Arts and Humanities Commons^™

We're Entertainment, Victoria Haggblom

CutBank

No abstract provided.

There's Deserts Out There, Richard Nunez

CutBank

No abstract provided.

The Lantern Vol. 68, No. 2, Spring 2001, Kirsten Mascioli, Benjamin Schuler, Alyson Jones, Sarah Napolitan, Corey Taylor, Padcha Tuntha-Obas, John Ramsey, Lori Kruk, Syreeta Dixon, Melanie Scriptunas, Thomas Lipschultz, Jeffrey Church, Daniel Gallagher, Mike Keeper, Monica Stahl, Ani Broderick, Christine Spera, Jason Fischer, Genevieve Romeo, Rosabelle Diaz, Raquel B. Pidal, Kelly Campbell

The Lantern Literary Magazines, 1933 to Present

• Eden
• Ginsberg Mourning
• On the Cusp of Winter
• (Woman: as Needing to be Silver and Sharp)
• Descended
• Book Unbinding
• Scrawlings on the Stall
• My Frankenstein
• Jazzy Avantguardia
• Paper Crane
• A Child's Valentine
• Ten Years' Gone
• Out the Window
• Tar's Melting
• Passing Time
• Ave Maria
• Heart of the Matter
• Damn Kids
• The Candle Incident
• Nostalgia
• Cuban Couch
• Dinner Date

We Are Not Friends, Fred G. Leebron

English Faculty Publications

There is something about the way the phone rings that lets you know it's Them - a kind of glitter in the chime, a certain je ne sais quoi to the cadence, which seems to skip a beat as if it can't believe that They are calling. You pick up, heart throbbing, getting ready to move your mouth, a sly frisson of sweat striking your palms.

"They asked me to call," Their assistant says. "They want you at the house next Thursday. And then you'll all go somewhere. A plane will be involved. You'll want to bring a passport. Until …

Inky Went Down To The Well, K. S. Phillips

Bryant Literary Review

None of us knew how pure Inky was until we drank her. Sadly, our awareness came three summers too late.

Across The Line, William Holinger

Bryant Literary Review

The trouble is that the balls go where you throw them.

-- a well-known saying in juggling

Standing in foul territory over by the cornfield, roughing up the game ball,

The Counterpoint Lesson, Lyzette Wanzer

Bryant Literary Review

My father always told me there were two kinds of jazz: white people's jazz, and "the real thing."

Punching Air, Ben Brooks

Bryant Literary Review

Dead fish floated in close to shore. There were so many of them

Post-Freudian Dreaming, Richard N. Bentley

Bryant Literary Review

I had a dream Tuesday night in which I was either attending a lecture

"Pesadillas De La Noche, Amanecer De Silencio": Miguel Méndez And Margarita Oropeza, Debra A. Castillo

Studies in 20th & 21st Century Literature

In many border-related discussions—whether philosophical, anthropological, critical, or fictional—there are typical themes or narrative tics: allusions to the flexible geography that makes the border region both an isolated territory and an analogue for the postmodern condition, the puzzlement over how to understand the role of the "maquiladoras" 'assembly plants' and the area's industrial boom, the awareness of a vast movement of people both north and south, a persistent and nagging phobia about feminization, and about female sexuality. In this paper I will explore these concerns with reference to two novels: Arizonan Miguel Méndez's well-known 1974 novel Peregrinos de Aztlán (Pilgrims …

The Last Block Party, Bud Johnson

Bryant Literary Review

The sun is setting over the deserted soccer field near the burial mound.

Abuelita, Camincha

Bryant Literary Review

To Reyna María, it's like they never left. They visit her often, sometimes in groups, sometimes one at a time.

Mystery Woman, Hal Charles

Charlie Sweet

No abstract provided.

Boys: A Narrative Compendium, Jessie Sholl

CutBank

No abstract provided.

In New York, Jeffrey Chapman

CutBank

No abstract provided.

Dieting For Heaven And Hell, Stan Pollakoff

CutBank

No abstract provided.

The Dividing Line, Katherine Shonk

CutBank

No abstract provided.

The Devil And Molly Kershow, Jeff Maehre

CutBank

No abstract provided.

