Arts and Humanities | Open Access Articles | Digital Commons Network™

The Fisher Piano Duo, Cedarville University

Guest Artists

No abstract provided.

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Music Convocation, Cedarville University

Faculty Recitals

No abstract provided.

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Elias Duo, Carlos Elias

Faculty Recitals

No abstract provided.

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The Effects Of Music Therapy On Individuals Suffering From Psychiatric Disorders: A Literature Review And Look Into Future Prospects, Zachary J. Krauss

B.A. in Music Senior Capstone Projects

Music therapy is a field of psychology and psychotherapy that exists under the broad field of study known as expressive arts therapy. This form of therapy is experiential in nature, and it gives participants vehicles through which they can tell their stories and share their emotions while actively exploring their thoughts. Music therapy can be used as a treatment for a myriad of psychological disorders. Anxiety, depression, bipolar disorder, PTSD, and schizophrenia are just a few of the disease states treated with these therapies, and music therapy has been proven to be effective as a treatment for each. In order …

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Robert Marcellus: The Art Of Clarinet Playing And Teaching, Jacob Ludwig

B.A. in Music Senior Capstone Projects

So few clarinetists are found to be an exceptional blend of both performer and pedagogue. Robert Marcellus exemplified this blend to a very high degree. From 1945 to 1973, Marcellus sustained a remarkable playing career as a clarinetist in two of the major orchestras in the United States, in addition to a professional teaching career spanning from 1959 to 1994. This project aims to prove the long-lasting impact of this master performer and pedagogue in the world of professional clarinet performance by means of his teaching. This has been preserved by two primary means, through recorded summer masterclasses held at …

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Enhanced By The Dance: A Guide To An Informed Interpretation Of Piano Literature Inspired By Nineteenth-Century Social Dances, Alicia Williams

B.A. in Music Senior Capstone Projects

The social dances of the seventeenth and eighteenth centuries consisted mainly of French court dances. Spread through the influence of King Louis XIV of France, the highly technical aristocratic dances reigned. The French Revolution, however, effectively extinguished all but the minuet when simpler dances took their place.

The social dances of the nineteenth century concentrated on pleasurable experience. While the minuet and other French court dances involved no more than the touching of the hands, the new couple dances allowed dancers to be in a close embrace. Participatory group dances were likewise revolutionary in that a person’s place or rank …

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