Architecture Commons^™

Reflections On The Red Sea Style: Beyond The Surface Of Coastal Architecture, Nancy Um

Nancy Um

In 1953, a British architect named Derek H. Matthews introduced the idea of “The Red Sea Style” in print, with a modest article of that title. Although brief and focused on a single site, this article proposed that the architecture around the rim of the Red Sea could be conceived of as a coherent and unified building category. Since then, those who have written about Red Sea port cities have generally accepted his suggestion of a shared architectural culture. Indeed, the houses of the region’s major ports, such as Suakin in modern-day Sudan, Massawa in Eritrea, Jidda and YanbuΚ al-BaΉr …

Spatial Negotiations In A Commercial City: The Red Sea Port Of Mocha, Yemen During The First Half Of The Eighteenth Century, Nancy Um

Nancy Um

The city of Mocha in Yemen was one of the most important Red Sea ports of the early modern Arab world, handling the trade of spices, textiles, metals, local aromatics and coffee beans. This essay examines the urban structures that governed the needs and practices of merchants in the city during the first half of the eighteenth century. Drawing on contemporary Arabic chronicles, archival European trade documents, historical photographs, and field work in the city, it documents the conspicuous absence of a network of public trade structures, like the urban khan, the expected locus for trade in an Arab city …

“Mocha: Maritime Architecture On Yemen’S Red Sea Coast.” In ‘Architecture That Fills My Eye’: The Building Heritage Of Yemen. Exh. Cat. Ed. Trevor H.J. Marchand, 60-69. London: Gingko Library, 2017., Nancy Um

Nancy Um

No abstract provided.

From The Port Of Mocha To The Eighteenth-Century Tomb Of Imam Al-Mahdi Muhammad In Al-Mawahib: Locating Architectural Icons And Migratory Craftsmen, Nancy Um

Nancy Um

This article introduces and analyzes the tomb of the Qāsimī Imām al-Mahdī Muhammad (r. 1686-1718) in the village of al-Mawāhib, northeast of Dhamār. Unlike many of the mosques and tombs associated with the other Zaydī imams of Yemen, al-Mahdī’s mausoleum has never been published, but merits close examination. While most historians consider his imamate to have been an era of both religious and political decline, this period was marked by increased cross-cultural interaction and artistic production. In particular, the tomb of al-Mahdī features unique decoration above its mihrāb and a remarkable wooden cenotaph. In order to explain the meaning and …

Greenlaw’S Suakin: The Limits Of Architectural Representation And The Continuing Lives Of Buildings In Coastal Sudan, Nancy Um

Nancy Um

Despite its ruined modern state, the coral-built architecture of the island city of Suakin on Sudan's Red Sea coast is well known to scholars of vernacular architecture. Its enduring reputation may be attributed to the copious documentation of its houses, mosques, and public buildings that appeared in the 1976 publication The Coral Buildings of Suakin by the artist Jean-Pierre Greenlaw. This paper considers the visual project of Greenlaw and its legacy, with a focus on the intertwined relationship between the processes of architectural documentation, the writing of architectural history, and the directives of preservation during the last years of British …

A Period Examination Through Contemporary Energy Analysis Of Kevin Roche’S Fine Arts Center At University Of Massachusetts-Amherst, L Carl Fiocchi Jr

L. Carl Fiocchi

Studies of buildings belonging to a subset of Modernist architecture, Brutalism, have included discussions pertaining to social and architectural history, critical reception, tectonic form and geometry inspirations, material property selections, period technology limitations, and migration of public perceptions. Evaluations of Brutalist buildings’ energy related performances have been restricted to anecdotal observations with particular focus on the building type’s poor thermal performance, a result of the preferred construction method, i.e. monolithic reinforced concrete used as structure, interior finish and exterior finish. A valid criticism, but one that served to dismiss discussion that the possibility of other positive design strategies limiting energy …

Architecture That Bows.Pdf, Andreas Luescher

Andreas Luescher

Of Earth, Fire, And Faith: Architectural Practice In The Fernandino Missions Of Alta California, 1769-1821, Rubén G. Mendoza, Jennifer Lucido

Jennifer Lucido

No abstract provided.