The Lantern Vol. 68, No. 1, Fall 2000, Olatokunbo Laniya, Monica Stahl, Padcha Tuntha-Obas, Susan Goll, Lori Kruk, Jeff Church, Michael Keeper, Matthew James Terenna, Chris Tereshko, Ryan Mcleod, Thomas Lipschultz, Laura Phillips, Chris Calderelli, John Ramsey, Genevieve Romeo, Aly Jones, Daniel Gallagher, Philip M. Malachowski, Corey Taylor, Tina Benson, Shawn Witt, Jason Fischer, Christine Spera

The Lantern Literary Magazines, 1933 to Present

• In Attempting to Imitate J. Agard (III)
• Headstones
• Calligraphy Grace
• Fifty Years
• Morning
• The Millstone
• Quick Stop-Off
• Jesus Wept (SuperBuick Bodybag)
• Just a God
• Amy
• Silver Doubloons
• Ogbanje
• Left Behind
• Asymmetrical Smile
• Sundays
• Pie in the Sky
• No Surprises
• Bill Gooden's Son
• Downcast Eyes Meet Tablecloth
• Wetlands
• Desperate Actions
• Receiving End
• A Pack of Matches
• Coffee

Jefferson In Central Pennsylvania, Fred G. Leebron

English Faculty Publications

No abstract provided.

Slave Wall, Hal Charles

Charlie Sweet

No abstract provided.

2000 Spring Quiz And Quill Magazine, Otterbein English Department

Quiz and Quill

No abstract provided.

Pitchout, Russell Dodge

CutBank

No abstract provided.

Stillwater, Lizabeth Carpenter

CutBank

No abstract provided.

Gretel, Gretchen Ingersoll

CutBank

No abstract provided.

Spies, David Borofka

CutBank

No abstract provided.

The Lantern Vol. 67, No. 2, Spring 2000, Padcha Tuntha-Obas, Caleb Prescott, Christine Spera, Oana Nechita, Daniel Gallagher, Jeffrey Church, James Clark Robinson, Lilly Afshari, Rosabelle Diaz, Andrew Gerchak, Ben Jackendoff, Susan Patton, Harry Michel, Genevieve Romeo, Corey Taylor, Ashley Claus, Michael Edwards, Amber Frame, Tom Lipschultz, Aly Jones, Philip Malachowski, Anthony Ciarlello, Lori Kruk, Tom Howard, Mike Keeper

The Lantern Literary Magazines, 1933 to Present

• Dearest Yarn-Spinner
• My Poem, This Tongue In Your Eye
• 15th & Rodman
• Vision
• Linguistics
• Casting Cartesian Shadows
• On the Defensive
• Sea Sick but Still Docked
• Urban Dreams
• Wolf of the Steppes
• Josephine
• Happy Birthday to Me
• I Have Never Been to Africa
• Pa-pou
• Onion[s]
• Intimacy
• Three Trick Pony
• Blazer
• In My Tea
• Emmaless
• Dreamcatcher
• Repetition
• With the Turn of the Reel
• Fault Lines
• The Shrink Is In
• The dancE
• Exam
• Another Post-Apocalyptic …

Nadine Gordimer's Fictional Selves: Can A White Woman Be At Home In Black South Africa?, Nancy Topping Bazin

Women's & Gender Studies Faculty Publications

(First paragraph) Growing up in South Africa where only 5.6 million people are white out of a population of 37.9 million, Nadine Gordimer became increasingly conscious of her whiteness¹. The colour of her skin instantly signaled 'oppressor' to black South Africans. Her whiteness imposed upon her a social and political identity that she rejected; yet, it was like a face she could not wash off, a mask she could not take off. As she said in a 1978 interview, 'In South Africa one wears one's skin like a uniform. White equals guilt' (Bazin & Seymour 1990:94). She often …

Crosscurrents And Confluences: Echoes Of Religion In Twentieth-Century Fiction, Eamon Maher

Books/Chapters

No abstract provided.

The Hillside Slasher, Rob Davidson

Bryant Literary Review

Dear Mr. Davies,
I trust you remember who I am.