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Full-Text Articles in Arts and Humanities

Providing Objective Metrics Of Team Communication Skills Via Interpersonal Coordination Mechanisms, Celine De Looze, Brian Vaughan, Finnian Kelly, Alison Kay Sep 2015

Providing Objective Metrics Of Team Communication Skills Via Interpersonal Coordination Mechanisms, Celine De Looze, Brian Vaughan, Finnian Kelly, Alison Kay

Conference Papers

Being able to communicate efficiently has been acknowledged as a vital skill in many different domains. In particular, team communication skills are of key importance in the operation of complex machinery such as aircrafts, maritime vessels and such other, highly-specialized, civilian or military vehicles, as well as the performance of complex tasks in the medical domain. In this paper, we propose to use prosodic accommodation and turn- taking organisation to provide objective metrics of communica- tion skills. To do this, human-factors evaluations, via a coordi- nation Demand Analysis (CDA), were used in conjunction with a dynamic model of prosodic accommodation …


Tv Still Failing To Reflect Our Multicultural Society, Ian Kilroy Jan 2015

Tv Still Failing To Reflect Our Multicultural Society, Ian Kilroy

Articles

Irish television and media in 2015 still lacks diversity and does not reflect our multicultural society. An Op-Ed (opinion piece) in the Irish Times by a Dublin-based academic and lecturer in Technological University Dublin.


The Western Way: Democracy And The Media Assistance Model, Daire Higgins Jan 2015

The Western Way: Democracy And The Media Assistance Model, Daire Higgins

Articles

International media assistance took off during a time where the ideological extremes of USA vs. USSR were set to disappear. Following the Cold War, international relations focused on democracy building, and nurturing independent media was embraced as a key part of this strategy. Fukayama called it the ‘End of History’, the fact that all other ideologies had fallen and Western style democracy was set to become the one common ideology. The US and UK led the way in media assistance, with their liberal ideas of a free press, bolstered by free market capitalism. America was the superpower, and forged the …


Rationalizing Creativity—Rationalizing Public Service: Is Scheduling Management Fit For The Digital Era?, Ann-Marie Murray May 2013

Rationalizing Creativity—Rationalizing Public Service: Is Scheduling Management Fit For The Digital Era?, Ann-Marie Murray

Articles

In public broadcast organizations across Europe, scheduling has been transformed from a marginal, administrative activity to a highly strategic management tool (Hellman, 1999; Hujanen, 2002; Meier, 2003;Ytreberg, 2000) Ellis (2000)described it as “the locus of power in television,” organizing production and managing budgets (p. 26). The role of scheduling in public broadcast organizations today reflects the demands of increasing competition and political pressure for efficiency and accountability. However, new challenges have emerged in the transition from public service broadcasting to public service media (PSM). PSM providers must redefine their mission for the digital era and find …


Bullying In A New Ground: Cyberbullying Among 9-16 Year Olds In Ireland, Thuy Dinh, Brian O'Neill Feb 2013

Bullying In A New Ground: Cyberbullying Among 9-16 Year Olds In Ireland, Thuy Dinh, Brian O'Neill

Articles

This paper builds on the data collected in Ireland by the cross-national EU Kids Online II project- a large 25 country survey which investigated children’s experiences of the internet, focusing on issues of use, activities, risks, and safetyi . This article explores incidences, forms and consequences of cyberbullying among Irish children, as well as discussing possible prevention and intervention strategies.


Sheridan's Promising Tale Is Half Told, Ian Kilroy Jan 2013

Sheridan's Promising Tale Is Half Told, Ian Kilroy

Articles

Review of 'Break a Leg', the memoir by Irish theatre artist Peter Sheridan. First published in the Sunday Business Post Magazine.


Exposing England For Famine Wrongs, Ian Kilroy Nov 2012

Exposing England For Famine Wrongs, Ian Kilroy

Articles

A critical review of The Famine Plot by Tim Pat Coogan. Coogan blames English government policy for the Irish Famline.


