Arts and Humanities Commons^™

Life Without A Primary Text: The Hydra In Adaptation Studies, Jennifer Jeffers

Jennifer M. Jeffers

From All Quiet on the Western Front and Gone with the Wind to No Country for Old Men and Slumdog Millionaire, many of the most memorable films have been adapted from other sources. And while courses on film studies are taught throughout the world, The Pedagogy of Adaptation makes a strong case for treating adaptation studies as a separate discipline. What makes this book unique is its claim that adaptation is above all a creative process and not simply a slavish imitation or reproduction of an 'original.'

Britain Colonized: Hollywood's Appropriation Of British Literature, Jennifer Jeffers

Jennifer M. Jeffers

Britain Colonized analyzes how and why filmmakers use clichéd Hollywood formulas and American cultural standards when adapting British literature. The films discussed in this book are evidence of the way one nation remakes another, often in the image of itself or what it needs the Other to be (as the British Empire once did). Reterritorialization on the part of Hollywood manifests American cultural and capitalist hegemony over the English speaking world. Britain Colonized identifies the phenomena portending the future of British and Anglophone literary and cultural studies as a group of citations appropriated for American ends.

Heroines Of Film And Television: Portrayals In Popular Culture, Carol Savery, Maja Bajac-Carter, Bob Batchelor

Carol Savery

As portrayals of heroic women gain ground in film, television, and other media, their depictions are breaking free of females as versions of male heroes or simple stereotypes of acutely weak or overly strong women. Although heroines continue to represent the traditional roles of mothers, goddesses, warriors, whores, witches, and priestesses, these women are no longer just damsels in distress or violent warriors.

In Heroines of Film and Television: Portrayals in Popular Culture, award-winning authors from a variety of disciplines examine the changing roles of heroic women across time. In this volume, editors Norma Jones, Maja Bajac-Carter, and Bob Batchelor …

Screen Production Enquiry: A Study Of Five Australian Doctorates, Susan Kerrigan, Leo Berkeley, Sean Maher, Michael Sergi, Alison Wotherspoon

Michael Sergi

Within Australian universities, doctoral research in screen production is growing significantly. Two recent studies have documented both the scale of this research and inconsistencies in the requirements of the degree. These institutional variations, combined with a lack of clarity around appropriate methodologies for academic research through film and television practice, create challenges for students, supervisors, examiners and the overall development of the discipline. This paper will examine five recent doctorates in screen production practice at five different Australian universities. It will look at the nature of the films made, the research questions the candidates were investigating, the new knowledge claims …

Human Trafficking And Film: How Popular Portrayals Influence Law And Public Perception, Jonathan Todres

Jonathan Todres

No abstract provided.

Manual Of Arms, Kate Walker

Kate Walker

“Manual of Arms” is a video project of a choreographed performance where 16 women perform a series of moves based on drill routines. Questions are raised in the work about the roles and relationships between sports, gender and guns in this culture. The project involved weeks of rehearsal, culminating in a videoed performance involving students and faculty from the Department of Art.

Boost Or Blight?’ Graffiti Writing And Street Art In The ‘New’ New Orleans, Doreen Piano

Doreen M Piano

Before the storm, responses to graffiti writing and street art in New Orleans were typical of other urban environments where it was viewed as being “out of place” (Keith, 1999), “a spectacle of filth” (Conquergood, 2004), involving what Ferrell (1993, p. 37) describes as a “war of the walls.” David (2005) describes the political aspects of street art in New Orleans as “visual resistance” (p. 233), a term that captures relations of power among graffiti producers, their products, and the effects of their actions (p. 233). However, attempts to eliminate graffiti and street art by enforcing stricter penalties, encouraging neighborhood …

