Jual Obat Aborsi Klinikcuan, 2017 DEFA ONLINE
Jual Obat Aborsi Klinikcuan, Defa Online
AGEN POKER ONLINE INDONESIA TERPERCAYA STUDISOLUTION.COM
(Forthcoming) Indigenous Graffiti As Postcolonial Resistance, 2016 Sessional Professor, OCAD University
(Forthcoming) Indigenous Graffiti As Postcolonial Resistance, Matthew Smith, Ph.D.
Matthew Ryan Smith, Ph.D.
The Shenzhen Activist Program`, 2016 Syracuse University
The Shenzhen Activist Program`, Hyunggyu Kim, Jae Hyun Kim
Architecture Senior Theses
There is a gap between being an architecture student in western countries and working as an architect in underrepresented communities. Architect Teddy Cruz defines the role of an activist architect as "expanded mode of practice", and the task of "deigning the protocols or the interfaces between communities and spaces".
This thesis contends that architecture schools need to continue to embrace the widely-accepted norm of studios studying abroad and working in an international studio. Current study abroad programs tend to skew towards being touristic field trips and there is not a curriculum or programmatic investment in cultivating relationships between the visiting ...
Aftermarket Supermarket | A Speculative Retrospective, 2016 Syracuse University
Aftermarket Supermarket | A Speculative Retrospective, Alexander Kim
Architecture Senior Theses
In the preface to Delusive Spaces: Essays on Culture, Media and Technology, media theorist Eric Kluitenberg writes that “the delusion of the new”1 pollutes our theorizations of new media. This sort of technocratic fetishization of emergent technologies can only amount to a surfatial investigation of its effects or capabilities. Architectural investigations of virtual reality and other new media systems suffer from this tendency as well. Content-based experimentation and criticism obsess over the simultaneously exciting and daunting prospects of what we can now do or make with recent digital developments. There’s definite value in such endeavors, but frankly, in ...
Ogden College Of Science & Engineering Newsletter (Summer 2016), 2016 Western Kentucky University
Ogden College Of Science & Engineering Newsletter (Summer 2016), Cheryl Stevens, Dean
Ogden College of Science & Engineering Publications
No abstract provided.
The Minneapolis Federal Courthouse Plaza: Meaning And Identity, 2016 Iowa State University
The Minneapolis Federal Courthouse Plaza: Meaning And Identity, Heidi M. Hohmann
The Federal Courthouse Plaza in Minneapolis might be considered a 'run-of-the-mill' project for Martha Schwartz. Critically acclaimed, it uses a minimalist design vocabulary, innovates with new materials, and expands on theoretical ideas she has previously explored. Designed and constructed for the Government Services Administration (GSA), the plaza comprises half a block at the bases of the Federal Courthouse designed by Kohn Pedersen Fox.
Running Against The Wind, 2016 Iowa State University
Running Against The Wind, Heidi M. Hohmann
Everything's bigger in Texas. Perhaps that's why Williams Square in Las Colinas near Dallas has always seemed to be larger than life. The project made a big splash in 1985, when it won an ASLA honor award for its designers, Jim Reeves and Dan Mock of the SWA Group, and its sculptor, Rob Green.
Perspective: Minneapolis Bloch Cancer Survivor Park, 2016 Iowa State University
Perspective: Minneapolis Bloch Cancer Survivor Park, Heidi M. Hohmann
Although I lack the financial resources to fund a hundred parks across America, I, like Richard Bloch, am a cancer survivor. I am a member (Lymphoma, Class of 1999) of a large and growing club that Bloch has undertaken to represent in his ambitious and laudable campaign to use parks to make the struggles of cancer patients both visible and less daunting to members of the public who may also be stricken by the disease. As a result, i approached the cancer survivors park in Minneapolis as both cancer survivor and landscape architect, with both a sense of ownership and ...