Television In Ireland Before Irish Television: Nationalist Rhetoric And International Programming, Edward Brennan Nov 2011

Television In Ireland Before Irish Television: Nationalist Rhetoric And International Programming, Edward Brennan

Conference Papers

Typical of an international tendency, the history of television in Ireland has been framed by national boundaries. This paper argues that viewing the history of television solely through institutional sources and a nation state-bound perspective obscures transnational influences and homogenises diverse audience experiences. Moreover, such histories may serve to reproduce a limited range of types of nationalist rhetoric. The research presented here explores the history of television in Ireland through life story interviews. This reveals views of the nation, its global context and processes of social change quite different to those discussed in orthodox histories. Arguably, this shift in historical …


Lost In Translation: Interpreting And Presenting Dublin’S Colonial Past, Theresa Ryan, Bernadette Quinn Jul 2011

Lost In Translation: Interpreting And Presenting Dublin’S Colonial Past, Theresa Ryan, Bernadette Quinn

Conference papers

As Alderman (2010: 90) has recently written, the potential struggle to determine what conception of the past will prevail constitutes the politics of memory. This paper aims to investigate the politics of memory at play in determining how Dublin’s colonial heritage is constructed and represented to tourists. Dublin’s profile as a tourism destination has grown recently. It attracted 5.4 million visitors in 2009 (Fáilte Ireland 2010). Culture and heritage underpin both its touristic appeal and the city’s official efforts to represent itself as a destination. Much of Dublin’s most iconic built heritage is strongly associated with its development as a …


Obtaining Speech Assets For Judgement Analysis On Low-Pass Filtered Emotional Speech, John Snel, Charlie Cullen Jan 2011

Obtaining Speech Assets For Judgement Analysis On Low-Pass Filtered Emotional Speech, John Snel, Charlie Cullen

Conference papers

Investigating the emotional content in speech from acoustic characteristics requires separating the semantic con- tent from the acoustic channel. For natural emotional speech, a widely used method to separate the two channels is the use of cue masking. Our objective is to investigate the use of cue masking in non-acted emotional speech by analyzing the extent to which filtering impacts the perception of emotional content of the modified speech material. However, obtaining a corpus of emotional speech can be quite difficult whereby verifying the emotional content is an issue thoroughly discussed. Currently, speech research is showing a tendency toward constructing …


Not Seeing The Joke: The Overlooked Role Of Humour In Researching Television Production, Edward Brennan Jan 2011

Not Seeing The Joke: The Overlooked Role Of Humour In Researching Television Production, Edward Brennan

Articles

This article argues that humour can provide researchers with a unique access point into the professional cultures of media producers. By reconsidering an earlier case study, and reviewing relevant literature, it illustrates how humour can fulfil several functions in media production. Importantly, humour is a central means of performing the ‘emotional labour’ that increasingly precarious media work demands. For production research, the everyday joking and banter of media workers can provide an important and, heretofore, overlooked means of accessing culture, meaning, consensus and conflict in media organizations. The article argues that humour’s organizational role should be considered as a sensitizing …


Media Effects In Context, Brian O'Neill Jan 2011

Media Effects In Context, Brian O'Neill

Books/Book chapters

The media effects tradition occupies a hugely influential and dominant role within mainstream communications research. It is unquestionably the longest running tradition within the field of audience studies, spanning nearly its entire history, yet it continues to divide opinion, both methodologically and with regard to its fundamental approach towards the study of media audiences. Its influence extends well beyond the academy, and the powerful influence exerted by its research agenda on public and political understanding of the impact of media is perhaps one of its most significant achievements.


The Future Of Audience Research, Brian O'Neill Jul 2010

The Future Of Audience Research, Brian O'Neill

Conference Papers

ECREA roundtable The future of audience research IAMCR conference @ BRAGA July 21 14:30-16:00 Convenor: Nico Carpentier Institutional and critical perspectives on audience representation This contribution focuses on institutional and critical perspectives on audience representation, i.e., how audience experience is formally accounted for through institutional processes of research (media literacy indices for instance) or through representative bodies such as Audience Councils. In other words, an area of overlap between audience studies and public policy debates, advocating that researchers should try to make their findings more widely available and understood in professional media environments.


