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Full-Text Articles in Arts and Humanities

No De Pablo Larrain. Reseña.Pdf, Ana M. Aguilera Dec 2016

No De Pablo Larrain. Reseña.Pdf, Ana M. Aguilera

Ana M. Aguilera

No abstract provided.


The Aesthetic Of Revolution In The Film And Literature Of Naguib Mahfouz, Nathaniel Greenberg Jul 2014

The Aesthetic Of Revolution In The Film And Literature Of Naguib Mahfouz, Nathaniel Greenberg

Nathaniel Greenberg

In the wake of the 1952 Revolution, Egypt’s future Nobel laureate in literature devoted himself exclusively to writing for film. The Aesthetic of Revolution in the Film and Literature of Naguib Mahfouz is the first full-length study in English to examine this critical period in the author’s career and to contextualize it within the scope of post-revolutionary Egyptian politics and culture. Before returning to literature in 1959 with his post-revolutionary masterpiece Children of the Alley, Mahfouz wrote or co-wrote some twenty odd scripts, many of them among the most successful in Egyptian history. He did so at a time when …


Technology And Culture: The Film Reader, Claudia Springer Apr 2013

Technology And Culture: The Film Reader, Claudia Springer

Claudia Springer

Technology and Culture: The Film Reader brings together key theoretical texts from more than a century of writing on film and technology. It begins by exploring the intertwined technologies of cinematic representation, reproduction, distribution and reception, before locating the technological history of cinema as one component of an increasingly complex technological culture. The selected articles encompass a range of disciplines, perspectives and methodologies, reflecting the multiplicity of contemporary approaches to technology. They are grouped into four thematic sections, each with an introduction by the editor: Origins and Evolution - examines the lineage of cinema's machines, while challenging the received notion …


Sport And Film (Routledge, 2013), Seán Crosson Dr. Apr 2013

Sport And Film (Routledge, 2013), Seán Crosson Dr.

Seán Crosson

The sports film has become one of commercial cinema's most recognizable genres. From classic boxing films such as Raging Bull (1980) to soccer-themed box-office successes like Bend it Like Beckham (2002), the sports film stands at the interface of two of our most important cultural forms. This book examines the social, historical and ideological significance of representations of sport in film internationally, an essential guide for all students and enthusiasts of sport, film, media and culture. Sport and Film traces the history of the sports film, from the beginnings of cinema in the 1890s, its consolidation as a distinct fiction …


Powerful Veiled Visions In A Neo-Patriarchal Iranian Cinema: A Study Of Tahminemilani’S Fifth Reaction (2003), Esmaeil Zeiny Dec 2012

Powerful Veiled Visions In A Neo-Patriarchal Iranian Cinema: A Study Of Tahminemilani’S Fifth Reaction (2003), Esmaeil Zeiny

Esmaeil Zeiny

Films about ‘women’s issues’ and their importance in Iran have not been paid in-depth attention in scholarly works. These films are labeled as political as they challenge the institutions and values of patriarchy in Iranian society. In recent years, Iranian women filmmakers have produced an impressive body of work and they have won a number of international awards. These filmmakers carved a niche despite all the restrictions imposed by patriarchal strictures. However, these filmmakers are still facing difficulties in making their films as the political fortunes of the conservatives and reformers continue to ebb and flow. TahmineMilani is one of …


Dossier Chris Marker: The Suffering Image, Gavin W. Keeney Dec 2012

Dossier Chris Marker: The Suffering Image, Gavin W. Keeney

Gavin W Keeney

Dossier Chris Marker is a study of a late-modern chiasmus, impersonal-personal agency, as it comes to expression in the works of French artist and filmmaker Chris Marker as the dynamic interplay of political and subjective agency. As chiasmus, the complementary halves of this often-apocalyptic dynamis (a semi-catastrophic, temporal or historical force-field) also – arguably – secretly agree to meet, through the work of art, in the futural. Consistent with the classical figure of concordia discors, these irreducible warring aspects of life experience are, in fact, resolved in an atemporal and ahistorical moment that inhabits the work of art from its …


“Croke Park Goes Plumb Crazy”: Pathé Newsreels And Gaelic Games, 1920-1939, Seán Crosson Dr., Dónal Mcanallen Dr. Jan 2011

“Croke Park Goes Plumb Crazy”: Pathé Newsreels And Gaelic Games, 1920-1939, Seán Crosson Dr., Dónal Mcanallen Dr.