It's A Pale Shadow Of A Real, Functioning River, 2016 Iowa State University
It's A Pale Shadow Of A Real, Functioning River, Heidi M. Hohmann
If the River Returns Project were a new design, its greatest weakness-the artificiality of the water system - would be clear. Some critics would decry the ersatz river as a pale shadow of a real, functioning riverine system, while others would complain that the mechanized nature of the park should be revealed, rather than hidden under a thin veneer of "ecological design." As new design, the project would, critically, be dead in the water.
A Landscape Designed To Be Viewed, Not Experienced, 2016 Iowa State University
A Landscape Designed To Be Viewed, Not Experienced, Heidi M. Hohmann
Everyone is Impressed when This Old House transforms a tired bungalow into an elegant new residence, and that's the way oslund.and.assoc. has reinvented the competent Modernism of the General Mills Corporate Headquarters. With fine materials and design elan, the new addition updates and improves the sit's old vocabulary of rolling green lawns, minimalist buildings, scattered abstract sculptures, and amoeba-shaped ponds, making Modernism relevant again for a whole new era of corporate citizens.
Landscape Architecture: A Terminal Case?, 2016 Iowa State University
Landscape Architecture: A Terminal Case?, Heidi M. Hohmann, Joern Langhorst
Late last year, two faculty members at Iowa State University circulated a manifesto to other departments of landscape architecture, charging that the field has outlived its historic purpose. Read excerpts from the manifest below, then read what Gary Hilderbrand, FASLA; Peter Jacobs, FASLA; Elizabeth Meyer, FASLA; Patrick A. Miller, FASLA; James Palmer, FASLA; Steven Velegrinis; and Peter Walker, FASLA, and Jane Gillette had to say in response.
An Apocalyptic Manifesto, 2016 Iowa State University
An Apocalyptic Manifesto, Heidi M. Hohmann, Joern Langhorst
A Terminal Case? At the start of the 21st century, landscape architecture is a troubled profession, more distinguished by what it lacks than the qualities that it actually possesses. It has no historiography, no formal theory, no definition, direction, or focus. A vast schism currently exists between its academics and professional practitioners. In universities across the nation, researchers poach methodologies from other, more vibrant disciplines. Meanwhile, in professional offices, designers yoked to the bottom line crank out pedestrian design. We believe these problems are pervasive and chronic. They indicate that landscape architecture is not just troubled, but sick. The condition ...
City United, Park Fragmented, 2016 Iowa State University
City United, Park Fragmented, Heidi M. Hohmann
The Common Cry of Urban Development, "if you want to make an omelette, you've got to break some eggs," definitely applies to Boston's Big Dig, which has been an eggbeater in the heart of Boston for the past 20 years. Today the benefits of the demolition are clearly apparent in the open spaces of the Rose Kennedy Greenway that now stands in place of the elevated Central Artery.
Critic At Large: Slouching Toward Minneaplois, 2016 Iowa State University
Critic At Large: Slouching Toward Minneaplois, Heidi M. Hohmann
The Federal Courthouse Plaza (FCP) in Minneapolis is a typical Martha Schwartz project. Critically acclaimed, it uses a minimalist design vocabulary, innovates with new materials, and expands on theoretical ideas she has previously explored. Located between the late modernist federal courthouse by Kohn Pedersen Fox to the north and the Richardsonian Romanesque city hall to the south, the half-block plaza was designed and constructed fo the Government Services Administration.
Arclight, 2016 Bond University
Arclight, Chris Knapp, Andrew Kudless, Jonathan Nelson
Arclight is a lighting installation put on display as part of the Sydney Vivid festival in 2015. This spatial and atmospheric project brings the quality of architectural inhabitation and visceral experience to an urban festival through a biomimetic proposition emulating dense bundled systems found in the natural environment, such as Australian mangroves or Strangler Fig trees, using parametric tools and digital fabrication processes. The installation serves as a register of the nonhuman environment. Embedded LEDs parse an environmentally driven data set, which provides a dynamic ambient interaction rather than the direct sensing of human actions. The result is an experience ...
