Arts and Humanities Commons^™

Creating Digital Art History: Library, Student, And Faculty Collaboration, D. Russell Bailey

Library Faculty and Staff papers

Over the last two decades, teaching, learning, and research in higher education have developed a growing digital presence. Digital development in the humanities has been slow relative to most other areas in academia, and with some exceptions, art and art history have enjoyed slow digital growth within the humanities. Within this environment, the article here presents one collaborative model for digital art history, rare in its exclusive focus on undergraduate “junior scholars”. Undergraduate senior-level art history and studio art students at Providence College collaborate annually with art history and studio art faculty to publish their senior theses in print format …

Beyond The Blinds: On Power And Subversion, April N. Baca

Art 525/Art History 5290 Papers

No abstract provided.

Pressing: Where The Objective Meets The Subjective, Mariana Parisca

Undergraduate Theses—Unrestricted

Through this essay I describe the theoretical and anthropological ideas that led to the creation of the Cushing Series. An interest in the obsession with photography in popular culture leads to an understanding of the permeation of structured reasoning beyond scientific research and into everyday life. Taking evidence from photography, and philosophy of science I establish the limitations of structured reasoning, both as a way of perceiving the world and as an understanding of identity, and define surface and frame as its physical representation. Using Sartre’s existential theory and phenomenological anthropology I then describe the infinite subjective existence of …

Imagining New Possibilities Through Social Practice, Sarah O. Hull

Undergraduate Theses—Unrestricted

In my practice, I have significantly questioned the role of the arts in social change. I have explored various forms of social practice, especially political art,public art and community art. Social practice lives in-between the world of art and social action and can add an important voice to both. Still, social practice, (like all forms of art) is limited and cannot be the sole source of social change. It is by working with others already organizing for social change, but bringing in the unique skills and perspectives of an artist that social practice is most effective. In this thesis, I …

Taking Art To The Next Level: Integration Of Advanced Placement Studio Art, 2-D Design, Krystal Kingsley

Masters Theses

Teaching High School art has brought me great joy. Along the way I have been challenged with many difficult questions. One that beckoned me to direct and intentional action is “how do I help students take their art work to the next level?” This project is the result of my personal discovery and development of an Advanced Placement Studio Art 2-D Design course. My research of multiple sources led to the development of an Advanced Placement (AP) approved course which includes: a syllabus, multiple breadth lessons, project rubrics, critiques, sketchbook assignments, summer homework, and a guide for helping students develop …

Interview With Harry Dalton, Harry Dalton

Winthrop University Oral History Program

In his May 12, 2015 interview with Rebecca Masters, Harry Dalton shares his time at Winthrop as a student from 1976-1986 and how he remained involved with Winthrop ever since. Recalled are the accomplishments of DiGiorgio, Dalton’s thoughts on President Mahony, and how Winthrop has changed from his time as a student. This interview was conducted for inclusion into the Louise Pettus Archives and Special Collections Oral History Program.

Seeing The Sacred, Emily Potter

Mahurin Honors College Capstone Experience/Thesis Projects

Seeing the Sacred is a multidisciplinary arts project exploring the purposes of sacred art and its relationship with community identity. The project highlights three common purposes of sacred art: to represent a worldview, to express identities as members of a community, and to connect with something bigger than ourselves. This Capstone Experience/Thesis Project developed through an intersection of three primary interests: visual art, community engagement, and religious studies. This project includes an overview of the CE/T’s origins and evolution, a written analysis of research goals and experiences, a review of relevant literature, a series of related artwork, and a collaborative …

Terra Firma: A Novel In The Making, Samantha Logan

Senior Honors Projects, 2010-2019

This creative thesis features a preliminary framework for a fantasy novel in the making, illustrating the project's evolution through the author's daily musings and documenting the author's progression from fine art to creative writing. It is primarily focused on the story's main characters and the many months it took to develop them.

Oh, Lazarus…Whom God Has Helped, Wala Ka Bang Hiya!, Lazaro Juan

Theses and Dissertations

Art as a means and a vehicle towards a higher form of consciousness, and state of awareness to communicate complex issues and a way of healing. Within the context of the decolonization process.

I Can’T Fly -Except Into The Wind, Sergio A. Poveda

Arrow Rock

No abstract provided.

The Lookout, Kristine Wagner

Arrow Rock

No abstract provided.

Photo 1, Rachel Schuldt

Arrow Rock

No abstract provided.

Indian Winter 1, Michelle Gilligan

Arrow Rock

No abstract provided.