Commercial Content Moderation: Digital Laborers' Dirty Work, Sarah T. Roberts

Sarah T. Roberts

In this chapter from the forthcoming Intersectional Internet: Race, Sex, Class and Culture Online (Noble and Tynes, Eds., 2016), I introduce both the concept of commercial content moderation (CCM) work and workers, as well as the ways in which this unseen work affects how users experience the Internet of social media and user-generated content (UGC). I tie it to issues of race and gender by describing specific cases of viral videos that transgressed norms and by providing examples from my interviews with CCM workers. The interventions of CCM workers on behalf of the platforms for which they labor directly contradict …

Peak Oil And Transition: The Making Of A Documentary Video, John A. Duvall

John Duvall

Many scientists and academics have raised serious concerns regarding the depletion of fossil fuels—especially the peaking of oil production—and its impact upon society. According to these researchers, oil for transportation and production will soon become expensive and scarce, and known alternative sources of energy will be insufficient to make up the difference within the required time frame. Therefore, world civilization (and the United States in particular) will soon undergo a crisis in energy supply that will have significant impacts on the structure of community life, economic wellbeing, political organization, and individual lifestyles. One response to these threats is to attempt …

Savage Messiah: Ken Russell's Forgotten Masterpiece, John A. Duvall

John Duvall

This paper presents an analysis of Savage Messiah, Ken Russell’s filmic biography of WWI-era artist and sculptor Henri Gaudier-Brzeska, evaluating its various aesthetic codes of meaning, and demonstrating how these codes contribute to a unified narrative structure. Particular attention is paid to the phenomenological elements of the cinematic narrative – image composition, art direction, color, motion, editing and sound – in order to reveal the sensuous core of the film as its method of thematic expression. We offer observations on the narrative’s deep structure in terms of symbolic references, on Russell’s visual techniques of characterization, and on how these elements …

Savage Messiah: Ken Russell's Forgotten Masterpiece, John A. Duvall

John Duvall

This paper presents an analysis of Savage Messiah, Ken Russell’s filmic biography of WWI-era artist and sculptor Henri Gaudier-Brzeska, evaluating its various aesthetic codes of meaning, and demonstrating how these codes contribute to a unified narrative structure. Particular attention is paid to the phenomenological elements of the cinematic narrative – image composition, art direction, color, motion, editing and sound – in order to reveal the sensuous core of the film as its method of thematic expression. We offer observations on the narrative’s deep structure in terms of symbolic references, on Russell’s visual techniques of characterization, and on how these elements …

Theorising Film-To-Game Adaptation, Scott Knight

Scott J. Knight

This paper investigates the intersection of ludic and cinematic forms and theories how games are adapted from films in the case of movie-licensed games. It proposes a series of film-to-game adaptation models which describe the practice of this type of adaptation based on structuralist approaches to adaptation theory, aesthetic game studies, and scholarship on transmedia storytelling.

Feminine Purity And Masculine Revenge-Seeking In Taken (2008), Casey Kelly

Casey R. Kelly

The 2008 film Taken depicts the murderous rampage of an ex-CIA agent seeking to recover his teenage daughter from foreign sex traffickers. I argue that Taken articulates a demand for a white male protector to serve as both guardian and avenger of white women's “purity” against the purportedly violent and sexual impulses of third world men. A neocolonial narrative retold through film, Taken infers that the protection of white feminine purity legitimates both male conquest abroad and overbearing protection of young women at home. I contend that popular films such as Taken are a part of the broader cultural system …

From Tawa'if To Wife? Making Sense Of Bollywood's Courtesan Genre, Teresa Hubel

Teresa Hubel

Introduction: Although constituting what might be described as only a thimbleful of water in the ocean that is Hindi cinema, the courtesan or tawa'if film is a distinctive Indian genre, one that has no real equivalent in the Western film industry. With Indian and diaspora audiences generally, it has also enjoyed a broad popularity, its music and dance sequences being among the most valued in Hindi film, their specificities often lovingly remembered and reconstructed by fans. Were you, for example, to start singing "Dil Cheez Kya Hai" or "Yeh Kya Hua" especially to a group of north Indians over the …

Yaari With Angrez: Whiteness For A New Bollywood Hero, Teresa Hubel

Teresa Hubel

This chapter comments on the relative insignificance of whiteness to Hindi film narratives, with white characters turning up, when they do, often as peripheral figures to create the effect of historical accuracy. It argues that in Hindi cinema, whiteness cannot function as it does in the West, where the legacy of imperialism has made it an unmarked category, whose invisibility allows it to function as a norm against which the aberration of racial others may be measured. In Indian films, whiteness is marked; and it is, increasingly, markedly white—to be resisted, or desired, or dismissed.

