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Articles 31 - 60 of 76
Full-Text Articles in American Studies
Third Reading Of Early Film Theory: The Turn To Dispositif, Affect, And Action Comedy, Yingjin Zhang
Third Reading Of Early Film Theory: The Turn To Dispositif, Affect, And Action Comedy, Yingjin Zhang
Theoretical Studies in Literature and Art
Early film studies has spread rapidly since the 1990s and become a mainstay in film studies in Euro-American academia, bringing technological innovation, visual culture, and urban modernity into film historiography and thus enriching scholarship in a field previously dominated by close textual reading. This article continues my tracking of early film studies but concentrates on methodological issues of the recent focus on “media archaeology.” My “Reading Early Film Theory: Collective Sensorium and Vernacular Modernism” (2005) introduces Miriam Hansen's theory and Zhen Zhang's book on reconstructing a cultural history of Shanghai film. My follow-up “Rereading Early Film Theory: In Pursuit of …
Imaginations Of The Wei And Jin Dynasties In The Time Of Historical Fracture: Rereading Zong Baihua's "On The Tales Of The World And The Beauty Of The Jin People” In The Context Of The Second Sino-Japanese War, Lang Jin
Theoretical Studies in Literature and Art
Zong Baihua's “On The Tales of the World and the Beauty of the Jin People”is the foundation for research on the aesthetics of the Wei and Jin dynasties. It expounds on the aesthetic spirit in the Wei and Jin dynasties with discourses of "consciousness of personality", which is often traced back to the period of the May Fourth Movement. In fact, this understanding is the result of reinterpretations in the new era. An overlooked fact is that this work was written during the Second Sino-Japanese War, and should be interpreted in the historical and cultural context of this period. The …
Testimony, Narrative, And History: The Plague And Some Issues Of Literature As Testimony, Dongfeng Tao
Testimony, Narrative, And History: The Plague And Some Issues Of Literature As Testimony, Dongfeng Tao
Theoretical Studies in Literature and Art
Albert Camus's The Plague establishes a mode of“literature as historical testimony”and demonstrates a profound shift in the relationship between history and narrative, and it implies that literature ( narrative) is inevitably embedded in history. Literature as a testimony to the Holocaust does not record the Holocaust but also offers a new perspective to understand it. This actualizes the transformation of history as it changes the nature of historical knowledge. The history in The Plague is written in the mode of an allegory, and it establishes a profound metaphorical relation between the plague and the Holocaust. As both the plague and …
Urban Imagination And The Idea Of The Nation-State In Modern Chinese Literature, Yongdong Li
Urban Imagination And The Idea Of The Nation-State In Modern Chinese Literature, Yongdong Li
Theoretical Studies in Literature and Art
Cities and nation-states are both substantive and conceptual. The study of urban imagination in modern Chinese literature needs to go beyond the model that builds on the concept of a uniform city and village. It requires an understanding of the limits in interpreting modernity and cultural perspective, and an emphasis on exploring the polysemy and fluidity of city images. Cities and nation-states constitute a “problem field,”in which the way of looking at and imagining cities are often marked by metaphors of the nation-state. Urban imagination and the idea of the nation-state are mutually illuminative. The expression of the idea of …
Chinese Peking Opera Anthology: A Text-Centered Study Of Peking Opera, Dongdong Li
Chinese Peking Opera Anthology: A Text-Centered Study Of Peking Opera, Dongdong Li
Theoretical Studies in Literature and Art
Since 1880, Peking opera (jingju) anthologies have developed rapidly and collected a large number of plays. Therefore, the text-centered study of jingju based on anthologies has been established, which could fulfil the gap in existing jingju studies that focus on performance. Specifically, by outlining the basic forms and evolutionary rules of the selected texts, we can survey the full picture of text-centered anthologies in development. By foregrounding text-centeredness and literariness of playscripts, we can open up a new field of textual studies beyond the studies of performance. The major aspects of theoretical studies of jingju anthologies include theories of anthology, …
On Wang Yuanhua's Ideas Of Jingju And His Reflection On The May Fourth Movement, Wei Li
On Wang Yuanhua's Ideas Of Jingju And His Reflection On The May Fourth Movement, Wei Li
Theoretical Studies in Literature and Art
