Architectural History and Criticism Commons^™

Reflections On The Red Sea Style: Beyond The Surface Of Coastal Architecture, Nancy Um

Nancy Um

In 1953, a British architect named Derek H. Matthews introduced the idea of “The Red Sea Style” in print, with a modest article of that title. Although brief and focused on a single site, this article proposed that the architecture around the rim of the Red Sea could be conceived of as a coherent and unified building category. Since then, those who have written about Red Sea port cities have generally accepted his suggestion of a shared architectural culture. Indeed, the houses of the region’s major ports, such as Suakin in modern-day Sudan, Massawa in Eritrea, Jidda and YanbuΚ al-BaΉr …

Spatial Negotiations In A Commercial City: The Red Sea Port Of Mocha, Yemen During The First Half Of The Eighteenth Century, Nancy Um

Nancy Um

The city of Mocha in Yemen was one of the most important Red Sea ports of the early modern Arab world, handling the trade of spices, textiles, metals, local aromatics and coffee beans. This essay examines the urban structures that governed the needs and practices of merchants in the city during the first half of the eighteenth century. Drawing on contemporary Arabic chronicles, archival European trade documents, historical photographs, and field work in the city, it documents the conspicuous absence of a network of public trade structures, like the urban khan, the expected locus for trade in an Arab city …

“Mocha: Maritime Architecture On Yemen’S Red Sea Coast.” In ‘Architecture That Fills My Eye’: The Building Heritage Of Yemen. Exh. Cat. Ed. Trevor H.J. Marchand, 60-69. London: Gingko Library, 2017., Nancy Um

Nancy Um

No abstract provided.

From The Port Of Mocha To The Eighteenth-Century Tomb Of Imam Al-Mahdi Muhammad In Al-Mawahib: Locating Architectural Icons And Migratory Craftsmen, Nancy Um

Nancy Um

This article introduces and analyzes the tomb of the Qāsimī Imām al-Mahdī Muhammad (r. 1686-1718) in the village of al-Mawāhib, northeast of Dhamār. Unlike many of the mosques and tombs associated with the other Zaydī imams of Yemen, al-Mahdī’s mausoleum has never been published, but merits close examination. While most historians consider his imamate to have been an era of both religious and political decline, this period was marked by increased cross-cultural interaction and artistic production. In particular, the tomb of al-Mahdī features unique decoration above its mihrāb and a remarkable wooden cenotaph. In order to explain the meaning and …

Greenlaw’S Suakin: The Limits Of Architectural Representation And The Continuing Lives Of Buildings In Coastal Sudan, Nancy Um

Nancy Um

Despite its ruined modern state, the coral-built architecture of the island city of Suakin on Sudan's Red Sea coast is well known to scholars of vernacular architecture. Its enduring reputation may be attributed to the copious documentation of its houses, mosques, and public buildings that appeared in the 1976 publication The Coral Buildings of Suakin by the artist Jean-Pierre Greenlaw. This paper considers the visual project of Greenlaw and its legacy, with a focus on the intertwined relationship between the processes of architectural documentation, the writing of architectural history, and the directives of preservation during the last years of British …

A Period Examination Through Contemporary Energy Analysis Of Kevin Roche’S Fine Arts Center At University Of Massachusetts-Amherst, L Carl Fiocchi Jr

L. Carl Fiocchi

Studies of buildings belonging to a subset of Modernist architecture, Brutalism, have included discussions pertaining to social and architectural history, critical reception, tectonic form and geometry inspirations, material property selections, period technology limitations, and migration of public perceptions. Evaluations of Brutalist buildings’ energy related performances have been restricted to anecdotal observations with particular focus on the building type’s poor thermal performance, a result of the preferred construction method, i.e. monolithic reinforced concrete used as structure, interior finish and exterior finish. A valid criticism, but one that served to dismiss discussion that the possibility of other positive design strategies limiting energy …

Architecture That Bows.Pdf, Andreas Luescher

Andreas Luescher

City Of Felt And Concrete: Negotiating Cultural Hybridity In Mongolia's Capital Of Ulaanbaatar, Joshua Hagen, Alexander Diener

Joshua Hagen

Capital cities play an integral role in the construction of national identity. This is particularly true when the capital is the country's only major urban center. Over the course of its history, Mongolia's capital of Ulaanbaatar has been periodically reshaped to reflect competing trajectories of national culture. This article examines the evolving symbolism of architecture, urban design, and public space in Ulaanbaatar as a means of exploring Mongolia's complex negotiation between its traditional culture (mobile pastoralism and Shamanism/Buddhism), its socialist legacy, and globalization. Amidst the rampant social change of the last two decades, rather ambiguous national narratives have emerged in …

From Socialist To Post-Socialist Cities: Narrating The Nation Through Urban Space, Joshua Hagen, Alexander Diener

Joshua Hagen

The development of post-socialist cities has emerged as a major field of study among critical theorists from across the social sciences. Originally constructed under the dictates of central planners and designed to serve the demands of command economies, post-socialist urban centers currently develop at the nexus of varied and often competing economic, cultural, and political forces. Among these, nationalist aspirations, previously simmering beneath the official rhetoric of communist fraternity and veneer of architectural conformity, have emerged as dominant factors shaping the urban landscape. This article examines patterns, processes, and practices concerning the cultural politics of architecture, urban planning, and identity …