Carter G. Woodson: The Early Years, 1875 – 1903, Burnis Morris

Burnis R. Morris

When Carter G. Woodson departed West Virginia in 1903 for the Philippines and other distant datelines, few people other than Woodson himself could have imagined his final destination. He would eventually enjoin millions to follow his lead in promoting African Americans’ contributions in history; however, the scholarly people in Washington, where he settled in 1909, laughed at him and predicted failure.

The Creation Of Chronicity: An Institutional Case Study Of Social Policy And Severe Retardation In The Progressive Era, Philip Ferguson

Philip M. Ferguson

The theme of this volume is emerging issues in disability studies. To the extent that disability studies is a relatively new field, new issues are constantly emerging and the discipline could hardly be characterized as in a state of "normal science," to borrow a phrase from Thomas Kuhn. Too, since the field of disability studies is interdisciplinary, new issues constantly emerge as researchers synthesize concepts and approaches from various more traditional disciplines (e.g., sociology, political science, psychology, law).

Radio Interview On My Life And Career Focusing Esp. On My New Post As Director Of Education And Culture For The Los Angeles Greek Film Festival, Katerina Zacharia

Katerina Zacharia

No abstract provided.

Nelly's Iconography Of Greece, Katerina Zacharia

Katerina Zacharia

No abstract provided.

Public And Relational Communication Ethics In Political Communication: Integrity, Secrecy, And Dialogue In ‘The Contender’, Jon A. Hess, Joy Piazza

Jonathan A. Hess

There is no denying the omnipresence of media in the twenty-first century. One form of media that is particularly influential is film. Unlike print forms of entertainment, in which age and reading ability dictate accessibility, movies are accessible to virtually everyone. And, regardless of the producer's purpose for making the film, all movies provide an insight into our culture and the individuals who reside within it. Some movies are produced solely for entertainment value, but others seek to convey some type of message or to stimulate thought on the part of the viewer (Good & Dillon 2002; Kupfer 1999; Lipkin …

The Geography Of Reception: Why Do Egyptians Watch Turkish Soap Operas?, Necati Anaz

Necati Anaz

No abstract provided.

The Stars Of David, Eric B. Millman

Eric B Millman

The Stars of David is based on the true story of a woman whose love of baseball stood above all. Set in the midst of the Great Depression, Jackie Austin, disgusted by the chauvinistic expectations of her impoverished father, sets off on her own to play for whatever team that will have her. That team proves to be the barnstorming House of David Baseball Club, an ascetic religious commune struggling to regain past glory after a decade of tragedy and shame. Outsiders and freaks to the rest of the world, these new "Stars" of David must learn to work together …

The Psychology Of Abandon (Leveller's Press, 2015), Kirby Farrell Prof

kirby farrell

The download is a description of my new paperback, The Psychology of Abandon: Berserk Style in American Culture. The book investigates language and imagery of thinking that throws off inhibitions in pursuit of uncanny resources.