It is extremely meaningful, on the occasion of the hundredth anniversary of Wang Yuanhua's birth, to restudy his ideas of jingju. Wang's thoughts on the revival and development of jingju from the perspective of cultural heritage are highly valuable. He believes that, in terms of moral ideas, jingju is a medium and vehicle in disseminating grand traditions of Chinese culture towards smaller traditions. Meanwhile, considered as a performance system, jingju embodies the“bixing”mindset, the lyrical expression with mind-object interaction, as well as the flexible distance-immersion dynamic among performers and spectators. This results in a complete system of“virtuality, conventionalization, and ideographics”. He …
A Hundred-Year Modern Peking Opera: Practices And Experiences, Hengfu Zhu
A Hundred-Year Modern Peking Opera: Practices And Experiences, Hengfu Zhu
Theoretical Studies in Literature and Art
The hundred-year modern Peking opera (jingju) has gone through three stages. In the first stage, ranging from around 1910 to around 1964, jingju was used as agit-prop. In the second stage from 1964 to 1976, there emerged a series of new forms in acting, music, and stage art, with which theatre practitioners strove to use art to perform revolutionary historical stories or the struggle and construction in the socialist period. The third stage from 1976 to the present is characterized by a thematic departure from“politics”and“revolution”to the portrayal of“nobodies”by focusing on characters' psychology; this stage also features novel and beautiful physical …
Popular Literature And Art, National Forms And The Re-Presentation Of Lyricism, Fan Nan
Popular Literature And Art, National Forms And The Re-Presentation Of Lyricism, Fan Nan
Theoretical Studies in Literature and Art
In the 1930s and 1940s, debates about“popular literature and art”and“the‘national form’of literature”emerged successively in China. While affirming the popular and national literary forms, the literary form that Chinese intellectuals highly admired served as the“Other”in the debating discourse and thus it has never received positive theoretical account. This article intends to re-present this literary form through an integrated examination of cultural interest, class, and literary form. Thanks to the promotion of the May Fourth New Literature, the radical attitude of petty bourgeois culture and the general conceptualization of enlightenment, this literary form is marked by the surge of lyrical elements. The …
Cabaret Voltaire Or Kabarett Voltaire? Three Breakthroughs Of The Concept Gesamtkunstwerk, Duozhi Chen
Cabaret Voltaire Or Kabarett Voltaire? Three Breakthroughs Of The Concept Gesamtkunstwerk, Duozhi Chen
Theoretical Studies in Literature and Art
The birthplace of Dadaism in Switzerland is often simply translated into Chinese as “Voltaire Pub”. As an art salon, it actually finds its prototype in artists' pubs in Germany. The word “Cabaret” translated as “pub”, is also the general term for the entertaining variety shows therein,which originated in France. After its introduction into the German-speaking area, Cabaret became Kabarett and its cultural connotations and ways of presentations underwent great changes due to its collision with the avant-garde movement. Therefore, the simplified understanding of Cabaret as a pub downplays the significance of the Cabaret Voltaire in the history of modern art. …
Recoding Postmodernist Art Criticism: The Debate Between Anti-Pluralism And Pluralism, Juanjuan Yang
Recoding Postmodernist Art Criticism: The Debate Between Anti-Pluralism And Pluralism, Juanjuan Yang
Theoretical Studies in Literature and Art
While pluralism is considered politically correct today, this article tries to describe the trajectory of anti-pluralist criticism through some famous authors of October, specifically Hal Foster, who edited the seminal Anti-Aesthetic: Essays on Postmodern Culture. In the beginning of the 1980s, Foster categorized two types of postmodernism, one being the postmodernism of reaction and neo-conservatism, the other being postmodernism of resistance and post-structuralism. Aligning with the latter of the two types, major authors of October published a series of important essays to criticize “mainstream postmodernist art, ” especially neo-expressionist paintings. However, during the same period, Arthur Danto claimed“the end of …
Writing Of Futurity: On Derrida's Hauntology, Yun Li
Writing Of Futurity: On Derrida's Hauntology, Yun Li
Theoretical Studies in Literature and Art
