Africana Studies Commons^™

Belkis Ayón: Fear, Confusion, Trance, Dignity, And The Sublime., Silvia Márquez Pease

Department of Art and Art History

Belkis Ayón, a cuban artist, takes it upon herself to reveal a secret, to be a transgressor. She believes to be the alter ego of the legendary Sikán, a princess who was punished because she shared the secrets of the Abakuá knowledge that were reserved only for men. I argue that the work of Belkis Ayón caters to the possibility of attainable sublimity through paradoxes of confusion and fear; a state of unsettling discomfort and a sensing of something greater than oneself. And yet, this state of paradoxical affects, predicated by confusion, fear, and trance, result in obsolete boundaries and …

An Interpretive Analysis: Black Men, Masculinities, And The Field Of Tropic Play, Mario D. Lewis

FIU Electronic Theses and Dissertations

While much has been written about the participation of Black Men in higher education, such scholarship has often been predicated on empirically derived insights that have privileged phenomenological experiences as a primary point of departure for analysis. While this literature has done much to illuminate how higher education scholars and practitioners understand what Black men pursuing higher education experience, I use this study as an opportunity to think differently about this demographic and those experiences.

With the aim of not only providing nuanced understanding of Black men in college, but also a general methodological shift in how they are studied …

Nigeria's Membership In The Organization Of Islamic Cooperation: Origin, Nature, And Impact, Eddy Aitah

FIU Electronic Theses and Dissertations

This thesis explores Nigeria’s membership into the Organization of Islamic Cooperation (OIC), covertly instituted by General Ibrahim Babangida who rose to power as Nigeria’s military head of state in 1985, a strategic move that resulted in socioeconomic benefits which improved the standard of living of the people of Nigeria. Regionally divided, Muslim influence on the north, and Christian to the south. The commingling with other traditional Nigerian religious cultures, sociopolitical strategies, and legislative protocol are contested by these opposing factions on a continuum. Using archival research methods, both textual and multimedia, this work posits that despite the religious controversies and …

Black And White Notes: Segregation, Integration, And Urban Renewal Through Pittsburgh's Locals 60 And 471, Nathan Seeley

FIU Electronic Theses and Dissertations

This dissertation explores Pittsburgh’s Locals 60, 471, and 60-471 of the American Federation of Musicians (AFM) from the late nineteenth century to the mid-1960s. Local 60 was founded in 1896 for white musicians and Local 471 in 1908 for black musicians. While other studies of the AFM take a “top-down” approach, this study examines these Locals from the “bottom-up.” In doing so, it re-examines the causal relationship between music/musicians and the social, political, and economic conditions intersecting with them. This dissertation is built upon seventy-two interviews conducted between former Local 471 members in the 1990s, photographs from Teenie Harris Collection …

Negotiating With Patriarchy: Women, Sexuality, And Power In Yoruba Sacred Oral Genres., Ajoke Adebisi

FIU Electronic Theses and Dissertations

This study argues that Yoruba oral genres offer women models “of “and “for” ways of enduring resistance from patriarchy. In the myths, proverbs and praise poems, women challenge marginalization in ways incomparable to what prevails in other world religions. By engaging Yoruba oral genres, this study offers insights into how the Yoruba reflect on sharing of power among the male and the female. The study also highlights how Yoruba oral genres speak to the power imbalance in male /female relationships and sheds light on the prescriptions oral genres offer women for negotiating these imbalances.