Architecture Commons^™

Graduate Sessions 1: Sylvia Lavin, Mark D. Linder, James Degennaro

School of Architecture - All Scholarship

Sylvia Lavin is Professor of Architecture at UCLA and writes widely on contemporary architecture and theory. She recently completed a year as a Getty Scholar where she was working on her next book, The Flash in the Pan and Other Forms of Architectural Contemporaneity. She is co-editor of Crib Sheets (Monacelli Press, 2005) and the author of Form Follows Libido: Architecture and Richard Neutra in a Psychoanalytic Culture (MIT Press, 2005).

Graduate Sessions 2: Greg Lynn, Mark D. Linder, Beth Mosenthal

School of Architecture - All Scholarship

Greg Lynn is the principal of Greg Lynn FORM and has lectured and taught internationally, as Professor at the Universitat fur Angewandte Kunst in Vienna, as Davenport Professor at Yale, and as studio professor at UCLA. He curated the exhibitions "Intricacy" (2003) at the ICA in Philidelphia, and "Intricate Surface" (2003) at the MAK in Vienna. He is the editor of Folding in Architecture (Architectural Design, 1993), the author of Animate Form (Princeton Architectural Press, 1998), and Folds, Bodies, and Blobs: Collected Essays (La Lettre Vole, 1998).

City, Temple, Stage: Eschatological Architecture And Liturgical Theatrics In New Spain (Book Review), Charlotte M. Gradie

History Faculty Publications

Book review by Charlotte Gradie.

Lara, Jaime. City, Temple, Stage: Eschatological Architecture and Liturgical Theatrics in New Spain. Notre Dame: University of Notre Dame Press, 2004.

ISBN 9780268033644

La Ornamentación De La Alhambra De Granada Y Su Proyección En La Cultura Y La Religión = The Ornamentación Of The Alhambra Of Granada And Its Projection In The Culture And Religion, Alyssa Anderson

Independent Study Project (ISP) Collection

During the three years between my first visit to Spain and my arrival this past September, the one thing that stuck with me and continued to call my attention was the Alhambra. Upon experiencing this both historically and artistically important site, I felt completely enchanted, and a little mystified, by the grandeur of the architecture, the intricate decoration, and the extensive gardens. Since then I have enrolled in a university and have dedicated my studies there to Art History, therefore, there was no question that the Alhambra would be the perfect subject for my independent study. Although I knew before …

Building The Financial Facade: Jacques-Denis Antoine's Hotel De La Monnaie, The Parisian Mint, 1765-1775, Amanda C.R. Clark

Library Faculty Scholarship

"Building the Financial Facade: Jacques-Denis Antoine's Hotel de la Monnaie, The Parisian Mint, 1765-1775," a thesis prepared by Amanda Catherine Roth Clark in partial fulfillment of the requitements for the Master of Arts degree in the Department of Art History."

Ua1b2/1/9 Oral History Part Ii, Paula Trafton, Owen Lawson

WKU Archives Records

Part II of an interview conducted by Paula Trafton with Owen Lawson former WKU Physical Plant director.

Visualizing Complexity : A Spatial Analysis Of Decorative Geometric Pattern In The Islamic World, 900-1400 Ad, Tracy Elizabeth Harrison

Dissertations and Theses

This study explores how the use of complex decorative geometric patterns in Islamic architecture spatially relates to advances in the fields of science and philosophy in the Islamic world between the ninth and fourteenth centuries. This project examines hypotheses developed by vario~s scholars on the forces that shaped the use of these patterns (known as the geometric mode) in Islamic architecture. The prevailing assumption that advances in mathematics contributed to the use of the geometric mode is used as a starting point for subsequent analysis.

For this study, two spatial databases were created. One contains over two hundred and twenty …

Acquiring Islamic Identity Through Architectural Style, Omar Kishk

Archived Theses and Dissertations

[abstract not provided]

Rise And Fall Of The Continuum Revivalism In Architecture, Tyler Caine

Honors Capstone Projects - All

Abstract not Included

William Faulkner's Memphis: Architectural Identity, Urban Edge Condition, And Prostitution In 1905 Memphis, Justin Faircloth

Inquiry: The University of Arkansas Undergraduate Research Journal

It has been said by wags that Memphis (Tennessee) is the largest city in Mississippi. Unquestionably, Memphis is the commercial and cultural capital of the Mississippi River delta country north of Vicksburg. As such it figures prominently in the works of southern writers, especially William Faulkner. Faulkner's characters seek out Memphis as a place of excitement and escape. This paper deals with Faulkner's description of Memphis as it existed in the early decades of the twentieth century; the focus is on passages of The Rievers, but passages from other works are included as well. Because so many of the events …

Building For The Future: The Aspirational Architecture Of Edith Cowan University, Glenys Haalebos

Research outputs pre 2011

When ECU decided to re-locate its headquarters, it not only made history- becoming the first modern university in Australia to take such a bold move - it also began a process of immense symbolic and strategic importance for its future. It was symbolic because, as this book illustrates, the University used inspirational architecture to create a powerful new public persona. It was strategic because these beautiful and functional structures have significantly enhanced our reputation as a provider of quality teaching and research and established us as a committed, energetic partner with our surrounding communities.

The Culture Of Criticism: Adolf Behne And The Development Of Modern Architecture In Germany, 1910-1914, Kai K. Gutschow

Kai K. Gutschow

This dissertation investigates the early career of the German architectural critic Adolf Behne (1885-1948) and the crucial role he played in defining and promoting an early vision of modern architecture. During the particularly vibrant cultural moment in Germany before World War I, Behne became intent on finding artistic and architectural alternatives to what he perceived as the elitism, materialism, and decadence of Wilhelmine society. Influenced by the cultural program of the Socialist party, Behne believed that modern art had to be made accessible to all, and that modern architecture must be grounded in a "social conscience." The theories of Expressionist …