In Spectres of Marx, Jacques Derrida answers the post-Levinasian question: how to respond to the Other. He claims that The Communist Manifesto has become an injunction of Marx, who requires our response. We have to respond to it and speak, as Marx does, in a non-metaphysical way. Since it is beyond the economy of re-presentation, writing does not produce presence. Thus, everything in it is spectral. But it takes us into l＇avenir or futurity, a "spacing ( and) temporizing" different from the space-time produced by re-presentation, because it constitutes an "ethicality" which goes beyond the metaphysical subjective conquest of the …
Post-Structural Theories And Chinese Feminist Criticism: On The Theorization Of Women's “Subjectivity” In The Cultural Studies Of Socialist China, Xi Liu
Theoretical Studies in Literature and Art
Centering on the conceptualization of "subjectivity," this article first traces the post-structural theories' impact on as well as their complex relationship with Western feminism. It then explores the development of the theorization of “women 's subjectivity" in academic research on Chinese women and gender discourses in socialist China from the 1980s. By examining the application of three influential theorists, Louis Althusser, Michel Foucault, and Judith Butler, in the Chinese context, this article intends to show the complex genealogy of "appropriating" post-structural theories for different agendas of contemporary Chinese feminist criticism. Some scholars integrated post-structural ideas into liberal-humanist discourses; some employed …
Narrative Of Habitus Distinction: From Fantasy Of Identity To Competition Of Elegance——Centering On The Image Of People Subject To Identity Transformations In Modern Fictions, Daizong Yu
Theoretical Studies in Literature and Art
Sociological or anthropological list of the habitus of people are from different classes, focusing on the strategy and function of habitus distinction in social struggles from the perspectives of political culture, economic level, and intergenerational reproduction. In contrast, modern fictions depict different forms of struggles from the perspectives of perceptual experience, emotional change, and taste preference. The narrative of habitus distinction in modern fictions shows the obstinacy of old habitus, the fragility of new habitus, and the aggressiveness of habitus in the struggles of classification. Its insight and aesthetic interpretation provide not only a more precise way but also a …
Socialist-Realist Art From The Perspective Of Gaze Theory: An Inquiry From Filmology To Iconology, Ying Lu
Socialist-Realist Art From The Perspective Of Gaze Theory: An Inquiry From Filmology To Iconology, Ying Lu
Theoretical Studies in Literature and Art
"Socialist-realist gaze," linking gaze and socialist realist literary thoughts, refers to the visual communication of heroic figures on the external points off the screen in shooting Chinese revolutionary films. Such gaze, being invisible and with shared sight, returns to Jacques Lacan's gaze theory because of its intersubjective functioning. During its generation and function, socialist-realist gaze breaks the limitation of pictorial space, extends the boundary of screen as a "quilting point," and connects characters and audiences with ideological truth. As a performative image behavior, it arouses and strengthens the empathy between the viewers and the hero.
Fables Agreed Upon: A Comparative Study Of New Historicism And Alternate History, Feng Li, Yitzhak Lewis
Fables Agreed Upon: A Comparative Study Of New Historicism And Alternate History, Feng Li, Yitzhak Lewis
Theoretical Studies in Literature and Art
New Historicism and alternate history raise similar questions regarding history and ideology. New Historicism reads every text as an alternate history narrative, while the narrative mode in alternate history can inspire a nuanced understanding of the critical positions promoted by New Historicism. The paper offers a comparative study of the two in terms of their conceptualizations of historical narrative, intertextuality, narrativity, non-linear structure and spatiality. It seeks to create dialogues between different voices in both the critical theory and the literary genre with respect to their attention to mundane matters, their allusions to the present and projections of the future, …
“Birth Of New Things From Old Things”: The Dialectics Of Ding Ling's “Transformation” In The Left-Wing Literature Movement During The 1930s, Shujie Wu
Theoretical Studies in Literature and Art
Written in the summer of 1931, Ding Ling's Flood is considered to represent her turn to the left-wing. This was the result of Ding Ling's transformation in thought and the construction in the organized movement of the League of Left-wing Writers. With the dialectical materialist method of creation, Feng Xuefeng reinterpreted Flood, turning it into a practice of the "November Resolution". This established new space of discourse and path of practice for the cultural struggle of left-wing writers in the new situation.