The Representation Of Non-Traditional Bodies, Elizabeth J. Perkins

Undergraduate Theses—Unrestricted

My work largely addresses the close-minded Western ideals of the human body, particularly those related to females. Stemming from struggles with my own sense of security, I strive to create accessible works of art that both challenge and expand these ideals by representing figural imagery beyond such social constraints. Though my works may seem to serve the purpose of mockery at first, the urgency of the issues portrayed becomes apparent as the pieces are studied more carefully. I explore how exposure, vulnerability, grotesqueness, and intimacy within my work serve as a means to expand our cultural ideals for the human …

Repeated Impressions, Shasta Krueger

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

MFA Shasta Krueger Creative Project

10-42, Blake Fields

Arrow Rock

No abstract provided.

Silk, Isaac White

Arrow Rock

No abstract provided.

St. Valentine, Isaac White

Arrow Rock

No abstract provided.

Founder’S Rest, Emma Verstraete

Arrow Rock

No abstract provided.

About To Melt The Sky, Mai Urai

Arrow Rock

No abstract provided.

What Is The True Color, Mai Urai

Arrow Rock

No abstract provided.

Reflections On A Collection: Revisiting The Uwm Icons Fifty Years Later, Laura Jean Louise Sims

Theses and Dissertations

The University of Wisconsin–Milwaukee Art Collection is home to a sizable donation of Byzantine and post-medieval icons and liturgical objects. Central to this thesis exhibition catalogue are the thirty-two Greek and Russian icons from this collection and their history with collector Charles Bolles Bolles-Rogers. Reflections on a Collection: Revisiting the UWM Icons Collection Fifty Years Later contextualizes the history of icon collecting in the United States and examines the collecting history of these icons.

By first focusing on icon collecting and scholarship in Greece and Russia towards the end of the nineteenth and into the twentieth centuries, this catalogue traces …

Mfa15 (Mfa 2015), Sam Fox School Of Design & Visual Arts, Mildred Lane Kemper Art Museum, Heather Corcoran, Patricia Olynyk, Andrea Coates, Margaux Crump, Brandon Daniels, Addoley Dzegede, Vita Eruhimovitz, Carling Hale, Amanda C F Helman, Michael A. Helms, Ming Y. Hong, Sea A Joung, Stephanie E. Kang, Dayna J. Kriz, Thomas C. Moore, Jacob Muldowney, Laurel Panella, Caitlin Penny, Eric Lyle Schultz, Jeremy Shipley, Emmeline Solomon, Kellie Spano, Michael A. Williams, Austin R. Wolf

Books and Monographs

Catalogue of a culminating student exhibition held at the Mildred Lane Kemper Art Museum, May 1 - August 2, 2015 . Introduction / Heather Corcoran and Patricia Olynyk -- Diana Casanova / Emily J. Hanson -- Andrea M. Coates : in the operating theater / Stephanie Dering -- Margaux Crump -- Brandon Daniels -- Addoley Dzegede : do you prefer answers or truth? / Aaron Coleman -- Vita Eruhimovitz -- Carling Hale -- Amanda Helman -- Mike Helms / Ming Ying Hong -- Ming Ying Hong / Emily J. Hanson -- Sea A Joung / Ervin Malakaj -- Stephanie Kang …

Creative Concentrations: A Secondary Design Curriculum, Linnea Roberta Gustafson

Masters Theses

Design education, as distinct from art education, has been overlooked as an area of student learning, creative expression, and career potential. This thesis explores the benefits of design education for students at the secondary level, when identities are being formed and areas of future study and work are considered. Guided by the newly published National Core Arts Standards, this paper provides a model design curriculum that introduces secondary students to a design-oriented view of the world, explores design principles through real-world applications, and calls attention to professional career options.

All lessons in the curriculum encourage creative approaches to solving design …

Choice--‐Based Art: Students Who Create, Not Replicate, Hillary K. Moczerad

Masters Theses

The problem that I researched in today’s art education world is how to teach our art students to be problem solving, confident, independent thinkers. It seems that in a classroom that is supposed to be full of innovation and creativity, it is currently falling flat. Through research, I discovered a teaching methodology called Choice-­‐Based Art that claims to eliminate these problems in the art room through student-­‐directed learning and choice while still delivering art curriculum. In order to test these theories, I aligned my classroom with the demands of the methodology and planned a field test with two groups of …

2015 Forces, Scott Yarbrough

Forces

No abstract provided.

Creative Expression And Dementia, Danielle A. Lavee-Dixon

Senior Theses

Art is the expression or application of human creative skills using that individual’s imagination. While most often taught amongst young people, I believe that art is a tool that can be used at all ages to promote reflection, pleasure, and personal passions. As a way to investigate the benefits of artistic expression amongst different groups of people, I have focused on the rewards achieved with art practiced by individuals living with dementia. Highlighting the difficulties a patient with dementia may encounter, and some of the benefits art can have on those patients; I was able to create art workshops that …

Macabre, Isaac White

Arrow Rock

No abstract provided.

Mother Nature, Isaac White

Arrow Rock

No abstract provided.

Shower Of Light, Haruka Kawata

Arrow Rock

No abstract provided.