Arts and Humanities Commons^™

Charlotte Stephens

Women's history in Arkansas

Black and white print photograph of Charlotte Stephens, the first African American teacher in Little Rock, Arkansas.

Women's City Club In Little Rock

Women's history in Arkansas

Color postcard of the Women's City Club at 4th and Scott Streets in Little Rock, Arkansas.

Geraldine Jones Jefferson

Women's history in Arkansas

Black and white photograph of Mrs. Geraldine Jones Jefferson posed sitting in a chair wearing a dress, coat, and hat and holding a purse.

Hattie Caraway

Women's history in Arkansas

Black and white photographic portrait of Senator Hattie Caraway.

Medora Hampton Kitchens Making Rugs With Friends

Women's history in Arkansas

Black and white photographic negative of Medora Hampton Kitchens and her friends showing rugs they are making. Medora is standing with a rug labeled, "Daisy Scroll." The seated women are unnamed but the titles of their rugs are listed left to right: "Gift of Love," Bow, Knot and Roses," "Paradise Garden," "Hearth Rug," and "Arcadia."

Narrative, Origins Of Arkansas's State Flag, Willie K. Hocker

Women's history in Arkansas

This is Willie K. Hocker's narrative about the origin of Arkansas's state flag. The first four pages are handwritten on Pine Bluff letterhead by Hocker, designer of the flag, but the last page is typed.

Convent Of Mercy, Little Rock

Women's history in Arkansas

This is a pencil sketch of the Convent of Mercy at 7th and Louisiana Street in Little Rock, unknown date.

Unguarded : Freedom From Shame For Expat Women, Cynthia M. Brewer

ATS Dissertations

No abstract provided.

Roman Women In Shakespeare And His Contemporaries, Domenico Lovascio

Late Tudor and Stuart Drama

This volume highlights the crucial role of Roman female characters in the plays of Shakespeare and his contemporaries by exploring with an unprecedented thoroughness and variety of perspectives the diverse issues connected to female identities in the early modern English plays set in ancient Rome. Roman Women in Shakespeare and His Contemporaries puts Shakespeare’s Roman world in dialogue with a number of Roman plays by writers as diverse as Matthew Gwinne, Ben Jonson, John Fletcher, Philip Massinger, Thomas May, and Nathanael Richards. Thus, the collection seeks to challenge conventional wisdom about the plays under scrutiny by specifically focusing on their …

Aesthetic Labor, Lisa Roggenbuck

2020 MFA Visual Arts

No abstract provided.

Gender-Specific Mentorship For Collegiate Female Band Directors, Laura M. Johnson, Douglas T. Owens

College of Arts and Letters Posters

The purpose of this study was to provide insight on the impact of gender-specific mentorship for aspiring female collegiate wind band conductors. The areas of focus included impactful mentorship methods, identifying mentors, and potential improvements for the wind band field. This research project was approved for an IRB exemption by the Old Dominion University College of Arts and Letters Human Subjects Review Committee. Two Qualtrics surveys were created for this study to reflect the differences in the level of experience of wind band conductors. Female collegiate/university band conductors and current/former music education or conducting graduate students completed Survey A (N …

Abolitionist Aunty: Jane Chester, Christopher Mundis, Katie Heiser

Women of the Eighth Ward

Presented on Friday, February 21 as part of Messiah College’s 2020 Humanities Symposium. This exhibit, “Vulnerabilities & Securities in Historic Harrisburg: From Abolition to Suffrage,” was produced by the Center for Public Humanities Student Fellows and Dr. Sarah Myers’s Public History Class.

Jane Morris Chester was born enslaved in Baltimore, Maryland, on July 5, 1801. Around 1828, she escaped enslavement and made a treacherous journey north to Harrisburg, where she married George Chester. After George’s death in 1859, Jane, fondly called “Aunty” by Harrisburg citizens, continued to operate the restaurant and opened a premier catering business for Harrisburg elites, including …

Conductor Of The Old Eighth: Harriet M. Marshall, Ian Mcilrath, David Ford, Josh Acevedo

Women of the Eighth Ward

Presented on Friday, February 21 as part of Messiah College’s 2020 Humanities Symposium. This exhibit, “Vulnerabilities & Securities in Historic Harrisburg: From Abolition to Suffrage,” was produced by the Center for Public Humanities Student Fellows and Dr. Sarah Myers’s Public History Class.