The Artificial Landscape: Contemporary Architecture, Urbanism, And Landscape Architecture In The Netherlands, 2016 Iowa State University
The Artificial Landscape: Contemporary Architecture, Urbanism, And Landscape Architecture In The Netherlands, Heidi M. Hohmann
Dutch designers ore accustomed to working on land that "is not a natural given but exists by virtue of human ingenuity and technology in water management." For the Dutch the idea of "artificial landscope" is not new. It is-and always has been-the point of departure for design. As a result of this perspective, the projects depicted in The Artificial Landscape ore more than an overview of recent Dutch work in architecture, landscape architecture, and urban design. They ore also a fresh, vital body of work that can educate nations that ore comparative beginners at engaging synthetic environments.
Les Transferts De « L’Art Total » De La Suisse Au Brésil : Une Modernisation Très Particulière, 2016 Universidade de São Paulo
Les Transferts De « L’Art Total » De La Suisse Au Brésil : Une Modernisation Très Particulière, Ana Paula Cavalcanti Simioni
Cet article considère les projets d’art décoratif réalisés par John et Regina Graz, un couple pionnier dans l’introduction de l’idée d’ « art total » au Brésil (1920-30). On s’intéresse à la façon dont ils transposèrent dans un contexte très différent des modèles et des hiérarchies appris durant leur formation à Genève, selon un processus de réception sélective qui correspondait aux projets d'identité et de distinction de l'élite locale brésilienne. Plus largement, cette étude de la réception des arts décoratifs au Brésil permet de découvrir d'autres modèles artistiques modernistes que ceux venus de Paris, auxquels ...
L’Architecture Des Premières Maisons Européennes D’Alger, 1830-1865, 2016 Ecole polytechnique d'architecture et d'urbanisme d'Alger
L’Architecture Des Premières Maisons Européennes D’Alger, 1830-1865, Asma Hadjilah
Dès 1830, la présence française à Alger apporta un changement notable dans paysage architectural de la ville. La construction de maisons européennes en constitue le trait le plus manifeste. Leurs premiers modèles sont élevés au sein même de la ville ottomane, principalement dans sa partie basse. Nous tentons dans cet article d’éclairer certains aspects de ce type d’habitat. Pour ce faire, nous nous appuierons sur les trois outils de travail nécessaires à l’étude de l’architecture mineure, à savoir le parcellaire, le gabarit et l’ordonnancement. Par ailleurs, on interrogera le débat sur la circulation internationale des ...
Windows On The World: The Aesthetics Of Difference In Neoliberal New York, 2016 Graduate Center, City University of New York
Windows On The World: The Aesthetics Of Difference In Neoliberal New York, Nicholas Gamso
All Graduate Works by Year: Dissertations, Theses, and Capstone Projects
This dissertation seeks to refine critical methods for interpreting global cities and their cultures, charting an aesthetic history of neoliberal New York — from the 1929 regional plan to the present. Surveying a range of literature, art criticism, and planning discourse, I argue that the global has served as the dominant motif of spatial production and political power during this watershed era. I trace this argument through analyses of midcentury planning’s global spatial imaginings, gentrification and imperial metaphor, transnational encounter in World literature, and the city’s contemporary waste and recourse imaginaries. While I follow the Marxist account of the ...
Shell House Evaluation, 2016 California Polytechnic State University, San Luis Obispo
Shell House Evaluation, Michael Bauer
The Shell House has been a wonder of Poly Canyon's Experimental Laboratory for over 50 years. The structure was built in 1964, at a time when these experimental structures were being encouraged in the canyon. This report is an evaluation of the seismic performance of the Shell House in an effort to understand new modeling techniques. The evaluation utilizes these computer programs to map the complex geometry of the Shell House.