read, Opie Percival, 1852-1939 (Sc 2844), Manuscripts & Folklife Archives

MSS Finding Aids

Finding aid and scan (Click on "Additional Files" below) for Manuscripts Small Collection 2844. Letter, 16 May 1884, of journalist and humorist Opie P. Read, written from Little Rock, Arkansas, to an unnamed addressee. Read accepts an offer to exchange magazines (probably his Arkansas Traveler) for a publication called the Voice, congratulates the addressee on a story published in Chicago’s The Current, and acknowledges knowing his name although they have never met.

Don’T Bow Down, Andrew B. Gibbs

University of New Orleans Theses and Dissertations

Perpetuating African ancestral customs, Mardi Gras Indians in New Orleans avoid the African American identity crises illuminated by the poetry of the Harlem Renaissance. The poetry of Langston Hughes, Claude McKay and Waring Cuney incorporate W.E.B. DuBois’ double-consciousness theory to reveal the identity issues and ancestral alienation plaguing African Americans at the turn of the twentieth-century. In comparison, unique political and social circumstances in New Orleans allowed enslaved Africans to practice their ancestral customs weekly. The preservation of this heritage fostered a black community in New Orleans rich in traditions, pride and self-conviction. The development of Mardi Gras Indian culture …

Behind His Father's Saying: Robert Frost's Wisdom Tradition, James H. Altman

UNLV Theses, Dissertations, Professional Papers, and Capstones

It is no coincidence that Robert Frost draws on the European/American aphoristic wisdom tradition. From the fables of Aesop, to the esotericism of pre-Socratic Greek philosophers such as Pythagoras and Empedocles, to the works of moralists like Blaise Pascal and Michel De Montaigne, to Erasmus, Frederick Nietzsche and others, Robert Frost weaves diverse wisdom into his work. He does not, however, as much take verbatim the words or sentiments of those who inspire him. Rather he adapts the spirit of their thoughts for his own purposes. Why and how does he do this? What are those purposes, and their subsequent …

Rice, Alice Caldwell (Hegan), 1870-1942 (Sc 2817), Manuscripts & Folklife Archives

MSS Finding Aids

Finding aid and full-text of letter (Click on "Additional Files") for Manuscripts Small Collection 2817. Letter, 28 October 1905, of author Alice (Hegan) Rice, Louisville, Kentucky, to Helen Keller. She praises Keller’s recent autobiography and reports on its popularity with the girls at a Japanese boarding school Rice visited the past summer. Rice encloses a composition of one of the students (not included in this collection) in which she writes that “the eyes of [Keller’s] heart are open.”

From Pants To Pearls: Rodgers And Hammerstein’S Affect On Post Wwii Women, Alison Dees

Georgia State Undergraduate Research Conference

No abstract provided.

Dinny Gordon, Intellectual: Anne Emery's Postwar Junior Fiction And Girls' Intellectual Culture, Jill E. Anderson

University Library Faculty Publications

In her Dinny Gordon series (1958-1965), junior novelist Anne Emery’s heroine manifests intellectual desire, a passionate engagement in the life of the mind along with the desire to connect with like-minded others. Within a genre which focused on socialization and dating, in Dinny, Emery normalizes a studious, inner-directed, yet feminine heroine, passionate about ancient history rather than football captains. Emery’s endorsement of the pleasure Dinny takes in intellectual work, and the friends and boyfriends Dinny collects, challenge stereotypes of intellectual girls as dateless isolates while suggesting an alternative model of girlhood operating within apparent conformism to postwar “good girl” standards.

Seeing The Rebel: Or, How To Do Things With Dictionaries In Nineteenth-Century America, Tim Cassedy

English Faculty Publications

No abstract provided.

Hippie Caulfield: The Catcher In The Rye's Influence On 1960s American Counterculture, Richard Neffinger

Masters Theses

This study covers the influence of The Catcher in the Rye on the 1960s youth counterculture in America. Drawing heavily from postmodern and new historicist theory, The Catcher in the Rye has developed a unique connection with the American public, most notably youth culture. This study examines why youth are so attracted to the character of Holden Caulfield and what implications their connection has meant and will mean for future generations of young Americans.

