Arts and Humanities Commons^™

The Christus In Context: A Photo Essay, John W. Welch

BYU Studies Quarterly

Among the many good reasons to go to Copenhagen, Denmark, is to experience firsthand the famous Christus statue by Bertel Thorvaldsen (1770–1844) in the Vor Frue Kirke (The Church of Our Lady), the Lutheran Cathedral of Copenhagen. While this classic sculpture of Christ, in stunning white Carrara marble, would be impressive in any setting, it is especially meaningful and emotive in its original architectural setting.

Book Review: Constructing An Avant Garde: Art In Brazil, 1949-1979 By S. Martins, Michael Leggett

Faculty of Law, Humanities and the Arts - Papers (Archive)

To anyone unfamiliar with the interventions made by avant-garde artists into the art world and occasionally wider society during the middle of the 20th century, this volume delivers a very readable account. The artists, the objects they made and the discussions they generated are selected here in relation to the particular practices and contexts emergent in Brazil following the chaos of World War II (during which the country remained neutral). In keeping with a historiographical approach—rather than an art historical account—the author introduces an initial group of Brazilian artists attracted to ideas concerned with the nature of the object in …

Travels With My Art: Moya Dyring And Margaret Olley, Melissa J. Boyde

Faculty of Law, Humanities and the Arts - Papers (Archive)

Moya Dyring (1909–1967) was born in Melbourne where she studied at the National Art School. After a successful solo show of her early experimental cubist paintings, she travelled to France where she remained for most of her life. From 1949 Dyring lived in an apartment/studio on the Ile Saint-Louis, a small island on the Seine behind Notre Dame. The apartment became widely known as Chez Moya - an Australian salon in the heart of Paris. Over the next two decades Dyring hosted a transient coterie of Australian artists at Chez Moya. Margaret Olley was one of the young artists who …

Voices Of The Exhibition:The Rise Of Ekphrasis During The 20th Century Through Imagism And Visual Art Museums, Zachary Stephen Moore

Browse all Theses and Dissertations

The purpose of this research is to identify main causes for the expansion of ekphrastic poetry during the 20th century and how it became a more widely used genre. The goal is to show how ekphrasis contributed to the growth of the interdisciplinary partnership between museums and poets. By evaluating two factors that led to a growing interest in the genre and increased accessibility to poetry and the visual arts. This is done by looking at ekphrastic work by Imagist poets like Ezra Pound, Richard Aldington and H.D. as well as the growth of 20th century museum accessibility and educational …

The Quiet Conversation, Samantha Weisend

Williams Honors College, Honors Research Projects

No abstract provided.

Lonely Monsters, Patricia Davis

Electronic Theses and Dissertations

Lonely Monsters is a full-length feature screenplay that explores the ways in which a classic damsel narrative may be reconsidered. It offers ideas on how death and girlhood may find symmetry. The characters within Lonely Monsters deal with loss, identity of the self versus the world's ideas on self-identity, place, gender, and class. Utilizing the elements of a fairy tale, the narrative seeks to complicate the roles of gender in a cautionary tale. Set in the fictional Florida town of Puerto Palmera, an economic divide between the Estates and the Glades makes for a ripe, troublesome environment for a foul …

Art As A Tool To Communicate Science, Jillian Pelto

Honors College

My thesis explores effective ways to communicate science through art. My main goal is to illustrate significant environmental issues in a way that engages people emotionally, as well as intellectually. Researchers need a means of sharing fascinating things to broaden people’s horizons on science. In order to gain inspiration and ideas, I have researched and discussed a wide range of artists, past and present. This exploration has fueled the content of the body of artwork I have developed throughout this project.

Aggro Duality, Michael B. Lesh

Electronic Theses and Dissertations

Aggro Duality features sculptures inspired by skateboarding and custom–automobile cultures. This body of work is inspired by the manufacturing process, physicality of materials, individual aesthetic, and attention to craft. Each sculpture in Aggro Duality is created through intensive construction techniques that aim to modify materials into a unified form; which indicate a combination, a duality of mechanical and organic coexistence. Within the skateboarding and custom/automobile cultures there is an aggressive attitude that pushes individuals above and beyond boundaries of traditional standards, meaning, and styles. These cultures intend to create products that are dramatic, personalized, and stand-out from the norm. This …

Clay As A Spiritual Practice, Kat Mciver

International Journal of Transpersonal Studies

art, expressive arts, spiritual practice, clay, clay as a spiritual practice, art therapy, Mary Magdalene, interior light, surrender, Divine Presence

Altered States Of Consciousness And Creative Expression, Micah Linton

International Journal of Transpersonal Studies

Hypnagogia, a state of consciousness between wakefulness and sleep, provides a palette where conscious awareness intertwines with dream images. This state is compared with synesthesia, the imaginal realm, and Jung's active imagination process as inspiration for artistic creation.

Alchemy Series, Ellen Questel

International Journal of Transpersonal Studies

As medieval alchemists did not distinguish between psyche and matter, so too the artist, the images, and the materials of art are partners in the process of revealing. The artist shares her process of working with the archetypal images presented here.

Fallen/Lifted, Hillary Waters Fayle

Theses and Dissertations

I use found botanical material such as leaves, seedpods, and branches to explore human connection to the physical world. By combining these organic objects with the rich traditions of needlecraft, I bind nature and the human touch. Both tender and ruthless, this intricate stitch work communicates the idea that our relationship with the natural world is both tenuously fragile and infinitely complex.