Not-I/Thou: The Other Subject Of Art And Architecture, Gavin W. Keeney

Gavin W Keeney

Not-I/Thou: The Other Subject of Art and Architecture is a series of essays delineating the gray areas and black zones in present-day cultural production with, in Part One (The Gray and the Black), an implicit critique of neoliberal capitalism and its assault on the humanities through the pseudo-scientific and pseudo-empirical biases of academic and professional disciplines. Initially surveying the shift from Cultural Ecology to Cultural Studies to Cognitive Capitalism, the essays of Part Two (What is “Franciscan” Ontology?) return to certain lost causes in the historical development of modernity and post-modernity, foremost the recourse to artistic production as both a …

City Of Syracuse Historic Resources Survey: Washington Square Neighborhood, Volume 2: Survey Forms, Samuel D. Gruber Dr., Bruce G. Harvey Dr.

Samuel D. Gruber Dr.

Historical overview and map analysis of the Washington Square Neighborhood of Syracuse, New York, originally the Village of Salina settled in the late 18th century. The survey also includes block by block descriptions and identification of sites eligible for local and or National Register historic designation.

Mapping Jews: Cartography And Topography In Rome's Ghetto, Samuel D. Gruber Dr.

Samuel D. Gruber Dr.

This paper examines how the Ghetto of Rome was represented in the many view-plans and maps of Rome from the 16th through 18th centuries, and how this mapping both tells us much about the physical appearance of the Ghetto and also how it was perceived by others in particular and presented to others more generally.

Rebuilding The Middle Ages After The Second World War: The Cultural Politics Of Reconstruction In Rothenburg Ob Der Tauber, Germany, Joshua Hagen

Joshua Hagen

Rothenburg ob der Tauber is one of Germany's most popular tourist destinations attracting over two and a half million visitors annually. Yet, many visitors do not realize that nearly half of Rothenburg's medieval architectural heritage was destroyed in 1945. Its reconstruction was characterized by complex negotiations and compromises as Rothenburgers attempted to balance contemporary preservation philosophies with the town's image as a national symbol and economic interests in a revived tourist trade. These diverse factors were generally complementary and resulted in a remarkably consistent and consensual effort, but the project was not without controversies and contradictions. This article examines the …

Museo De Aguas De Alicante El Agua En El Origen De Alicante Una Visión Histórico-Arqueológica Desde La Prehistoria Hasta La Época Moderna, Pablo Rosser

pablo rosser

A partir de restos arqueológicos, de documentación de archivo y de cartografía histórica, se hace una evolución sobre cómo el agua y su uso permitió el asentamiento de población en Alicante desde el neolítico hasta época contemporánea.

Unearthing St. Augustine's Colonial Heritage: An Interactive Digital Collection For The Nation's Oldest City, Thomas R. Caswell

Thomas Caswell

"Else-Where": Essays In Art, Architecture, And Cultural Production 2002-2011, Gavin W. Keeney

Gavin W Keeney

“Else-where” is a synoptic survey of the representational values given to art, architecture, and cultural production from 2002 through 2011. Written primarily as a critique of what is suppressed in architecture and what is disclosed in art, the essays are informed by the passage out of post-structuralism and its disciplinary analogues toward the real Real (denoted over the course of the studies as the “Real-Irreal” or “Else-where”).

The essays collected in “Else-where” cross various disciplines, inclusive of landscape architecture, architecture, and visual art, to develop a nuanced critique of an emergent formal regard in the arts that is also an …

Artículo Político Campaña Electoral 2011 B, Pablo Rosser

pablo rosser

No abstract provided.

Artículo Político Campaña Electoral 2011 C, Pablo Rosser

pablo rosser

No abstract provided.

Artículo Político Campaña Electoral 2011 E, Pablo Rosser

pablo rosser

No abstract provided.

Artículo Político Campaña Electoral 2011 D, Pablo Rosser

pablo rosser

No abstract provided.

San Roque Y Laderas Del Benacantil, Como Origen De La Población Urbana De Alicante., Pablo Rosser

pablo rosser

Tres artículos firmados por Pablo Rosser, J.A. Barrios y J. M. Galán sobre distintos aspectos de la historia de Alicante, y más concretamente del barrio de San Roque en el Casco Antiguo de Alicante. Destaca de nuestro artículo el hallazgo arqueológico reciente de un posible Oratorio tardoantiguo de tipo rupestre.

Rethinking The Dionysian Legacy In Medieval Architecture: East And West, Jelena Bogdanović

Jelena Bogdanović

Indeed, everyone who attempted to read the still controversial Corpus Areopagiticum either in the original Greek or in any translation, even if supplemented by abundant annotations, would have to acknowledge numerous interpretative questions these texts raise. Namely, the Corpus blends seemingly irreconcilable pagan and Christian thoughts. On the one hand, the Corpus stems from philosophical Neoplatonic writings attributed to Dionysius the Areopagite—an Athenian convert under Paul, the “first intellectual” Apostle who himself was concerned mostly with debatable questions about what it means to be Christian (Acts 17:16 34). other hand, the corpus includes numerous sixth-century and later theological Christian collations …

Arnold W. Brunner And The New Classical Synagogue In America, Samuel D. Gruber Dr.

