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Full-Text Articles in Architecture

Buildings With Brain Power: Library Architecture In Neural Terms., Hannah Bennett Aug 2014

Buildings With Brain Power: Library Architecture In Neural Terms., Hannah Bennett

Hannah Bennett

The connection between neuroscience and the built environment is a fairly new interdisciplinary field and one in which both fields, in their respective pursuits, have worked to understand the relationship between design choices, human behavior, and biological processes. Taken together and applied in tandem, these two activities have potential to vastly improve the effectiveness of buildings designed with the healthcare facilities, laboratories, or elementary schools, all of which share objectives of healing and intellectual cultivation. This paper will extend the dialogue to library design, perhaps the most representationally loaded expression of “mental space.” The library has seen profound changes in …


Jos Museum Arabic Manuscripts Conservation (Jmamc) Project 27-31 August 2012, Michaelle L. Biddle Sep 2012

Jos Museum Arabic Manuscripts Conservation (Jmamc) Project 27-31 August 2012, Michaelle L. Biddle

Michaelle Biddle

The Jos Museum Arabic Manuscripts Collection is one of the oldest and largest manuscript collections in Nigeria. Because of the collection’s importance, its extremely poor housing and condition, the Jos Museum Arabic Manuscripts Conservation (JMAMC) Project was created. The goal of the week-long project was to gather fine-grained, detailed information as to the state of the collection so that a more comprehensive conservation, cataloging and digitization project could be formulated. Biddle details why the collection should be transferred on long-term loan to Arewa House Kaduna.


Form And Meaning: The Conventionalization Of The Leaf Ornament, Kresten Jespersen Dec 1986

Form And Meaning: The Conventionalization Of The Leaf Ornament, Kresten Jespersen

Kresten Jespersen

As did Owen Jones, Bloomer argues for a modern style of ornament to decorate a modern architecture. Based on formal laws rather than theories of classical or naturalistic imitation, conventionalization can be seen as being explicitly modern. Moreover, deriving from the work of ornament, these laws are dependent on intrinsic rather than extrinsic principles.