Beyond Europe: Launching Digital Radio In Canada And Australia, Brian O'Neill Jan 2010

Beyond Europe: Launching Digital Radio In Canada And Australia, Brian O'Neill

Books/Book chapters

Eureka 147 was, as we have argued throughout this volume, a European technology designed within the very particular context of European public service broadcasting (see also Rudin 2006; O'Neill 2009). At the same time, the consortitum behind DAB technology had the ambition that Eureka 147 would become the world standard for digital radio. DAB was indeed the first such technological system to achieve standardisation at the European Telecommunications Standards Institute (ETSI), and be recommended as a global standard for digital terrestrial sound broadcasting by the International Telecommunications Union (ITU).


Radio Broadcasting In Europe: The Search For A Common Digital Future, Brian O'Neill, Helen Shaw Jan 2010

Radio Broadcasting In Europe: The Search For A Common Digital Future, Brian O'Neill, Helen Shaw

Books/Book chapters

Europe’s radio is also characterised by a long history of being defined and driven by the state, in highly centralized fashion in the case of countries such as France (Meadel 1994), or indeed in former totalitarian regimes of Eastern Europe (Paulu 1974), and along more federal or devolved lines in countries such as Germany, Switzerland and the Netherlands (Kuhn 1985). The development of state broadcasting monopolies in most European countries, established in the early years of the twentieth century following the invention of sound broadcasting, has ensured that there is an enduring shared common ideological approach to radio broadcasting, which …


Sounding The Future: Digital Radio And Cd-Quality Audio, Brian O'Neill Jan 2010

Sounding The Future: Digital Radio And Cd-Quality Audio, Brian O'Neill

Books/Book chapters

Central to the early effort to win acceptance for DAB in the early 1990s was an extensive process of promotion of the many claimed advantages of the new broadcasting technology. Digital radio broadcasting under the Eureka 147 DAB project offered many technical enhancements – more efficient use of the spectrum, improved transmission methods, and lower running costs – features that were attractive to industry professionals, broadcasting organisations, regulators and spectrum planners. But digital radio was also designed as a consumer proposition offering audiences a new and improved listening experience with ease of tuning, reliable reception, text and data services, interactive …


A Political Economy Of Formatted Pleasures, Edward Brennan Jan 2010

A Political Economy Of Formatted Pleasures, Edward Brennan

Books/Book chapters

This chapter argues that, by promoting audience pleasures based in the pursuit of individual and materialistic goals, most television formats are consonant with a dominant orthodoxy which sees markets as the only way to organise society . This elective affinity between format pleasures and free market ideology, however, does not come about through deliberate design. Rather it is an unintended consequence of television production’s response to economic and practical necessity. In their form, content and production practices formats are pre-adapted to the demands of a globalised media market place. This commercial logic has given formats a peculiar signature in terms …


Developing Digital Radio For Ireland: Emerging Approaches And Strategies, Brian O'Neill Oct 2008

Developing Digital Radio For Ireland: Emerging Approaches And Strategies, Brian O'Neill

Conference Papers

Ireland’s experience of the transition from public service broadcasting to public service media has gathered pace within the last year with new legislative arrangements for media regulation, the awarding of digital terrestrial television licences and renewed attempts to introduce digital radio broadcasting on the DAB platform. The national public broadcaster, RTE, has played a central role in these developments as it attempts to manage a range of technology platforms and to provide media services for an increasingly diverse and complex market. This paper addresses the case of digital radio in Ireland and the prospects for a successful launch of DAB …


Dab Eureka-147: The European Vision For Digital Radio, Brian O'Neill May 2008

Dab Eureka-147: The European Vision For Digital Radio, Brian O'Neill

Conference Papers

The digitalisation of radio broadcasting has a long history and as a project has been under active consideration for at least 25 years. A number of different technical approaches to digital radio exist, the longest established of which is the so-called Eureka-147 or DAB (Digital Audio Broadcasting) system. This paper explores the ‘technological imaginary’ of DAB and its distinctly ‘European’ vision for new media and the future of broadcasting. It examines its origins in European R&D policy of the 1980s, and its affinity with European broadcasting practice, particularly within a public service tradition. Ironically, it was DAB’s failure to capitalise …


Back To The Future: The Emergence Of Contrasting European And Us Approaches To Digital Radio, Brian O'Neill Feb 2008

Back To The Future: The Emergence Of Contrasting European And Us Approaches To Digital Radio, Brian O'Neill

