Arts and Humanities Commons^™

The Bengali Oil-Eaters: A Speculative Approach To New Materialism And The Nonhuman In Contemporary Petrofiction, Jenna Wayland

Honors Projects

Despite oil’s heavy saturation within the context of contemporary global life, novelistic registrations of oil frontiers and extractive drilling in contemporary world literature remain proportionally barren with regards to oil’s political and geographical importance across the world-system. Petro-cultural production, transnational in scale and imposing in material basis, relegates oil to a paradoxical literary deferment. The general invisibility of petrofiction within the petro-sphere suggests that the materialist basis of petroleum and its fraught geopolitical history has culturally transformed oil into a repressed, peripheral, and hidden material that subsequently renders the oil-encounter unseen in contemporary literature. This creative synthesis of the oil-encounter …

New Members, James F. Mcgrath

Scholarship and Professional Work - LAS

No abstract provided.

Literary Fiction And Sympathy: How Reading Makes You A Better Person, Emma Rose Wick

Honors Theses and Capstones

I argue in this thesis that literary fiction enhances our ability to sympathize with others as a result of observing—and thereby coming to feel for—the perspectives of the characters by engaging in mental perspective-taking. As a result, we become able to sympathize with an array of individuals whose experiences are unlike our own, and which we may never understand otherwise. I argue that the ability to sympathize with others is valuable for the sake of being a morally good person, and for having an overall good character. This has value in and of itself, particularly from an Aristotelian perspective. I …

What We Owe To Our Audience: The Hermeneutical Responsibility Of Fiction Creators, Kathryn Wojtkiewicz

Dissertations, Theses, and Capstone Projects

The goal of this project is to provide a theoretical underpinning for the belief that creators of fiction should dedicate time to diversifying the cast of characters in their fictions, and to avoiding harmful stereotypes when doing so. I establish this as a hermeneutical responsibility: because of the epistemic influence fictions can wield over their audiences, trafficking in harmful stereotypes of marginalized identities (instances of which I call Bad Representation Problems) or excluding marginalized identities entirely (which I call No Representation Problems) from one’s fictions can reinforce harmful beliefs about real people with those identities. The more popular the fiction, …

Rhetoric And Philosophy Of Communication In Jorge Luis Borges' Metaphysical Obsession With Time, Aurora M. Pinto

Electronic Theses and Dissertations

This project begins with the assumption that through storytelling we humans make sense of the world around us. Language and communication are powerful in defining who we are and allowing individuals to “become a self” (Taylor The Language 318). Drawing from Schrag, I argue that rhetoric is inextricably linked to discourse but is also situated beyond its classical persuasive function. Rhetoric evokes a response from the other, based on reflection and deliberation. Since that other might be a reader of texts of fiction, there is a rhetorical connection to interpretation that situates literature as an exemplar of communicative engagement.

This …

Fictional Text And Reality Of The Possible, Shusheng Zhang

Theoretical Studies in Literature and Art

This article explores the issue of reference in fictional texts, that is, the relationship between fictional texts and reality. Paul Ricoeur thinks that the reference of poetic language is not cancelled, but only suspended. Through its semantic creativity, it possesses the ability to transform reality and to turn our personal environment into a habitable world. The interpretation of the concept "world /Welt" and "environment /Umwelt" by Martin Heidegger and Hans-Georg Gadamer shed light on the significance of fictional texts in reality, for they propose to us possible modes of existence in the ontological sense. In other words, fictional texts can …

The Voyage Of The Reunion, Hamilton Keller Bright

Masters Theses

The Voyage of the Reunion is a collection of short stories centered around three men, Captain Adams, Mr. Freire, and Reverend Kaff, on a mission to reunite Earth’s lost colonies with the galaxy at large. However, not all is well on these lost worlds, and many dangers await them in the darkness of space. In the course of their journey, they wrestle with questions of mankind’s relation to technology, personal identity, and what it means to be human.