The Decline In Average Weekly Cinema Attendance, 1930-2000, Michelle C. Pautz

Michelle Pautz

Since the beginnings of the motion picture industry, with the one small Edison studio in New Jersey in the early 1900s, America has fallen in love with films. One could argue and debate the reasons, employing everything from sociology to psychology to economics; but one thing is certain: This love affair has changed over the years. This change is perhaps most evident in the decline in the percentage of the United States population that goes to the cinema weekly. One interesting aspect of cinema attendance is that during the Great Depression, which swept the United States in the 1930s, a …

Lawrence Baron. Projecting The Holocaust Into The Present: The Changing Focus Of Contemporary Holocaust Cinema (Book Review), Kathrin M. Bower

Kathrin M. Bower

Projecting the Holocaust is a valuable addition to extant scholarship on Holocaust cinema and offers a refreshingly inclusive and positive take on how feature films contribute to our understanding of history. In contrast to other surveys of Holocaust cinema, Baron includes films that focus on stories of perpetrators, non-Jewish victims, the experiences of the second generation, and neo-Nazi groups. This inclusivity is also evident in Baron's position that the Holocaust is not the property of specific countries or peoples and that its representation speaks to universal concerns about human civilization as well as to particular questions about national identities.

Outing Hybridity: Polymorphism, Identity, And Desire In Monika Trent's Virgin Machine, Kathrin M. Bower

Kathrin M. Bower

Monika Treut's 1988 film, Virgin Machine, offers a playful, self-ironizing look at the construction of sexual identities, utilizing the techniques specific to the filmic medium to create cuts and bridges between concepts, characters, and locations. In its portrayal of the passage and passages of the story's central character, Dorothe Muller, the film takes the viewer on a voyage of self-exploration and self-discovery that moves from one harbor city, Hamburg, and ends in another, San Francisco. The move between harbor cities carries associations of commerce and exchange, arrivals and departures, as well as the potential for import and export of goods …

Poem (Film Review), Kathrin M. Bower

Kathrin M. Bower

POEM is the feature-length debut for Ralf Schmerberg, a self-taught photographer and filmmaker known for his music videos of German bands Die Toten Hosen and Die Fantastischen Vier and his imaginative television commercials. Schmerberg and his collaborator, the writer Antonia Keinz, spent two years reading poetry to determine the final selection of 19 poems for the film project. The concept of creating a film devoted to visual interpretations of poetry was intriguing enough to attract big name actors, including Klaus Maria Brandauer, Meret Becker, Hannelore Elsner, Jürgen Vogel, and Hermann van Veen, as well as camera men who previously had …

,,Wahr Spricht, Wer Scahtten Spricht": Die Angst Vor Der Unbestimmbarkeit In Der Darstellung Des Holocaust, Kathrin M. Bower

Kathrin M. Bower

,,WER MIT den Juden kämpft, kämpft mit dem Teufel": So die Behauptung im Kommentar zu dem Film Juden ohne Maske, welcher vom Gaufilmstellenleiter Walter Böttcher im Auftrag des Reichspropagandaministeriums 1938 zusammengestellt wurde. Dieser Film sollte als Mittel der ,Volksaufkärung' über die Ziele und Beweggründe der nationalsozialistischen Politik fungieren und griff die antisemitische Fahne, die schon in der Münchener Ausstellung ,,Der ewige Jude" 1937 plakativ ausgehängt wurde, zielstrebig auf. Die Einsetzung dieses Filmes nach den Novemberpogromen im Jahr 1938 weist auf eine gezielte Taktik des Propagandaministeriums hin, vollendete Tatsachen nachträglich durch filmische Darstellungen zu rechtfertigen. Da die Nationalsozialisten die Bevölkerung aber …

Pretty Woman: 25 Ans De Mensonges Au Sujet De La Prostitution, Donna M. Hughes Dr.

Donna M. Hughes

No abstract provided.

Revisiting A Struggle: Port Kembla, 1938, Rowan Cahill

Rowan Cahill

A review and discussion of the 2015 documentary film 'Pig Iron Bob' (Producer/Director Sandra Pires). The focus of this film is the dramatic 2-month long boycott by Australian waterside workers in Port Kembla (NSW), 1938/39, of a cargo of Australian pig-iron bound for Japan. The workers took their action in protest against Japanese militarism and the Sino-Japanese War. The boycott enraged the conservative Australian government of the day which pulled out all stops to maintain its policy of appeasement towards Japan.