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Full-Text Articles in Architectural History and Criticism
Les Jardins « Du Climat De L’Oranger » : Jean Claude Nicolas Forestier (1861-1930), Traditions Méditerranéennes Et Jardin À La Française, Camille Lesouef
Les Jardins « Du Climat De L’Oranger » : Jean Claude Nicolas Forestier (1861-1930), Traditions Méditerranéennes Et Jardin À La Française, Camille Lesouef
Artl@s Bulletin
Dans l’ouvrage Jardins : carnet de plans et de dessins (1920), le paysagiste J. C. N. Forestier forge la typologie des jardins « du climat de l’oranger » qui réunit des traditions hortésiennes de différents horizons historiques et géographiques (gréco-romaine, arabo-andalouse, maghrébine, italienne). Cet article se propose d’étudier la vision de la méditerranéité qui émane de cette typologie, puis de la mettre en perspective avec le modèle du jardin moderne élaboré par le paysagiste dès le début du siècle. Il s’agit de mettre en lumière la façon dont l’imaginaire de la Méditerranée inspire le renouvellement de l’art des jardins au …
Germania: The Nazi Party And The Third Reich Through The Lens Of Classical Architecture, Maggie L. Smith
Germania: The Nazi Party And The Third Reich Through The Lens Of Classical Architecture, Maggie L. Smith
Honors Theses
This thesis examines the influence of classical architectural styles and principles on architectural projects in Germany during the Third Reich. My research focuses on major projects completed by the state and does not delve into private buildings or other structures. All of the data was gathered from scholarly publications of repute and photographs to determine how Adolf Hitler’s regime utilized Greek and Roman stylistic elements in an attempt to revive the power and culture of Germany during a time of strife, as well as how Nazi architecture reflected Hitler’s personal ambition as dictator. Additionally, the thesis doubles as an expansion …
Living Memories: Rethinking Remembrance, Timothy Mulhall
Living Memories: Rethinking Remembrance, Timothy Mulhall
Architecture Senior Theses
This thesis will interrogate conventional types and methods of memorialization, challenging the memorial as a complete product. Developing from inquiries into alternative acts of commemoration, this investigation will seek to conceive a memorial in the making. Memorials must be alive, changing, constantly developing as a result of interaction. The reliance on overly abstract, rhetorical conditions of design will become obsolete. The static condition of the image-friendly object will be replaced with a dynamism influenced by time and participation.