Dimentia: Footnotes Of Time, Zachary Hait

Senior Projects Spring 2021

Time from the physicist's perspective is not inclusive of our lived experience of time; time from the philosopher's perspective is not mathematically engaged, in fact Henri Bergson asserted explicitly that time could not be mathematically engaged whatsoever. What follows is a mathematical engagement of time that is inclusive of our lived experiences, requiring the tools of storytelling.

Commentary On Guillermo Sierra Catalán’S “Fictional Claims”, Stephen Pender

OSSA Conference Archive

No abstract provided.

The Criterion Collection, Mackenna Finley

Honors Projects

The Criterion Collection is an examination of truth in fiction and poetry. The goal of this project is not to create truth that is absolute, but instead to allow for the experience of its subjectivity. The interplay between fiction and poetry, reader and author illuminates the subtle warping of truth through human experience.

Pertarungan Jurnalisme Dan Sastra Dalam Menguak Kebenaran, Dessy Wahyuni

Paradigma: Jurnal Kajian Budaya

The existence of facts in journalism can be manipulated, while the truth settles in literature. Although both types of writing, namely news texts, which contain facts, and literary texts, which contain fiction, depart from the same reality, the estuary of the truth in it can be different because it is seen from different perspectives and interests. For these various interests, silencing in journalism often occurs. Facts are circumcised, overhauled, and arranged in such a way as to produce new facts. Meanwhile, in literature, facts are packaged using imagination to disguise the truth as if it did not happen. For this …

Infidelity As Reality: Re-Staging The Global South With Abbas Kiarostami’S Close-Up, Sinan Richards

Artl@s Bulletin

In this article, we contend that, in the fields of art and visual culture, the Global South is both an elaborate lie and a radical opportunity for transformation. We investigate Kiarostami’s Close-up alongside Lacan’s psychoanalysis to show how Close-up’s filmic narrative evokes the same ‘polyvalence’ and ‘slipperiness’ as the notion of the Global South. We argue that Kiarostami’s Close-up retroactively changed Sabzian’s fate, and in so doing, Kiarostami’s re-staging actively overwrites History itself. We read the same narrative move in the concept of the Global South to suggest that the Global South adopts the Kiarostamian strategy of infidelity as reality …

Believing Fictions: A Philosophical Analysis Of Fictional Engagement, Jack Rhein Gleiberman

CMC Senior Theses

Works of fiction do things to us, and we do things because of works of fiction. When reading Hamlet, I mentally represent certain propositions about its characters and events, I want the story and its characters to go a certain way, and I emotionally respond to its goings-on. I might deem Hamlet a coward, I might wish that Hamlet stabbed Claudius when he had the chance, and I might feel sorrow at Ophelia’s senseless suicide. These fiction-directed mental states seem to resemble the propositional attitudes of belief, desire, and emotion, respectively — the everyday attitudes that represent and orient us …

Fictionalism, Semantics, And Ontology, Gordon Purves

Philosophy, Theology and Religious Studies Faculty Publications

This article expands upon the argument of a previous work which defended a variational account of scientific fictions. Specifically, I show that this understanding of scientific fictions can provide guidance for realist interpretations of scientific theories and models. Depending on a model's variational properties, different ontological commitments are appropriate, providing a principled way for a realist to moderate her views according to the structural properties of a given model. This reasoning is then applied the Lee-Yang theory and Kubo-Martin-Schwinger statistics, two foundational models in quantum statistical mechanics. The Lee-Yang theory is analyzed in a way that permits a robust realist …

Classical Philosophical Approaches To Lying And Deception, James E. Mahon

Publications and Research

This chapter examines the views of Socrates, Plato, and Aristotle on lying. It it outlines the differences between different kinds of falsehoods in Plato (real falsehoods and falsehoods in words), the difference between myths and lies, the 'noble' (i.e., pedigree) lie in The Republic, and how Plato defended rulers lying to non-rulers about, for example, eugenics. It considers whether Socrates's opposition to lying is consistent with Socratic irony, and especially with his praise of his interlocutors as wise. Finally, it looks at Aristotle's condemnation of lies, and asks whether lies to enemies, and self-deprecating lies by the magnanimous person, are …

Fiction As An Institution, A. P. Martinich

Comparative Philosophy

John Searle and I agree about many important aspects about individual speech acts within fiction. I hope to reduce the area of disagreement by explaining how much work an analysis of fiction as linguistic behavior can do to solve the problems of truth and reference in fiction. The elements of the analysis include a concept of suspending H. P. Grice’s maxims of conversation, a view about criteria for the application of words and concepts, and the acceptance of institutions and institutional facts.

