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Architecture Senior Theses

Performance

Articles 1 - 7 of 7

Full-Text Articles in Architecture

Manifested Tectonic 'In Search Of Theatricality', Ching Huen Leung Apr 2020

Manifested Tectonic 'In Search Of Theatricality', Ching Huen Leung

Architecture Senior Theses

A column at a scale of a chair, a door half-opened in front of that column. Dancing, spectating, running, etc. Can an open-ending narrative be generated through the interaction between these disembodied objects and subjects? Treating building elements as set pieces, improvisations are generated by both signified objects and participants. The show is currently on play in different locations: You can find it in a field of landscape; in a chaotic street of Tokyo, or even at the back alley near your neighborhood…Don’t hesitate to create your own plot when you encounter them! My thesis mainly focuses on the implementation …


Performative Architecture | A Measurable Means Of Evaluating Formal Systems, Garrett Marini May 2016

Performative Architecture | A Measurable Means Of Evaluating Formal Systems, Garrett Marini

Architecture Senior Theses

The Gothic, Baroque, and Rococo architectural styles relied on perception and an underlying adherence to classical formulas to provide merit and deem an architecture valid. Up through the 19th century before the emergence of modernism these established canons would reemerge both in isolation and as an amalgam of styles. Henry Russell Hitchcock describes this latter episodic phase of building as exhibiting an eclecticism of style, where features of different styles are used together on a single building like those in the Beaux- Arts tradition. In the early 20th century, Louis Sullivan’s modernist dictum of “Form Follows Function,” while seemingly providing …


The Immersive Spectacle: Performance And The Audience In Pop Music - Part 1, Emily Roupp Apr 2014

The Immersive Spectacle: Performance And The Audience In Pop Music - Part 1, Emily Roupp

Architecture Senior Theses

THESIS STATEMENT: In a visually dominated culture, spaces of sound have the potential to produce an immersive audio-physical experience that facil~ates spatial awareness and challenges traditional listening experiences. The aural and spatial awareness is unquestionable. Although it is a primitive human refiex to direct visual focus to the original sound source, technological and architectural devices no longer require the sound source to be in the same space as the distributed sound Recording and distribution devices have deconstructed the relationship between sound and space. Technological innovations, especially speakers and digital screens, no longer require the listener to be in a single …


The Immersive Spectacle: Performance And The Audience In Pop Music - Part 3, Emily Roupp Apr 2014

The Immersive Spectacle: Performance And The Audience In Pop Music - Part 3, Emily Roupp

Architecture Senior Theses

No abstract provided.


The Immersive Spectacle: Performance And The Audience In Pop Music - Part 4, Emily Roupp Apr 2014

The Immersive Spectacle: Performance And The Audience In Pop Music - Part 4, Emily Roupp

Architecture Senior Theses

No abstract provided.


The Immersive Spectacle: Performance And The Audience In Pop Music - Part 2, Emily Roupp Apr 2014

The Immersive Spectacle: Performance And The Audience In Pop Music - Part 2, Emily Roupp

Architecture Senior Theses

No abstract provided.


Be All You Can Be! Then Two Steps To The Left And Scopic Operations In Military Theatre, Alex Coulombe Apr 2010

Be All You Can Be! Then Two Steps To The Left And Scopic Operations In Military Theatre, Alex Coulombe

Architecture Senior Theses

"The criteria for which I would ask to be evealuated include three essential categories, all relating back to how well i have modified Fort Jay to be a theater within its context. First, I would like to be judged by how well I exploit the latent theatrical opportunities of the site, both on urban and local scales. Second, I would like it to be considered how well the design would function as a performance venue, especially when compared to a conventional design. Finally, I would like my critiquers to judge the theater from a purely experiential standpoint."