A Study Of The Relationship Between Zhou Zuoren And Takeuchi Yoshimi As An Overseas Student In Beijing, Wanming Liu
A Study Of The Relationship Between Zhou Zuoren And Takeuchi Yoshimi As An Overseas Student In Beijing, Wanming Liu
Theoretical Studies in Literature and Art
From 1937 to 1939, Takeuchi Yoshimi studied in Beijing as an overseas student. During this time, he had adeveloped deep understanding of literature's inefficacy when confronted with Japanese invaders＇ political violence. At the sametime, through befriending Zhou Zuoren, Takeuchi was deeply affected by him, especially regarding his views on the relationshipbetween literature and politics, national character, cultural subjectivity, and modernization of East Asia. In the end, Zhou Zuoren became a bridge for Takeuchi Yoshimi to Lu Xun. By using the two key words, "ghost" and "sorrow of the East Asia people", to connect Zhou Zuoren and Lu Xun, Takeuchi expressed …
A Comparison Of The Two Historical Narrative Approaches To Qi Baishi's “Late Life Transformation”, Zhongyi Xia
A Comparison Of The Two Historical Narrative Approaches To Qi Baishi's “Late Life Transformation”, Zhongyi Xia
Theoretical Studies in Literature and Art
The two historical narrative approaches to Qi Baishi's “late-life transformation” could be referred to as “the Sovietperspective” and “the non-Soviet perspective”. The former is characterized by “framing history with theory” and “substitutinghistory with theory”, while the latter “confirming theory with historical facts” and “constructing theory with historical facts”. Following the thread “constructing theory with historical facts”, one must valorize The Autobiography of Qi Baishi, because itssimple summary of “late-life transformation” is reliable as “history”, and as theory it is also superbly profound, which can shedlight on the absurdity of the Soviet perspective “framing history with theory”. Likewise, by following the …
On The Relationship Between The Morality Advocating Campaign In The Qing Dynasty And Popular Novels, Caixun Chen
On The Relationship Between The Morality Advocating Campaign In The Qing Dynasty And Popular Novels, Caixun Chen
Theoretical Studies in Literature and Art
Through the nationwide Morality Advocating Campaign, the Qing government brought novels into cultural management, which had a profound influence on the creation and dissemination of the novel. In such a political and cultural ecology, censership and banning of novels, which had formed an important part of the social Morality Advocating Campaign, became a top- down, national cultural conscious action in Qing Dynasty. On the one hand, in order to enhance the effect of advocating morality, some“moralist scholars”intentionally fictionized the moral-instruction books. On the other hand, some novelists consciously utilized popular novels to implement persuasion in order to cooperate with the …
Cento: The Categorizing Feature And Fictional Function Of Verse In The Vernacular Stories Of The Song And Yuan Dynasties, Chuyan Ye
Theoretical Studies in Literature and Art
In the vernacular stories of the Song and Yuan dynasties, centos of poems or ci-poems not only appear in the beginning of the story as a lead-in, but also widely exist in the rhymed texts of other parts. Judging by its content and form, the performance of centos is closely related to the art form of hesheng (a form of rhyme created upon sighting anything) in the Song and Yuan Dynasties. According to the audience's familiarity with the rhymed text, and the story-teller＇s categorization of knowledge and utilization of techniques, the centos in the story-telling scripts can be classified into …
The Aesthetics Of Witheredness And Artistic Creations In The Song Dynasty, Yun Dong
The Aesthetics Of Witheredness And Artistic Creations In The Song Dynasty, Yun Dong
Theoretical Studies in Literature and Art