The Question Of Fiction – Nonexistent Objects, A Possible World Response From Paul Ricoeur, Noel Fitzpatrick

Articles

The question of fiction is omnipresent within the work of Paul Ricoeur throughout his prolific career. However, Ricoeur raises the questions of fiction in relation to other issues such the symbol, metaphor and narrative. This article sets out to foreground a traditional problem of fiction and logic, which is termed the existence of non-existent objects, in relation to the Paul Ricoeur’s work on narrative. Ricoeur’s understanding of fiction takes place within his overall philosophical anthropology where the fictions and histories make up the very nature of identity both personal and collective. The existence of non-existent objects demonstrates a dichotomy between …

Revisiting Russell's Theory Of Descriptions, Patrick Henning

Puget Sound Undergraduate Philosophy Conference

Bertrand Russell’s theory of definite descriptions played a significant role in the development of philosophy of language. However, the shift from semantics to pragmatics in the narrative of language philosophy seemed to leave Russell’s theory in the past as an important but obsolete stepping stone. There is a chance that Russell may have been dismissed too casually, and if so, the grounds on which his theory is rejected must be carefully re-evaluated. In this paper I examine two problems with Russell’s theory that extend beyond the most well-known direct criticisms. In particular, I investigate problems with Russell’s approach to egocentricity …

Reflections On Music And Propaganda, Luis Velasco Pufleau

Contemporary Aesthetics (Journal Archive)

In general, the concept of propaganda refers to a method as well as the symbolic object mobilized by it. Propaganda equally constitutes a particular type of communication that involves not only the mobilization of objects, but also of discourse, places, acts, and rituals. This essay employs the writings of Max Weber, Paul Ricœur, Jacques Ellul, and Jacques Rancière to analyze propaganda as a particular type of symbolic political dispositif linked to a specific performance and utterance context. I examine humanitarian songs as a propaganda tool in democracy, and show the conditions and the limits of their mobilization through their contextualization. …

Fictional Emotions: Genuineness Of Emotions In Fictions, Lorien Giles

CMC Senior Theses

The common position in philosophy calls into question the ability of our emotions that derive from fictions to be genuine. In this paper I analyze this view, its motivating examples, and some unconsidered positions. In doing this I hope to offer a good defense of why our emotions that derive from fictions are in fact genuine and why the Paradox of Fiction is too broad.

The Heterogeneity Of The Imagination, Amy Kind

CMC Faculty Publications and Research

Imagination has been assigned an important explanatory role in a multitude of philosophical contexts. This paper examines four such contexts: mindreading, pretense, our engagement with fiction, and modal epistemology. Close attention to each of these contexts suggests that the mental activity of imagining is considerably more heterogeneous than previously realized. In short, no single mental activity can do all the explanatory work that has been assigned to imagining.

Hume famously wrote in the Treatise that nowhere are we more free than in our exercise of the imagination. A review of the contemporary philosophical discussion of the imagination suggests what seems …

A Cognitive Theory Of The Aesthetic Experience, Gianluca Consoli

Contemporary Aesthetics (Journal Archive)

This paper aims at naturalizing the aesthetic experience on the basis of cognitive sciences. In traditional philosophical aesthetics, the aesthetic experience requires a specific attitude and a characteristic work of imagination. Today, cognitive sciences offer a rich set of empirically corroborated concepts useful in explaining these notions in naturalistic terms. This paper extends these concepts to explain how the aesthetic experience is integrated and how it affords knowledge.