Harriet McClintock Marshall was born in 1840. Her mother, Catherine, was one of the founding members of Wesley Union African Methodist Episcopal Zion Church, and Harriet worked with her mother to continue establishing the church's reputation. Wesley Union, located on Tanner's Alley, was a haven for those seeking freedom through the Underground Railroad. Harriet's and her mother's work …

Renaissance Woman: Gwendolyn Bennett, Eva Cunningham-Firkey, Kennesha Kelly-Davis, Janelle Soash, Faith Swarner

Women of the Eighth Ward

Presented on Friday, February 21 as part of Messiah College’s 2020 Humanities Symposium. This exhibit, “Vulnerabilities & Securities in Historic Harrisburg: From Abolition to Suffrage,” was produced by the Center for Public Humanities Student Fellows and Dr. Sarah Myers’s Public History Class.

While she was still an undergraduate, Bennett established her reputation as a poet when her poem “Nocturne” was published in The Crisis (the journal of the NAACP), and her poem “Heritage” was published in Opportunity (a magazine published by National Urban League). Just a year later, Bennett read “To Usward, ” her tribute to novelist Jesse Fauset, at …

The Political Pen: Alice Dunbar-Nelson, Kate Kuc, Melissa Boyer, Chloe Dickson

Women of the Eighth Ward

Presented on Friday, February 21 as part of Messiah College’s 2020 Humanities Symposium. This exhibit, “Vulnerabilities & Securities in Historic Harrisburg: From Abolition to Suffrage,” was produced by the Center for Public Humanities Student Fellows and Dr. Sarah Myers’s Public History Class.

In 1895, Alice Dunbar-Nelson published her first collection of short stories and poems, Violets and Other Tales. She also published a few plays, such as Mine Eyes Have Seen (1918) in The Crisis, the official magazine of the National Association of the Advancement of Colored People. Dunbar-Nelson often used her creative works to address racism and …

Ardent Activist: Anne E. Amos, Anna Strange, Michaela Magners

Women of the Eighth Ward

Presented on Friday, February 21 as part of Messiah College’s 2020 Humanities Symposium. This exhibit, “Vulnerabilities & Securities in Historic Harrisburg: From Abolition to Suffrage,” was produced by the Center for Public Humanities Student Fellows and Dr. Sarah Myers’s Public History Class.

Amos was involved in the temperance movement in Harrisburg. As a founding member of the Independent Order of Daughters of Temperance, she served as the Grand Recording Scribe and District Grand Deputy of the Good Samaritan Council, no. 1. The Council listed under her address on South Avenue functioned as a political hub in the Eighth Ward. Serving …

Guide To The Helen Walker Hill Collection, Columbia College Chicago

CBMR Collection Guides / Finding Aids

The Helen Walker-Hill Collection is composed of musical compositions by black women composers throughout the United States and England. This collection was compiled by pianist and musicologist, Dr. Helen Walker-Hill. Duplicates and/or originals also held at University of Colorado at Boulder American Music Research Center.

Equitable Hiring Policy In Higher Education At The University Of Montana, Victoria Mckinley Bigelow, Kinsey Anderson

Graduate Student Portfolios, Professional Papers, and Capstone Projects

Higher Education; University of Montana; Equity; Hiring; University; College; Montana; Missoula; Public Administration; Organization; Missoula; Diversity; Women; Policy

Musician And Church Leader: Hannah Braxton Jones, Isis Ortiz-Scarlett, Max Weaver, Jarod Fry

Women of the Eighth Ward

Presented on Friday, February 21 as part of Messiah College’s 2020 Humanities Symposium. This exhibit, “Vulnerabilities & Securities in Historic Harrisburg: From Abolition to Suffrage,” was produced by the Center for Public Humanities Student Fellows and Dr. Sarah Myers’s Public History Class.

Hannah's leadership and administrative skills extended beyond the church to civic organizations such as the House of Ruth, Good Samaritans, and Daughters of Samaritans. In addition, she was a dedicated music teacher. She did all of this while providing for her family by working as a domestic, one of the few jobs available to African-American women at that …

Rhythms Of Resilience In The Eighth: From Abolition To Suffrage, Jean Corey, Katie Wingert

Women of the Eighth Ward

Presented on Friday, February 21 as part of Messiah College’s 2020 Humanities Symposium. This exhibit, “Vulnerabilities & Securities in Historic Harrisburg: From Abolition to Suffrage,” was produced by the Center for Public Humanities Student Fellows and Dr. Sarah Myers’s Public History Class.

This exhibit seeks to honor the spirit of perseverance and resilience demonstrated by many individuals who fought for their rights and contributed positively to the community of the Old Eighth, Dauphin County, and beyond. In this year, we celebrate the 150th anniversary of the 15th Amendment and the 100th anniversary of the 19th Amendment. 2020 is also the …

Changing Gender Representation In Television, Alexandria N. Palmer

Sociology Student Work Collection

Representations on television have lasting effects on those who watch it, especially children. Unfortunately, in such a male-dominated industry, the lack of women creating television content mean men are predominately telling women's stories.