Conference Papers

Digital radio has been in development for over 25 years and yet is no nearer a point of successful adoption. This paper explores the emergence of contrasting European and American approaches to digital radio. The most established of these, Eureka-147 or Digital Audio Broadcasting (DAB), which originated in Europe, is contrasted with the so-called IBOC or /HD Radio approach, as alternative collective conceptualizations of how technology can bridge contemporary broadcasting practice to an ̳imagined‘ digital future. Drawing on the concept of ̳symptomatic technology‘ (Williams 1974), DAB‘s origins in European R&D policy of the 1980s and its affinity with established European …


Media Literacy And The Public Sphere: A Contextual Study For Public Media Literacy Promotion In Ireland, Brian O'Neill, Cliona Barnes Jan 2008

Media Literacy And The Public Sphere: A Contextual Study For Public Media Literacy Promotion In Ireland, Brian O'Neill, Cliona Barnes

Reports

This research documents the background to the development of media literacy as a matter of public policy, both within the European Union and internationally, and examines considerations that may be important in the emerging Irish debate on media literacy.


Digital Technologies And The Future Of Radio: Lessons From The Canadian Experience., Brian O'Neill Jul 2007

Digital Technologies And The Future Of Radio: Lessons From The Canadian Experience., Brian O'Neill

Conference Papers

This paper examines the position of digital radio in Canada. It examines the Canadian experience of digital radio development from its introduction in 1995 to the present and asks whether the approach adopted and the lessons learned provide useful models for application elsewhere. Three main strands form the background to digital radio’s current stage of development: firstly, the introduction and early support for Digital Audio Broadcasting or (DAB) in the mid 1990s; secondly, the response of the radio industry to the internet and new media as complementary to traditional radio broadcasting provision; and thirdly, the more recent experience of the …


Digital Radio Policy In Canada: Fragmentation Or Evolution Of The Medium, Brian O'Neill Jul 2007

Digital Radio Policy In Canada: Fragmentation Or Evolution Of The Medium, Brian O'Neill

Conference Papers

In December 2006, the Canadian Radio-Television and Telecommunications Commission (CRTC) issued its review of Digital Radio Policy. This replaced the transitional digital radio policy of 1995, and sought to implement a framework designed to support multi-platform digital radio broadcasting in an increasingly complex technological environment for the medium. Drawing on policy analysis, interviews and expert group perspectives, this paper traces the background to the legislative provision for digital radio development in Canada. While Canada was an early adopter of the Eureka-147 or Digital Audio Broadcasting (DAB), the policy of DAB as a replacement technology approach proved to be mistaken. Subsequent …


Digital Radio In Canada: From Dab To Multi-Platform Approaches., Brian O'Neill Apr 2007

Digital Radio In Canada: From Dab To Multi-Platform Approaches., Brian O'Neill

Conference Papers

This paper examines the position of digital radio in Canada. It examines the Canadian experience of digital radio development from its introduction in 1995 to the present and asks whether the approach adopted and the lessons learned provide useful models for application elsewhere. Three main strands form the background to digital radio’s current stage of development: firstly, the introduction and early support for Digital Audio Broadcasting or (DAB) in the mid 1990s; secondly, the response of the radio industry to the internet and new media as complementary to traditional radio broadcasting provision; and thirdly, the more recent experience of the …


Digital Radio Cultures In Europe: Progress To Date And Prospects For The Future:A Review Of Research Produced By Drace, Brian O'Neill, Stephen Lax Nov 2006

Digital Radio Cultures In Europe: Progress To Date And Prospects For The Future:A Review Of Research Produced By Drace, Brian O'Neill, Stephen Lax

Conference Papers

Digital Radio Cultures in Europe (DRACE), was established in 2004 under the COST Action A20 “The Impact of the Internet on Mass Media in Europe”. The original configuration of the COST A20 group included provision for an internet and music research group but this was re-focussed following a re-organisation in which DRACE was more formally incorporated. The group comprises 14 researchers with specific interests in radio from Norway, Finland, Denmark, Greece, Germany, Hungary, Portugal, Croatia, the United Kingdom and Ireland. The objective of the research group is to be at the forefront of empirical research on changes in radio cultures …


