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Articles 1 - 30 of 856
Full-Text Articles in Arts and Humanities
Made In Movieland: Imitation, Agency, And Girl Movie Fandom In The 1910s., Diana Anselmo-Sequeira
Made In Movieland: Imitation, Agency, And Girl Movie Fandom In The 1910s., Diana Anselmo-Sequeira
Diana Anselmo-Sequeira
This article uses the key concept of imitation as a frame through which I explore the complex relationship established between a burgeoning American film press and the first generation of girls to be culturally construed as “adolescent” and “movie fans.” Interlacing early-twentieth-century psychology literature with commercial print sources and girls’ own fan testimonies, I set out to investigate the ways imitation became a source of agency for movie-loving girls at a time popular and scientific sources understood imitative behavior as both a mark of women’s intellectual inferiority and a product of female adolescent arrestment. The goal of this piece is …
How To Help When It Hurts? Think Systemic, Corey L. Wrenn Ph.D.
How To Help When It Hurts? Think Systemic, Corey L. Wrenn Ph.D.
Corey Lee Wrenn, PhD
To resolve a moral dilemma created by the rescue of carnivorous species from exploitative situations who must rely on the flesh of other vulnerable species to survive, Cheryl Abbate applies the guardianship principle in proposing hunting as a case-by-case means of reducing harm to the rescued animal as well as to those animals who must die to supply food. This article counters that Abbate’s guardianship principle is insufficiently applied given its objectification of deer communities. Tom Regan, alternatively, encouraged guardians to think beyond individual dilemmas and adopt a measure of systemic reconstruction, that being the abolition of speciesist institutions (The …
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From Family Reintegration To Carnivalistic Degradation: Dismantling Soviet Communal Myths In Russian Cinema Of The Mid-1990s, Alexander V. Prokhorov
From Family Reintegration To Carnivalistic Degradation: Dismantling Soviet Communal Myths In Russian Cinema Of The Mid-1990s, Alexander V. Prokhorov
Alexander Prokhorov
No abstract provided.
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Revisioning Aleksandrov’S Circus: Seventy Years Of The Great Family, Alexander V. Prokhorov
Revisioning Aleksandrov’S Circus: Seventy Years Of The Great Family, Alexander V. Prokhorov
Alexander Prokhorov
No abstract provided.
Size Matters: The Ideological Functions Of The Length Of Soviet Feature Films And Television Mini-Series In The 1950s And 1960s, Alexander V. Prokhorov
Size Matters: The Ideological Functions Of The Length Of Soviet Feature Films And Television Mini-Series In The 1950s And 1960s, Alexander V. Prokhorov
Alexander Prokhorov
No abstract provided.
Reconfiguring The War And Family Tropes In Thaw-Era Homefront Melodrama, Alexander V. Prokhorov
Reconfiguring The War And Family Tropes In Thaw-Era Homefront Melodrama, Alexander V. Prokhorov
Alexander Prokhorov
This two-volume reader is intended to accompany undergraduate courses in the history of Russian cinema and Russian culture through film. Each volume consists of newly commissioned essays, excerpts from English language criticism and translations of Russian language essays on subtitled films which are widely taught in American and British courses on Russian film and culture. The arrangement is chronological: Volume one covers twelve films from the beginning of Russian film through the Stalin era; volume two covers twenty films from the Thaw era to the present. General introductions to each period of film history (Early Russian Cinema, Soviet Silent Cinema, …
The Diamond Arm. Brilliantovaia Ruka, Alexander V. Prokhorov
The Diamond Arm. Brilliantovaia Ruka, Alexander V. Prokhorov
Alexander Prokhorov
This two-volume reader is intended to accompany undergraduate courses in the history of Russian cinema and Russian culture through film. Each volume consists of newly commissioned essays, excerpts from English language criticism and translations of Russian language essays on subtitled films which are widely taught in American and British courses on Russian film and culture. The arrangement is chronological: Volume one covers twelve films from the beginning of Russian film through the Stalin era; volume two covers twenty films from the Thaw era to the present. General introductions to each period of film history (Early Russian Cinema, Soviet Silent Cinema, …
A Person Is Born: Stalinist Myth Of The Great Family In Film Genres Of The Thaw, Alexander V. Prokhorov
A Person Is Born: Stalinist Myth Of The Great Family In Film Genres Of The Thaw, Alexander V. Prokhorov
Alexander Prokhorov
Метафоры социального и кровного родства стали в последнее время едва ли не господствующей формой концептуанализации политического, экономического и культурного развития: от "ельцинской Семьи" до "питерского клана", от "Солдатских матерей" до "батяни-комбата", от "солнцевской братвы" до "дедовщины", наконец, от "Моей семьи" до кинодилогии о "Брате". Используя обширный исторический, социологический и культурологический материал, статьи, собранные в этой книге, пытаются объяснить привлекательность родственных связей и семейных уз. В первом томе сборника исследуются идеологические контексты существования семей, способы формирования семейных союзов, а также разнообразные бытовые тактики и половые стратегии семейной жизни. Во второй том вошли статьи, посвященные различным типам семейного воспитания детей, проблемам жизни …
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Cinema Of The Thaw (1953 – 1967), Alexander V. Prokhorov
Cinema Of The Thaw (1953 – 1967), Alexander V. Prokhorov
Alexander Prokhorov
This two-volume reader is intended to accompany undergraduate courses in the history of Russian cinema and Russian culture through film. Each volume consists of newly commissioned essays, excerpts from English language criticism and translations of Russian language essays on subtitled films which are widely taught in American and British courses on Russian film and culture. The arrangement is chronological: Volume one covers twelve films from the beginning of Russian film through the Stalin era; volume two covers twenty films from the Thaw era to the present. General introductions to each period of film history (Early Russian Cinema, Soviet Silent Cinema, …
Lenin’S Guard. Zastava Il’Icha, Alexander V. Prokhorov
Lenin’S Guard. Zastava Il’Icha, Alexander V. Prokhorov
Alexander Prokhorov
This two-volume reader is intended to accompany undergraduate courses in the history of Russian cinema and Russian culture through film. Each volume consists of newly commissioned essays, excerpts from English language criticism and translations of Russian language essays on subtitled films which are widely taught in American and British courses on Russian film and culture. The arrangement is chronological: Volume one covers twelve films from the beginning of Russian film through the Stalin era; volume two covers twenty films from the Thaw era to the present. General introductions to each period of film history (Early Russian Cinema, Soviet Silent Cinema, …
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