In the Song dynasty witheredness (ku) came to be the representation of a particular type of beauty, with the withered objects regarded as the object of aesthetic interest. The taste for witheredness manifests in various forms such as cold and thin, sparse and plain, old and strange, epitomizing the ancient-emulating aesthetics of the Song dynasty. Besides literary texts highlighting the withered objects, literati paintings constitute a unique world characterized by witheredness popularized with examples of withered objects such as dead trees, aged plum trees, and thin bamboos. The aesthetics for the withered reflects the taste and spiritual pursuit of the …
Yang Weizhen And The Changes Of Poetics In Late Yuan Dynasty, Fang Ding
Yang Weizhen And The Changes Of Poetics In Late Yuan Dynasty, Fang Ding
Theoretical Studies in Literature and Art
The history of poetry in Yuan dynasty is usually divided into three periods. In the early Yuan period, the poetic style of late Tang dynasty and late Song dynasty was prevalence. In the middle-Yuan period, the high Tang style was emulated, as was represented by the so-called the Four Great Yuan Poets who were officials and served in the court. Yang Weizhen, an influential poet in late Yuan dynasty for his poetics, however, advocated the Six-Dynasty poetry as well as the works of Li Po, Li Ho, Tao Yuanming, Wei Yingwu, Liu Zongyuan, Du fu, Li Shangyin, etc. Yang Weizhen …
Anthologies Of Ancient Chinese Fiction Compiled By Western Sinologists And The Construction Of The Literary Style Of Fiction, Lijuan Song
Theoretical Studies in Literature and Art
Anthologies of ancient Chinese fiction compiled by Western Sinologists are an important channel for their textualization in the West. These fictive works exist mainly in three forms: selected translations of ancient Chinese fiction, selected works of Chinese literature, and histories of Chinese literature. Being translations, samples and selections at the same time, these texts also feature functions of in-betweenness, exhibition and criticism. Through translation, exhibition and criticism, those anthologies have not only textualized ancient Chinese fiction in the West, but also investigate Chinese fiction from Western perspective, which, regarding issues of translation, origin, and types of Chinese fiction, facilitated the …
An Analysis Of Chinese Fiction's Impact On The Joseon Conception Of Fiction, Weiguo Zhao
An Analysis Of Chinese Fiction's Impact On The Joseon Conception Of Fiction, Weiguo Zhao
Theoretical Studies in Literature and Art
Based on the literature of Goryeo and Joseon fiction, this article aims to study ancient Korean fictive works written in Chinese, and explores the conception of early Goryeo and Joseon fiction from the lens of its reception of Chinese understanding of fiction. With the wide spread of fictive works such as Taiping Guangji and Jiandeng Xinhua on the Korean Peninsula, Goryeo and Joseon scholars began to understand and consciously create fiction. Then, Seo Geojung and Yi Seungso, who inherited the Confucian conception of fiction, put forward the“jesting theory”and“completing history theory”. These ideas not only laid the foundation for the development …
Narratives Of Journey To The West In Overseas Sinology, Hongbo Zhu, Xinxin Wang
Narratives Of Journey To The West In Overseas Sinology, Hongbo Zhu, Xinxin Wang
Theoretical Studies in Literature and Art
Since the mid-20th century, in Japan, as well as some European and American countries, studies of Journey to the West have started to emerge, which, with rich content and fruitful achievements, are in themselves narratives of overseas Sinology on this novel. Besides being an important part of overseas Sinology, they are also an extension to the modern study of Journey to the West in China, which testifies to the significance of cultural exchange in the process of “Chinese culture going West”. At the same time, through examining and interpreting Journey to the West from the perspective of global and modern …
On Allegory, Metaphor, And Allegorical Interpretation, Longxi Zhang
On Allegory, Metaphor, And Allegorical Interpretation, Longxi Zhang
Theoretical Studies in Literature and Art
