Open Access. Powered by Scholars. Published by Universities.®

Arts and Humanities Commons

Open Access. Powered by Scholars. Published by Universities.®

Selected Works

Film and Media Studies

Cinema

Seán Crosson

Publication Year

Articles 1 - 4 of 4

Full-Text Articles in Arts and Humanities

Sport And Film (Routledge, 2013), Seán Crosson Dr. Apr 2013

Sport And Film (Routledge, 2013), Seán Crosson Dr.

Seán Crosson

The sports film has become one of commercial cinema's most recognizable genres. From classic boxing films such as Raging Bull (1980) to soccer-themed box-office successes like Bend it Like Beckham (2002), the sports film stands at the interface of two of our most important cultural forms. This book examines the social, historical and ideological significance of representations of sport in film internationally, an essential guide for all students and enthusiasts of sport, film, media and culture. Sport and Film traces the history of the sports film, from the beginnings of cinema in the 1890s, its consolidation as a distinct fiction …


“Croke Park Goes Plumb Crazy”: Pathé Newsreels And Gaelic Games, 1920-1939, Seán Crosson Dr., Dónal Mcanallen Dr. Jan 2011

“Croke Park Goes Plumb Crazy”: Pathé Newsreels And Gaelic Games, 1920-1939, Seán Crosson Dr., Dónal Mcanallen Dr.

Seán Crosson

(Co-written with Dónal McAnallen) From the establishment of the Irish Free State in 1922, and over the next two decades, arose great efforts in Ireland to augment political independence from Britain with enhanced cultural separation. During this period the Gaelic Athletic Association (GAA) enjoyed a boom in numbers of players and supporters, thus confirming hurling and Gaelic football as the definitively Irish national games and the association itself as the most popular mass movement for the expression of independent Irish identity. Yet paradoxically, given the popular association of Gaelic games with Irish independence, nearly all footage of these games from …


Irish Intolerance: Exploring Its Roots In Irish Cinema, Seán Crosson Dr. Jan 2011

Irish Intolerance: Exploring Its Roots In Irish Cinema, Seán Crosson Dr.

Seán Crosson

This article examines the depiction of intolerance in Irish film just before and during the Celtic Tiger period itself, usually associated with the years 1995–2007. In particular, the paper is concerned with exploring how Irish filmmakers sought to identify the roots of contemporary racism through an exploration of intolerance in Ireland’s past and towards long-resident minorities within Irish society, including the Traveller community and homosexuals. Films considered in this analysis include Korea (Cathal Black, 1995), A Man of No Importance (Suri Krishnama, 1995), Broken Harvest (Maurice O’Callaghan, 1995), The Last of the High Kings (David Keating, 1996), The Last Bus …


Gaelic Games And “The Movies”, Seán Crosson Dr. Jan 2009

Gaelic Games And “The Movies”, Seán Crosson Dr.

Seán Crosson

From the earliest days of the cinema, sport was one of the most popular subjects of representation. Unsurprisingly, when film arrived in Ireland, Irish sport, including gaelic games, would soon feature. Gaelic games were exhibited in both actualities and newsreel, even if many of these, particularly between the wars, would emerge from foreign companies, often with a strong British bias. However, it is difficult to definitively identify a distinct genre of Irish sports film per se – outside of documentary - and indeed few Irish fiction films that feature sport at all, and still less that feature gaelic games. However, …