Landscape Architecture Commons^™

Folding (And Unfolding): A Site-Responsive Strategy For Reusing Construction And Demolition Waste, Jennifer Ansley

Masters Theses

Discarding—in its most reductive formulation— is a sorting operation that makes distinctions between materials (as well as objects, people, communities, and landscapes) based on perceived value. In her book Waste of the World, Nicky Gregson, therefore, argues for a more careful collection-curation strategy that revalues and re-signifies “waste” to make it available for repair and reuse. Gregson, however, points to limited space and infrastructural capacity as a potential barrier to the development of new material handling strategies. My design responds by proposing a network of walls and paths that operate in each of the sites I’ve identified as an …

The Runis: How Can Social Remidation And Environmental Remeidation Be Linked Throguh Architecture?, Tayu Ting

Masters Theses

This thesis delves into the integration of social and environmental remediation through innovative architectural strategies, focusing on the adaptive reuse of an abandoned copper smelter plant in New Taipei City, Taiwan. The project confronts the site’s industrial legacy by deploying contemporary programs that cultivate a productive, sustainable, and community-oriented environment. A pivotal aspect of the redevelopment is a phytoremediation system utilizing wetlands to purify toxic metal-contaminated water, thus restoring ecological integrity and providing clean water to the community.

At the heart of this transformation is the artistic integration of glassmaking, where flowers and plants that have absorbed metals through phytoremediation …

Landscape De/Re-Construction Through Art, Manuel Gonzalez

Masters Theses

Contemporary landscape architecture practice and education primarily focus on ecological and technical interventions. The climate crisis we find ourselves in demands scientifically informed decisions and well-engineered execution of projects, but, more importantly, creativity and innovation.

The fine arts, which were once integral and foundational to design, are today largely unappreciated and appropriated. The spiritual power of Art, Aesthetics, and Beauty, explored at length through art history and theory, are often viewed as indulgent or secondary to execution. The gap between Art & Design has widened. As a result, designers face challenges in fostering in individuals the kind of care and …

Urban Succession: An Ecocentric Urbanism, Anthony Kershaw

Masters Theses

Through the development of canals and parks along with the denigration of the unmaintained, humans have worked to curate a natural environment designed by and for themselves. These urban typologies have defined boundaries, suppressed resources, and fragmented habitats. This thesis will work in opposition to current notions of the canal, park, and unmaintained to develop a new model for multi-species green infrastructure that embraces succession and views maintenance as a facilitation of natural processes rather than preservation of a singular condition.

The green infrastructure in question will more specifically be referred to as an ecological corridor: an ecocentric habitat connecting …

Appropriate That Bridge: Appropriation As A Way Of Intervention, Haochen Meng

Masters Theses

Appropriation is an action of intervention in many fields, including legislation, culture and design. To appropriate something (or someplace) means to violate its original ownership and claim it, which in most cases is illegal. However, appropriation doesn’t have to be an illegal act: it can be permitted by the authority and become a “reuse” of an object or space. For example, street dining is often authorized by city governments, so they indicate a transition of the ownership of the street from the vehicles and pedestrians to the restaurants and diners. In architectural terms, appropriating a space (or structure) mostly equals …

Decolonial Perspective On Fashion And Sustainability, Haisum Basharat

Masters Theses

The fashion industry has long been criticized for its exploitative practices, cultural appropriation, and detrimental impact on the environment. To address these challenges, there is a growing need to adopt a decolonial approach that acknowledges the historical injustices perpetuated by colonial systems and centers the voices, practices, and traditions of marginalized communities. This abstract presents a model that integrates decolonial principles into the fashion industry while incorporating traditional textile practices to promote local autonomy, cultural sustainability, and mitigate climate change.