The way I think about and make art mirrors the way I think about my life and how I walk through the world. What I do is about elevating details. It is about noticing cycles and connections. It …

Dispersal: A Multidisciplinary Investigation Of Plant Life, Alexandra E. Arzt

Theses and Dissertations

Using plants as a basis for exploring the interstices between the human and nonhuman, this thesis investigates ideas of awareness, intelligence, deep time, animism, and the fluctuating human perception of the agency of Nature. It outlines environmental art practices since the 1950s involving vegetal life. In addition, the paper provides a critical analysis of plant perception of Jakob von Uexküll’s work and theories of vital materialism and “critical plant studies” while noting recent studies in plant neurobiology. In my work, plants become active participants via their movement, seeding, and smell. This study takes the form of imitation, purposeful symbiosis, anthropomorphism, …

Contemporary Kitsch: An Examination Through Creative Practice, Sally Stewart

Theses: Doctorates and Masters

This exegesis examines the theoretical concept of contemporary kitsch within a creative practice that incorporates sculptural and installation art. Kitsch is a distinct aesthetic style. Once designated to the rubbish bin of culture, kitsch was considered to be low class, bad taste cheap fakes and copies (Greenberg, 1961; Adorno & Horkheimer, 1991; Calinescu, 1987; Dorfles, 1969). I argue, however, that this is no longer the case. This research critically examines the way in which contemporary kitsch now plays a vital and positive role in social and individual aesthetic life.

Although there are conflicting points of view and distinct variations between …

Double Zero, Anthony Earl Smith

Theses and Dissertations

This thesis follows the trajectory of my artistic practice over the past two years, which has led to the installation of my thesis exhibition titled, Double Zero. I hope to position the work among its art and cultural terms by exploring how I have expanded my research concerning Situationist and Marxist theory as well as developed a broader photographic studio practice driven by material experimentation, play, and an investigation into how we live and interact with commodities through media.

Postcession, Evan D. Pomerantz

Theses and Dissertations

This is a series of daily writings. Each day consists of a new topic and is closed at the end of the day. The ideas presented are philosophical, humorous, rambling, lamentations, incantations, doubt-ridden, aesthetic pep talks which combine into an affective representation of my studio practice’s becoming. There will be little congruency, some stories, and a lot of parallels because that is who I am.

She Pricked Her Finger, Veronica Kay Hallock

LSU Master's Theses

She Pricked Her Finger transports the viewer into a landscape of the bucolic and the macabre. Large scale sculptures and drawings create a panorama-environment which explores ideas of familial and geographical identity through themes of mortality and loss. Her work utilizes a self-generated folktale as a vehicle for expressing her experiences with new landscapes and many family deaths. Ultimately Veronica’s work reconciles the transition of home; the journey we take from our childhood home to the new homes we build.

Maine Museums

Maine Policy Review

This map and listing of Maine museums by location shows some of the many museums in the state, classified as history, art, mixed (e.g., art + history), and other. The list of museums and historical societies is adapted from one provided by Maine Archives & Museums and is not an exhaustive list of all museums. The map was produced with support from the Spatial Informatics group in the School of Computing and Information Science, University of Maine.

More Is The Same, Tyler Reeves Nansen

Graduate Student Theses, Dissertations, & Professional Papers

Nansen, Tyler, M.F.A. Spring 2015

More Is The Same

Chairperson: Associate Professor Trey Hill

More is the Same is the result of my examination of the perception of space in relation to architecture and landscape. By embracing modern concepts of the grid, formalism and design, this compilation of personal experiences and memories, manifests as post-minimal sculptures. However, when considering the hierarchy of importance in my work this involves pure visual perception over any specific narrative. The final product is an exhibition which elicits a perceptual experience for its viewer.

My work is about space and the creation of visual interactions, …

Visual Phallacies, John Howard Cummings

Electronic Theses and Dissertations

Roland Barthes wrote that only after removing all of the author's intentions and traces can a work of art truly be perceived by viewers fairly (Barthes). A viewer's perception of the world is influenced by his or her individual subjective history, which is the product of his or her own experiences. But as the author of ceramic work, my influence is ever-present. Clay records every push, pull, spank, squeeze, and poke. It fully records its physical history and as well as my actions upon it. This thesis exhibition asks the question: Can a viewer de-contextualize familiar-but-contentious subject matter and be …

There's No Place Like Home, Stacey Lynn Rathert

Electronic Theses and Dissertations

I grew up on a farm in Northeast Kansas, under a big sky that had open views of the fields, pastures, and farmsteads. During that upbringing I learned about hard labor as well as work ethic, and what it took to survive in an often harsh and unforgiving environment. It is these experiences from my formative years, in that environment, where most of the driving force behind my artwork is derived. The work materializes as objects and narratives in sculptural manifestations. The themes range from domestic activities taught to me by the women in my life, to the hands-on, “dirty” …

The Hidden Level In Space And Time: The Vertical Shaft In The Royal Tombs Of The Zhongshan Kingdom In Late Eastern Zhou (475–221 Bce) China, Jie Shi

History of Art Faculty Research and Scholarship

Among the best preserved royal tombs in early China, the tombs of the Zhongshan state (dated to the late fourth to early third centuries bce) in present-day Pingshan county each featured a concealed earthen shaft in the middle of the tomb. Constructed with rammed earth, this gigantic

structure was located above the underground burial chamber, where the deceased’s casket and body were located, and below the freestanding offering hall that housed the deceased’s soul. Although this empty shaft would eventually be buried and become invisible, it was carefully embellished and sometimes even decorated with false architectural elements. What role did …