Experiences Of Interaction And Participation In Media Communication In A Digital Environment, Brian O'Neill Jul 2006

Experiences Of Interaction And Participation In Media Communication In A Digital Environment, Brian O'Neill

Conference Papers

Digital technologies, it is claimed, provide enhanced opportunities for interactivity and participatory engagement in media communication for ordinary audience members. Whether arising simply from the enhanced functionality offered to media consumers, or through utilising the various channels available to audiences to talk back to media providers, it would appear that audiences are empowered in new ways, previously unavailable in the analogue era. This paper examines what use ordinary audience members make of such opportunities. Drawing on a comparative study of layperson participation in broadcast media in three European countries (Norway, Portugal and Ireland), this paper presents findings from the study …


Layperson Participation On Radio And The Internet In Three European Countries, Brian O'Neill Apr 2006

Layperson Participation On Radio And The Internet In Three European Countries, Brian O'Neill

Conference Papers

Digital Radio Cultures in Europe (DRACE), the radio panel of the COST A20 action on The Impact of the Internet on Mass Media, has launched a qualitative research project in a number of European countries about participation in broadcast media among the public. The project involves a reception study and analysis, with a focus on experiences of interaction with the media, attitudes towards media participation and evaluations of the context for interactivity provided by digital technologies. This paper introduces the methodology and rationale of the study in the context of previous European studies. We start from the broad category of …


Digital Technologies And The Future Of Radio: Lessons From The Canadian Experience, Brian O'Neill Apr 2006

Digital Technologies And The Future Of Radio: Lessons From The Canadian Experience, Brian O'Neill

Conference Papers

This paper reports on an ongoing comparative study of the development of digital radio in Europe and Canada. Focussing on the Eureka 147 Digital Audio Broadcasting (DAB) platform in Canada, of which it was an early adopter, the paper examines the complex interaction of industry, government regulation and the difficulty of policy formation matching the pace of technology development. Based on interviews with leading radio professionals, the paper presents a critical review of the ‘transitional policy’ towards the digitalisation of radio and examines the international market pressures that led Canada to largely abandon this approach in favour of the current …


The Influence Of Issue Management Upon Public Relationships In A Changing Environment: How John Charles Mcquaid, Roman Catholic Archbishop Of Dublin (1940-72) Managed The Issue Of The Second Vatican Council From 1959 To 1972 And The Extent, If Any, To Which This Influenced Change In The Public Relationships Between Archbishop, Diocesan Priests And Laity, Francis Xavier Carty Jan 2006

The Influence Of Issue Management Upon Public Relationships In A Changing Environment: How John Charles Mcquaid, Roman Catholic Archbishop Of Dublin (1940-72) Managed The Issue Of The Second Vatican Council From 1959 To 1972 And The Extent, If Any, To Which This Influenced Change In The Public Relationships Between Archbishop, Diocesan Priests And Laity, Francis Xavier Carty

Doctoral

This research examines the influence of issue management upon public relationships in a changing environment. The example chosen is the management of the Second Vatican Council, from 1959 to 1972 by the Roman Catholic Archbishop of Dublin and the public relationships are those between archbishop, diocesan priests and laity. Public relations theories on issue management, publics and relationship management are applied to a religious context, one where relationships may be distorted by the religious faith, authority and obedience on which they are based and which is different to the commercial business environment within which they were framed. The methodology is …


Play And Technology:A Study Of Icts In Play Activities Of Irish Children (4-8 And 8-12), Brian O'Neill, Noirin Hayes, Stella Downey Jun 2005

Play And Technology:A Study Of Icts In Play Activities Of Irish Children (4-8 And 8-12), Brian O'Neill, Noirin Hayes, Stella Downey

Conference Papers

Defined in the Ireland’s national play policy as ‘freely chosen, personally directed, intrinsically motivated behaviour that actively engages the child’ (NCO, 2004, p.10), play now more often than not is a technologically-mediated activity. This paper focuses on the role of technology in play and explores the impact of technological change on children’s play activities. Drawing on our study commissioned by Ireland’s National Children’s Office, we present a detailed exploration of the play activities of Irish children, identifying the range of technologies accessed by children and how they are used in their daily play patterns. The project provided children with an …