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Architectural History and Criticism Commons™
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Articles 1 - 3 of 3
Full-Text Articles in Architectural History and Criticism
Surveilled, Rachel Swetnam
Surveilled, Rachel Swetnam
Senior Honors Projects, 2010-2019
Debord's "Society the Spectacle" and Delouze’s Deleuze's "Society of Control" both imagine a dystopian future for humanity in a world governed by excessive self-advertisement and mass surveillance. This thesis begins with the observation that, sadly, their two visions have become a reality. Current technologies log our movements through GPS satellite data, and photographs taken by closed-circuit security cameras, or by passers-by on a public street, are constantly cross-checked against databanks of previously-compiled biometric profiles. Every movement and transaction is digitized and recorded, accessible to ever-widening networks of information exchange and surveillance. These data-networks are altering the manner by which people …
Adoration And Art: Ancient Egypt, Greece, And Rome, Fiona Wirth
Adoration And Art: Ancient Egypt, Greece, And Rome, Fiona Wirth
Senior Honors Projects, 2010-2019
"Adoration and Art" focuses upon religious artifacts from the ancient Mediterranean and explores what these artifacts reveal about the religious practices and sacred spaces of their cultures. This Honors College capstone consisted of an exhibition through the Lisanby Museum utilizing artifacts from the Madison Art Collection. This text is the full exhibition catalog compiled by the student through her research as an intern for the Lisanby Museum.
Homo Ludens: Play, Subversion, And The Unfinished Work Of Constant’S New Babylon, Kristen Lee Kubecka
Homo Ludens: Play, Subversion, And The Unfinished Work Of Constant’S New Babylon, Kristen Lee Kubecka
Senior Projects Spring 2018
This project explores Johan Huizinga’s theory of play with respect to art, space, and politics. Tracing the ways that his text, Homo Ludens, played out within the revolutionary avant-gardes of CoBrA and the Situationist International, as well as Constant’s utopian project of New Babylon, it investigates the subversive and reconstructive power of play as a counter-paradigm to the rationalist urbanism of postwar reconstruction.