Review Of The Calligrapher’S Secret By Rafik Schami, Rebecca Gould

Rebecca Gould

The Value Of Fictional Worlds (Or Why 'The Lord Of The Rings' Is Worth Reading), James Harold

Contemporary Aesthetics (Journal Archive)

Some works of fiction are widely held by critics to have little value, yet these works are not only popular but also widely admired in ways that are not always appreciated. In this paper I make use of Kendall Walton’s account of fictional worlds to argue that fictional worlds can and often do have value, including aesthetic value, that is independent of the works that create them. In the process, I critique Walton’s notion of fictional worlds and offer a defense of the study and appreciation of fictional worlds, as distinguished from the works of fiction with which they are …

Intentions And Interpretations: Philosophical Fiction As Conversation, Jukka Mikkonen

Contemporary Aesthetics (Journal Archive)

Appeals to the actual author's intention in order to legitimate an interpretation of a work of literary narrative fiction have generally been considered extraneous in Anglo-American philosophy of literature since Wimsatt and Beardsley's well-known manifesto from the 1940s. For over sixty years now so-called anti-intentionalists have argued that the author's intentions – plans, aims, and purposes considering her work – are highly irrelevant to interpretation. In this paper, I shall argue that the relevance of the actual author's intentions varies in different approaches to fiction, and suggest that fictions are legitimately interpreted intentionally as conversations in a certain kind of …

Monstrous Thoughts And The Moral Identity Thesis, Stephanie Patridge

Religion & Philosophy Faculty Scholarship

The responses are not simply imagined: we are prescribed by Justine actually to find erotically attractive the fictional events, to be amused by them, to enjoy them, to admire this kind of activity. So the novel does not just present imagined events, it also presents a point of view on them, a perspective constituted in part by actual feelings, emotions, and desires that the reader is prescribed to have toward the merely imagined events. Given that the notion of response covers such things as enjoyment and amusement, it is evident that some kinds of responses are actual, and not just …

Worlds Are Colliding! Explaining The Fictional In Terms Of The Real, Andrew Kania

Philosophy Faculty Research

I discuss Gregory Currie’s taxonomy of explanations of the fictional. On the one hand, there is an important kind of relation between internal and external explanations of some fictional truths that Currie leaves out, where both are salient and yet in a relation of harmony with each other. On the other hand, I do not see that he has established that there is a genuine relation of tension between some pairs of internal and external explanations, and thus I question the usefulness of the category of collapse. I also consider a further kind of explanation: the exterior explanation.

Fact And Fiction: Writing The Difference Between Suicide And Death, John Carvalho

Contemporary Aesthetics (Journal Archive)

Did Michel Foucault die of AIDS or did he kill himself? Did he knowingly infect others in the bath houses in San Francisco or was he unaware that he was ill and of how less-than-safe sex could spread the same virus that infected him? What did he know about AIDS/HIV and what do we know about what he knew? Answers to these questions are ambiguous. This is due, in part, to the culture of homosexuality and the cultural response to AIDS/HIV at the time. It is also due to the conflicting reports about what Foucault knew, and when, in the …

Against The Ubiquity Of Fictional Narrators, Andrew Kania

Philosophy Faculty Research

In this paper I argue against the theory – popular among theorists of narrative artworks – that we must posit a fictional narrative agent in every narrative artwork in order to explain our imaginative engagement with such works. I accept that every narrative must have a narrator, but I argue that in some central literary cases the narrator is not a fictional agent, but rather the actual author of the work. My criticisms focus on the strongest argument for the ubiquity of fictional narrators, Jerrold Levinson’s ontological-gap argument. Finally, I outline an alternative “minimal theory” of narrators, and some consequences …

Au Seuil Du Chaos : Devoir De Mémoire, Indicible Et Piège Du Devoir Dire, Issac Bazié

Présence Francophone: Revue internationale de langue et de littérature

That literature has not entirely lost its means when faced with great human tragedies is a fact widely debated when it comes to the Holocaust. This text relies on a discussion of the unspeakable in order to reflect on the texts written about Rwanda’s genocide. Reading those texts’ thresholds reveals a tension of writing between history and fiction, “devoir de mémoire” and near resignation of speech.