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Boost Or Blight?’ Graffiti Writing And Street Art In The ‘New’ New Orleans, Doreen Piano
Boost Or Blight?’ Graffiti Writing And Street Art In The ‘New’ New Orleans, Doreen Piano
Doreen M Piano
Before the storm, responses to graffiti writing and street art in New Orleans were typical of other urban environments where it was viewed as being “out of place” (Keith, 1999), “a spectacle of filth” (Conquergood, 2004), involving what Ferrell (1993, p. 37) describes as a “war of the walls.” David (2005) describes the political aspects of street art in New Orleans as “visual resistance” (p. 233), a term that captures relations of power among graffiti producers, their products, and the effects of their actions (p. 233). However, attempts to eliminate graffiti and street art by enforcing stricter penalties, encouraging neighborhood …
Graffiti Goes To The Movies: American Fictional Films Featuring Graffiti Artists/Writers And Themes, Jeffrey Ian Ross Ph.D.
Graffiti Goes To The Movies: American Fictional Films Featuring Graffiti Artists/Writers And Themes, Jeffrey Ian Ross Ph.D.
Jeffrey Ian Ross Ph.D.
Since the early 1980s, in addition to the increase in graffiti and street art in many urban contexts, a number of movies have been made that have either examined this phenomenon and the people who engage in this activity, or used graffiti and street art as a backdrop to tell a story. This article briefly reviews the scholarly literature that examines movies that portray criminals and criminal actions, and then analyzes seven American-produced fictional (drama) films using graffiti writers/artists as major characters and then draws generalizations about them. Although this is not a semiotic analysis of the films, to the …