Comparative Literature: Theory, Method, Application, Steven Tötösy De Zepetnek

Tötösy de Zepetnek, Steven & Totosy de Zepetnek, Steven

Tötösy de Zepetnek, Steven. Comparative Literature: Theory, Method, Application. Amsterdam: Rodopi, 1998. ISBN 90-420-0534-3 299 pages, bibliography, index. Steven Tötösy de Zepetnek presents a framework of comparative literature based on a contextual (systemic and empirical) approach for the study of culture and literature and applies the framework in audience studies, film and literature, women's literature, translation studies, new media and scholarship in the humanities and in the analyses of English, French, German, Austrian, Hungarian, Romanian, and English-Canadian modern, contemporary, and ethnic minority texts. Copyright release to the author in 2006.

Annual Reports Of Clcweb: Comparative Literature And Culture 1999-, Steven Tötösy De Zepetnek

Tötösy de Zepetnek, Steven & Totosy de Zepetnek, Steven

No abstract provided.

Giles, Janice (Holt), 1905-1979 (Sc 1284), Manuscripts & Folklife Archives

MSS Finding Aids

Finding aid only for Manuscripts Small Collection 1284. Letters and greeting cards, 1963-1976, written by author Janice Holt Giles, Knifley, Kentucky, to young Memphis, Texas admirer Mike Hughes. Mike initiated the correspondence, which developed into a friendship. Includes three of Mike’s letters, 2000.

All Things Were Working Together For My Deliverance: The Life And Times Of Twelve Years A Slave, Mary Niall Mitchell

Mary Niall Mitchell

No abstract provided.

Unmasking The Protester: The Meanings And Myths Of Collective Civil Resistance Movements In African American And Polish Postresistance Prose Fiction, Agnieszka Herra

Electronic Thesis and Dissertation Repository

My contention is that the narrative framework of social movements, especially the ones deemed “successful” such as the American Civil Rights Movement and the Polish Solidarity Movement, reflects unity and collectivity within collective memory. During the period of the movements’ duration, this provides a clear rhetorical purpose: to give the appearance of unity in order to give effective voice to the demands. I argue that the voices that did not fit into the collective movements emerge subsequently to question this monologic language in literary form. This dissertation uses Bakhtin’s notion of dialogic language to argue that novels in the postresistance …

Annie Proulx's Wyoming: Subversive Storytelling From The Bunchgrass Edge Of The World, Elizabeth P. Tyson

Scripps Senior Theses

Annie Proulx’s three Wyoming short story collections, Close Range, Bad Dirt, and Fine Just the Way It Is, tell regional stories that push against the myths surrounding the American West. Elements of Naturalism in her work reverse the paradigm of man’s dominance over the frontier. The cyclical nature of time in her stories shows the unfulfilling nature of nostalgia. She uses folk storytelling techniques to take an insider’s perspective and to utilize the subversive nature of dark humor.

Eugene Onegin The Cold War Monument: How Edmund Wilson Quarreled With Vladimir Nabokov, Tim Conley

Studies in 20th & 21st Century Literature

The tale of how Edmund Wilson quarreled with Vladimir Nabokov over the latter’s 1964 translation of Eugene Onegin can be instructively read as a politically charged event, specifically a “high culture” allegory of the Cold War. Dissemination of anti-Communist ideals (often in liberal and literary guises) was the mandate of the Congress for Cultural Freedom, whose funding and editorial initiatives included the publication of both pre-Revolution Russian literature and, more notoriously, the journal Encounter (1953-1990), where Nabokov’s fiery “Reply” to Wilson appeared. This essay outlines the propaganda value of the Onegin debate within and to Cold War mythology.

Liberty's Kids: Toys, Children's Literature, And The Promotion Of Nationalism In The Early Nineteenth-Century United States, August M. Butler

Dissertations, Theses, and Masters Projects

No abstract provided.