In the 4th and 5th centuries B.C., the rise of philosophy challenged the authority of Homer and many philosophers, notably Plato, dismissed Homer and poetry in the quarrel between poetry and philosophy. Some other philosophers, however, particularly the Stoics, came to the defence of Homer by proposing the idea of allegory and arguing that the Homeric epics contained a spiritual meaning beyond the literal sense of the text. Similarly, the Song of Songs in the Bible was also questioned by both Jewish rabbis and Christian interpreters because of its sensual language and eroticism. It was again allegorical interpretation that came …
Nationalist Allegories In The Post-Human Era, Siqi Zhang
Nationalist Allegories In The Post-Human Era, Siqi Zhang
CLCWeb: Comparative Literature and Culture
As China’s expansion of influence now takes up the spotlight of the world stage, Chinese science fiction, a relatively little known genre, reaches a global audience. In 2015, Liu Cixin received the Hugo Award for Best Novel for his trilogy The Three-Body Problem, as the first Asian science fiction writer to receive the Hugo Award. A year later, Hao Jingfang’s Folding Beijing was awarded the 2016 Hugo Award for Best Novelette. The recent world-wide recognition of Chinese science fiction begins with English translation, U.S. publication and promotion. The New York Times cited The Three-Body Problem as having helped popularize Chinese …
Trans-Atlantic Interrogation: Fabienne Pasquet’S La Deuxième Mort De Toussaint Louverture, Mariana F. Past
Trans-Atlantic Interrogation: Fabienne Pasquet’S La Deuxième Mort De Toussaint Louverture, Mariana F. Past
CLCWeb: Comparative Literature and Culture
In “Trans-Atlantic Interrogation: Fabienne Pasquet’s La deuxième mort de Toussaint Louverture,” Mariana Past situates the Haitian-Swiss novelist’s understudied narrative within the context of Caribbean letters and the Haitian literary tradition, then discusses the broader, intertextual implications of Toussaint Louverture’s “second” death for Haiti and the trans-Atlantic world. To what end does Pasquet deploy the aged ghost of a Haitian revolutionary icon being invoked by German Romantic writer Heinrich von Kleist in the Fort de Joux castle-cum-prison within France’s remote, mountainous Jura region? What is at stake when the diasporic writer reincarnates a legendary German poet as protagonist, placing him …
From Franz Kafka To Franz Kafka Award Winner, Yan Lianke: Biopolitics And The Human Dilemma Of Shenshizhuyi In Liven And Dream Of Ding Village, Melinda Pirazzoli
From Franz Kafka To Franz Kafka Award Winner, Yan Lianke: Biopolitics And The Human Dilemma Of Shenshizhuyi In Liven And Dream Of Ding Village, Melinda Pirazzoli
CLCWeb: Comparative Literature and Culture
To date, many studies have exhaustively explained how and why Yan Lianke deals with both the intimate relationship between disease and biopolitics and the relationship between utopia and dystopia. These are certainly the most important themes in Liven (2004) and Dream of Ding Village (2006). However, biopolitical discourses cannot fully account for the complexity, depth and humanity of these novels, which in addition to exploring the complex and protean meaning of life also represent shenshizhuyi, an expression coined by Yan Lianke to describe his human dilemma in representing the complex relationship between shen 神 (soul, spirit, mind and myths) …
Hanay Geiogamah’S Body Indian And Foghorn As “Plays With A Purpose”, Danica Čerče
Hanay Geiogamah’S Body Indian And Foghorn As “Plays With A Purpose”, Danica Čerče
CLCWeb: Comparative Literature and Culture
In her article, “Hanay Geiogamah’s Body Indian and Foghorn as ‘Plays with a Purpose,’” written against the backdrop of critical whiteness studies, Danica Čerče discusses how Geiogamah’s theatrical rhetoric intervenes in the assumptions about whiteness as a static, privilege-granting category and system of dominance. By focusing on various techniques and strategies mobilized to define and affirm Native Americans’ authentic rather than imposed identities, the article shows that humor is one of the prime textual devices in Geiogamah’s plays to renegotiate what Walter Mignolo calls “the racist structure of power.”