Samuel D. Gruber Dr.

Arnold W. Brunner (1857–1925), Albert Kahn (1869–1942), and other Jewish architects played an important role in reviving the classical style for American synagogue design at the turn of the twentieth century, putting their stamp on American Jewish identity and American architecture. The American-born Brunner was the preferred architect of New York’s Jewish establishment from the 1880s until his death. He adopted the classical style with his third New York synagogue, Congregation Shearith Israel, dedicated in 1897, and then championed the style in his extensive public writing about synagogue design. The classical style was subsequently widely accepted nationally by Reform congregations, …

Art-Itecture: Exploding The Boundaries Between Art And Architecture, Lauren Gallow

Lauren L. Gallow

In his 1970 book Experimental Architecture, Archigram co-founder Peter Cook writes, “In this century there have been several occasions when science, technology and human emancipation have coincided in a way that has caused architecture to explode.” This image of an exploding architecture can be read in several ways: as a challenging of architecture’s disciplinary boundaries, as a new idea of architecture altogether, or as a building literally exploding into fragmented pieces because of its perceived obsolescence. No matter the specific interpretation, Cook’s statement captures a widespread yet often overlooked trend of the twentieth century wherein architects and artists attempted to …

Staging Nationalism At The Crystal Palace: Prince Albert's "Model Dwelling House", Lauren L. Gallow

Lauren L. Gallow

At the Great Exhibition of 1851 in London, British nationalism was staged both inside and outside the walls of the Crystal Palace. Inside, industrial products from around the world were put on display to celebrate the wonders of modern industry. Perhaps a more important purpose of the exhibition, however, was to establish British national pride through comparison to other nations. Britishness inside the Crystal Palace was defined by the nation’s primacy in industry—an identity that hinged on the exhibition of the commodity. Outside the Crystal Palace, a subset of this British identity was also being demonstrated. Near the southeast corner …

Artículo Político Campaña Electoral 2011, Pablo Rosser

pablo rosser

Artículo de opinión del autor, como miembro del PSOE en Alicante.

The Rhetoric Of Architecture And Memory Of The Holy Sepulchre In Byzantium, Jelena Bogdanović

Jelena Bogdanović

The actual physical appearance of the Anastasis‐Golgotha complex in Jerusalem during Byzantine times is not documented archaeologically. The extent and significance of the Byzantine interventions between the seventh and eleventh centuries, after the destructions by the Persians, from earthquakes, and devastating fire set by the Caliph al‐Hākim in 1009, remain understudied. Presumably, after each destruction the first structure restored for veneration was the major locus sanctus, the Holy Sepulchre. Because it is doubtful that the Byzantines kept records on the architectural design of the Holy Sepulchre, their reconstructions were not based on a definite pictorial scheme, but rather on the …

Owen Jones And The Conventionalization Of Ornament, John Kresten Jespersen Ph.D.

Kresten Jespersen

Owen Jones, an architect and theorist of ornament, is best remembered as an ornamenter of distinction. His theory and practice of conventional ornament, his powerful color, and his original forms which had their origins in the ornament of the Alhambra substantiate the claim that he was the greatest ornamenter of his age. The book analyzes the theory of conventionalization as it applies to ornament, color, architecture and interior design. In particular, the book explores repose as the psychological and spiritual outcome of his ornament.

Art And Architecture: Russia, Jelena Bogdanović

Jelena Bogdanović

Receiving Christianity only in 988/9, the East Slavic Rus' expressly appropriated art and architecture based on Byzantine models and elaborated their own styles. *Kiev, *Novgorod, and *Vladimir (Suzdalia) define the major foci of Rus' accomplishments in the pre-Mongolian period, before the 1230s. Only after the battle at *Kulikovo (1380) did monumental arts revive. And only when Prince Ivan the Great (r. 1462–1505) commissioned architects Aristotele Fioravanti and Alevisio Novi to work in the *Kremlin did the Italian Renaissance significantly influence Russian architecture.

Art And Architecture: Serbian, Jelena Bogdanović

Jelena Bogdanović

From the 9th-century conversion to Christianity until the 11th century, the ecclesiastical art and architecture of the Serbs, both Orthodox and Roman Catholic, shared the concurrent accomplishments of the Croats, Latins, and Greeks. All of these groups cohabited the territories between the rivers Bojana and Cetina in Duklja (Zeta, Montenegro), Zahumlje (Herzegovina), and their littoral. Wall *paintings, donor *portraits, inscriptions in Greek and Latin, and architectural *sculpture on *windows, portals, capitals, *chancel screens, *ciboria, and baptismal fonts, reveal influences of pre-Romanesque, Romanesque, and Byzantine models. Instructive examples come from the 9th-century *rotunda of St. Triphon at Kotor (809?), replaced by …