Whose Story Is It, Now? Re-Examining Women’S Visibility In 21st Century Secondary World History Textbooks, Erica M. Southworth, Jenna Kempen, Melonie Zielinski

Faculty Creative and Scholarly Works

In 2005 Clark, Ayton, Frechette, and Keller (2005) conducted a content analysis study on secondary world history textbooks to determine whether women’s inclusion had increased or decreased between 1960s, 1980s, and 1990s. They reported women’s severe marginalization in the texts even though the percentages of women’s inclusion had increased over the course of the decades. We conducted a replication study of the content analysis performed by Clark et al. from a feminist research lens and analyzed 2000 and 2010 editions of the same textbooks to determine if female inclusion had increased. Our findings revealed that very little to no progress …

Zoë Charlton: The Domestic, Shannon Egan

Schmucker Art Catalogs

Zoë Charlton’s grandmother, Everlena Bates, was a domestic worker in Northern Florida. Charlton pays homage not only to her grandmother in her recent body of work, but also to the long history of African-American women’s labor in white families’ homes throughout the South. Although her grandmother did not speak often or directly about the conditions of her employment, Charlton nonetheless is keenly aware of the injustices, possible abuses, and intimate labor endured by black maids, housekeepers, and nannies who worked endlessly long hours and with little pay through the twentieth century. The collages and large-scale installation in Charlton’s exhibition The …

Modina, Modina, Tsos

TSOS Interview Gallery

Modina fled Myanmar after experiencing and witnessing extreme violence, including the destruction of her village and the violent murder of her uncle by soldiers. She arrived in Bangladesh by boat after paying smugglers a large sum.

Rohima, Rohima, Tsos

TSOS Interview Gallery

Rohima was brutally raped and tortured by soldiers during an attack. After witnessing other women receive the same treatment, she fled Myanmar for Cox’s Bazar, Bangladesh. Once there, she got married while pregnant as a result of the rape.

Shobika, Shobika, Tsos

TSOS Interview Gallery

Shobika escaped Myanmar amid widespread chaos. After being separated from her husband and experiencing the kidnap of her two children, she was raped by soldiers and became pregnant. Her husband now rejects this child.

Political Life In The Old Eighth Ward - With Biography Of Anne Amos, Drew Hermeling, Digital Harrisburg

Look Up, Look Out

The Old Eighth Ward was a very politically active community. Many citizens were actively involved in a variety of civic organizations to bring about political change in the community. Voting was prominent topic of discussion, especially among black men in the community. Prior to 1838, men of color enjoyed voting privileges in Harrisburg and throughout the state of Pennsylvania, but in 1838, the Pennsylvanian Constitutional Convention disallowed the African American men in Harrisburg the ability to vote. The vote was reinstated for African American men across the country with the passing of the fifteenth amendment in February of 1870. Although …

Making A Home In The Old Eighth Ward - With Biography Of Hannah Braxton Jones, Drew Hermeling, Digital Harrisburg

Look Up, Look Out

According to the 1900 census, just over 50,000 people called Harrisburg their home. Of these 50,000 people, 4,435 lived in the Old Eighth Ward. The eighth ward was disproportionately occupied by African-American residents. A total of 1,507 African Americans lived in the Old Eighth Ward, which comprised about 34% of the population of this ward. This percentage is quite large in comparison to other wards in the city. Second to the eighth ward, the ward with the largest African American population was the second ward; African Americans comprising about 11% of the population. In contrast, the tenth ward was …

The Old Eighth: Gateway To The Capitol - With Biography Of Gwendolyn Bennett, Drew Hermeling, Digital Harrisburg

Look Up, Look Out

At the beginning of the nineteenth century, Harrisburg began to develop as an industrial center. Railroad steel, cigars, flour, shoes, and many other businesses thrived, especially in the Eighth Ward. A large thoroughfare was required in order to accommodate the movement of raw materials throughout the city for processing. Like most industrial societies, Harrisburg utilized water as a means of transportation, with the Susquehanna River flowing alongside the southern border of the city. The Harrisburg canal system was started in a similar manner as the City Beautiful movement– through internal efforts. In 1822, the Harrisburg Canal, Fire Insurance and Water …

Yanjie / 顏姐: Combing For Ice And Jade, Kurt Tong, Special Collections, Fleet Library

Photography

246 unnumbered pages : color illustrations (some folded). 1st edition. Combing for Ice and Jade is a love note from Kurt Tong to his nanny, who was one of the last remaining self combed women left in China. An early form of Feminism, the comb up ceremony granted women great autonomy at a great cost. Kurt Tong has worked closely with his nanny over a period of nearly 7 years. Having only 8 photographs of herself, the book is an exploration of her extraordinary life. Her story is slowly revealed through the book, combined with Kurts family archive, found photographs …