Of Earth, Fire, And Faith: Architectural Practice In The Fernandino Missions Of Alta California, 1769-1821, Rubén G. Mendoza, Jennifer A. Lucido

Rubén Mendoza

No abstract provided.

Unearthing St. Augustine's Colonial Heritage: An Interactive Digital Collection For The Nation's Oldest City, Thomas R. Caswell

Thomas Caswell

Art-Itecture: Exploding The Boundaries Between Art And Architecture, Lauren Gallow

Lauren L. Gallow

In his 1970 book Experimental Architecture, Archigram co-founder Peter Cook writes, “In this century there have been several occasions when science, technology and human emancipation have coincided in a way that has caused architecture to explode.” This image of an exploding architecture can be read in several ways: as a challenging of architecture’s disciplinary boundaries, as a new idea of architecture altogether, or as a building literally exploding into fragmented pieces because of its perceived obsolescence. No matter the specific interpretation, Cook’s statement captures a widespread yet often overlooked trend of the twentieth century wherein architects and artists attempted to …

Staging Nationalism At The Crystal Palace: Prince Albert's "Model Dwelling House", Lauren L. Gallow

Lauren L. Gallow

At the Great Exhibition of 1851 in London, British nationalism was staged both inside and outside the walls of the Crystal Palace. Inside, industrial products from around the world were put on display to celebrate the wonders of modern industry. Perhaps a more important purpose of the exhibition, however, was to establish British national pride through comparison to other nations. Britishness inside the Crystal Palace was defined by the nation’s primacy in industry—an identity that hinged on the exhibition of the commodity. Outside the Crystal Palace, a subset of this British identity was also being demonstrated. Near the southeast corner …

Artículo Político Campaña Electoral 2011, Pablo Rosser

pablo rosser

Artículo de opinión del autor, como miembro del PSOE en Alicante.

Owen Jones And The Conventionalization Of Ornament, John Kresten Jespersen Ph.D.

Kresten Jespersen

Owen Jones, an architect and theorist of ornament, is best remembered as an ornamenter of distinction. His theory and practice of conventional ornament, his powerful color, and his original forms which had their origins in the ornament of the Alhambra substantiate the claim that he was the greatest ornamenter of his age. The book analyzes the theory of conventionalization as it applies to ornament, color, architecture and interior design. In particular, the book explores repose as the psychological and spiritual outcome of his ornament.

Revealing Iberian Woodcraft: Conserved Wooden Artefacts From South-East Spain, Pablo Rosser

pablo rosser

Yolanda Carrion & Pablo Rosser Six wells at Tossal de les Basses in Spain captured a large assemblage of Iberian woodworking debris. The authors’ analysis distinguishes a wide variety of boxes, handles, staves, pegs and joinery made in different and appropriate types of wood, some – like cypress – imported from some distance away. We have here a glimpse of a sophisticated and little known industry of the fourth century BC.

From Stoves To Juice Squeezers: Technology In The Modern Home, 1869-1999, Lauren Gallow

Lauren L. Gallow

“The factory and the household have only one factor in common, but a crucial one. Both must improve organization and curtail waste labor.” So Siegfried Giedion opens the chapter ‘Mechanization Encounters the Household’ in his 1948 seminal text, Mechanization Takes Command. Likening the household to the factory in its ever-present quest for organization and labor efficiency, Giedion places technological advancements at the center of this domestic mechanization, a progression that he identifies as beginning in the 1860s. Technology has played a central role in how writers from the late nineteenth century onwards have envisioned the home. Beginning with Catharine Beecher …

The Mosque: History, Architectural Development & Regional Diversity, Ed. By Martin Frishman And Hasan-Uddin Khan (Review), Roberta Dougherty

Roberta L. Dougherty