Seán Crosson

(Co-written with Dónal McAnallen) From the establishment of the Irish Free State in 1922, and over the next two decades, arose great efforts in Ireland to augment political independence from Britain with enhanced cultural separation. During this period the Gaelic Athletic Association (GAA) enjoyed a boom in numbers of players and supporters, thus confirming hurling and Gaelic football as the definitively Irish national games and the association itself as the most popular mass movement for the expression of independent Irish identity. Yet paradoxically, given the popular association of Gaelic games with Irish independence, nearly all footage of these games from …


Irish Intolerance: Exploring Its Roots In Irish Cinema, Seán Crosson Dr. Jan 2011

Irish Intolerance: Exploring Its Roots In Irish Cinema, Seán Crosson Dr.

Seán Crosson

This article examines the depiction of intolerance in Irish film just before and during the Celtic Tiger period itself, usually associated with the years 1995–2007. In particular, the paper is concerned with exploring how Irish filmmakers sought to identify the roots of contemporary racism through an exploration of intolerance in Ireland’s past and towards long-resident minorities within Irish society, including the Traveller community and homosexuals. Films considered in this analysis include Korea (Cathal Black, 1995), A Man of No Importance (Suri Krishnama, 1995), Broken Harvest (Maurice O’Callaghan, 1995), The Last of the High Kings (David Keating, 1996), The Last Bus …


Gaelic Games And “The Movies”, Seán Crosson Dr. Jan 2009

Gaelic Games And “The Movies”, Seán Crosson Dr.

Seán Crosson

From the earliest days of the cinema, sport was one of the most popular subjects of representation. Unsurprisingly, when film arrived in Ireland, Irish sport, including gaelic games, would soon feature. Gaelic games were exhibited in both actualities and newsreel, even if many of these, particularly between the wars, would emerge from foreign companies, often with a strong British bias. However, it is difficult to definitively identify a distinct genre of Irish sports film per se – outside of documentary - and indeed few Irish fiction films that feature sport at all, and still less that feature gaelic games. However, …


Suicidal Tendency Among Students, Shaifali Rachna Puri Sep 2006

Suicidal Tendency Among Students, Shaifali Rachna Puri

Shaifali rachna Puri

   Concern from parents, professionals, and the populace at large about the impact of the Mass Media on children and adolescents has grown steadily over recent years. Recent events, most prominently the school murders and a continuous increase in the crimes by the adolescents have drawn attention to the volatile confluence of culture and psychopathology. It has become imperative for clinicians to understand the role of media exposure on children in order to diagnose and treat behavioral problems as well as to prevent further tragedies and disorders in the personality of the adolescents. 
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Between The Sun And Japan: An Inter-National Ethics Of Cinema / 『太陽』と日本のあいだ 映画におけるインターナショナルな倫理, Aaron Gerow Dec 2005

Between The Sun And Japan: An Inter-National Ethics Of Cinema / 『太陽』と日本のあいだ 映画におけるインターナショナルな倫理, Aaron Gerow

Aaron Gerow

This article considers how Alexandr Sokurov’s film The Sun (Solntse, 2005) approaches the problem of representing the nation by foregrounding the issue of the ethics of representing a foreign country—in this case, the Shōwa emperor Hirohito. This becomes a cinematic problem because of the way the Japanese emperor, in films ranging from The Last Samurai to The Emperor, the Empress, and the Sino-Japanese War, has often been treated as an object or subject of the gaze. Focusing on the mismatched gazes in the film, this article finds the spectator floating between the two gazes or between the seer …