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Full-Text Articles in Arts and Humanities
Lawrence Baron. Projecting The Holocaust Into The Present: The Changing Focus Of Contemporary Holocaust Cinema (Book Review), Kathrin M. Bower
Lawrence Baron. Projecting The Holocaust Into The Present: The Changing Focus Of Contemporary Holocaust Cinema (Book Review), Kathrin M. Bower
Kathrin M. Bower
Projecting the Holocaust is a valuable addition to extant scholarship on Holocaust cinema and offers a refreshingly inclusive and positive take on how feature films contribute to our understanding of history. In contrast to other surveys of Holocaust cinema, Baron includes films that focus on stories of perpetrators, non-Jewish victims, the experiences of the second generation, and neo-Nazi groups. This inclusivity is also evident in Baron's position that the Holocaust is not the property of specific countries or peoples and that its representation speaks to universal concerns about human civilization as well as to particular questions about national identities.
Outing Hybridity: Polymorphism, Identity, And Desire In Monika Trent's Virgin Machine, Kathrin M. Bower
Outing Hybridity: Polymorphism, Identity, And Desire In Monika Trent's Virgin Machine, Kathrin M. Bower
Kathrin M. Bower
Monika Treut's 1988 film, Virgin Machine, offers a playful, self-ironizing look at the construction of sexual identities, utilizing the techniques specific to the filmic medium to create cuts and bridges between concepts, characters, and locations. In its portrayal of the passage and passages of the story's central character, Dorothe Muller, the film takes the viewer on a voyage of self-exploration and self-discovery that moves from one harbor city, Hamburg, and ends in another, San Francisco. The move between harbor cities carries associations of commerce and exchange, arrivals and departures, as well as the potential for import and export of goods …
Poem (Film Review), Kathrin M. Bower
Poem (Film Review), Kathrin M. Bower
Kathrin M. Bower
POEM is the feature-length debut for Ralf Schmerberg, a self-taught photographer and filmmaker known for his music videos of German bands Die Toten Hosen and Die Fantastischen Vier and his imaginative television commercials. Schmerberg and his collaborator, the writer Antonia Keinz, spent two years reading poetry to determine the final selection of 19 poems for the film project. The concept of creating a film devoted to visual interpretations of poetry was intriguing enough to attract big name actors, including Klaus Maria Brandauer, Meret Becker, Hannelore Elsner, Jürgen Vogel, and Hermann van Veen, as well as camera men who previously had …
,,Wahr Spricht, Wer Scahtten Spricht": Die Angst Vor Der Unbestimmbarkeit In Der Darstellung Des Holocaust, Kathrin M. Bower
,,Wahr Spricht, Wer Scahtten Spricht": Die Angst Vor Der Unbestimmbarkeit In Der Darstellung Des Holocaust, Kathrin M. Bower
Kathrin M. Bower
,,WER MIT den Juden kämpft, kämpft mit dem Teufel": So die Behauptung im Kommentar zu dem Film Juden ohne Maske, welcher vom Gaufilmstellenleiter Walter Böttcher im Auftrag des Reichspropagandaministeriums 1938 zusammengestellt wurde. Dieser Film sollte als Mittel der ,Volksaufkärung' über die Ziele und Beweggründe der nationalsozialistischen Politik fungieren und griff die antisemitische Fahne, die schon in der Münchener Ausstellung ,,Der ewige Jude" 1937 plakativ ausgehängt wurde, zielstrebig auf. Die Einsetzung dieses Filmes nach den Novemberpogromen im Jahr 1938 weist auf eine gezielte Taktik des Propagandaministeriums hin, vollendete Tatsachen nachträglich durch filmische Darstellungen zu rechtfertigen. Da die Nationalsozialisten die Bevölkerung aber …